Ron Miles Quartet

Ron Miles - I Am a Man (2017)  Music

Posted by SERTiL at Dec. 20, 2017
Ron Miles - I Am a Man (2017)

Ron Miles - I Am a Man (2017)
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 319 MB
Label: Yellowbird – YEB-7776 | Tracks: 07 | Time: 57:02 min
Contemporary Jazz, Post-Bop

„I Am A Man“, Ron Miles's newest recording with Bill Frisell and Brian Blade, expands the trio to a quintet with the addition of pianist Jason Moran and bassist Thomas Morgan. The sublime interplay that distinguished the Circuit Rider trio recordings 'Quiver' (2012) and 'Circuit Rider' (2014), reaches new levels of inspired musical communication. Ron Miles 's lyrical and complex compositions provide the perfect framework for five masters who blur the boundaries of conventional soloing and accompanying in a constant ebb and flow marked by brilliant harmonizing and strokes of individual genius.
Ron Miles - I Am A Man (2017) [Official Digital Download 24-bit/96kHz]

Ron Miles - I Am A Man (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 57:06 minutes | 1,25 GB
Studio Master, Official Digital Download | Artwork: Front cover

'I am a Man', Ron Miles's newest recording with Bill Frisell and Brian Blade, expands the trio to a quintet with the addition of pianist Jason Moran and bassist Thomas Morgan. The sublime interplay that distinguished the Circuit Rider trio recordings 'Quiver' (2012) and 'Circuit Rider' (2014), reaches new levels of inspired musical communication. Ron Miles 's lyrical and complex compositions provide the perfect framework for five masters who blur the boundaries of conventional soloing and accompanying in a constant ebb and flow marked by brilliant harmonizing and strokes of individual genius.

Ron Miles - I Am A Man (2017)  Music

Posted by Domestos at Dec. 15, 2017
Ron Miles - I Am A Man (2017)

Ron Miles - I Am A Man (2017)
WEB FLAC (tracks) ~ 322.07 Mb | 57:06 | Cover
Contemporary Jazz, Post-Bop | Label: Yellowbird - YEB-7776

When two workers were killed by a malfunctioning garbage truck in Memphis in 1968, the flames of activism were rightly stoked. Sanitation workers fed up with poor working conditions and abuse of power poured into the streets wielding "I Am A Man" signs, making a principled stand that spoke not only to the situation at hand, but also to a broader struggle connected to the civil rights movement. That incident remains clearly fixed in cornetist Ron Miles' mind, standing out both for its place in history and for what the statement on those signs represents.

Ron Miles, Bill Frisell & Brian Blade - Circuit Rider (2014)  Music

Posted by mark70 at Aug. 23, 2015
Ron Miles, Bill Frisell & Brian Blade - Circuit Rider (2014)

Ron Miles, Bill Frisell & Brian Blade - Circuit Rider (2014)
MP3 320 kbps CBR | 56:40 min | 132 MB
Genre: Jazz | Label: Yellowbird Records

Ron Miles collaborates for the second time with the heavyweight team of guitarist Bill Frisell and drummer Brian Blade. His longstanding relationship with Bill Frisell began almost two decades ago and has resulted in countless collaborations, including the previous trio album Quiver (2012, Enja Records) and their duo recording Heaven. Ron has appeared on many of Frisell's recordings and has toured with him extensively. Ron is a music professor at the Denver Metropolitan State College. Ron Miles is one of the finest improvisers and composers of his generation. In addition to leading his own bands, he has performed in the ensembles of Mercer Ellington, Don Byron, Myra Melford, Joe Henry, Madeleine Peyroux, Jason Moran, Matt Wilson, the Bad Plus, Harriet Tubman and Ginger Baker.

Ron Miles - Quiver (2012)  Music

Posted by mark70 at Nov. 3, 2012
Ron Miles - Quiver (2012)

Ron Miles - Quiver (2012)
MP3 320 kbps CBR | 66:15 min | 149 MB
Genre: Jazz | Label: Enja Records

Some musicians are recognized not only for their abilities but also their vociferous commentaries, holding true the phrase that "the squeaky wheel gets the most attention." Yet there are more subdued voices who let their music do the talking, as is the case for Ron Miles' Quiver, a project led by the Denver-based trumpeter and his talented cohorts, guitarist Bill Frisell and drummer Brian Blade. These gentle masters are highly respected leaders with expansive discographies and projects that have covered a wide spectrum of contemporary music.

Ron Carter Quartet - Piccolo (1977) [Remastered 1999]  Music

Posted by Bezz at March 31, 2012
Ron Carter Quartet - Piccolo (1977) [Remastered 1999]

Ron Carter Quartet - Piccolo (1977) [Remastered 1999]
EAC rip | APE+CUE+LOG | Scans | 370 Mb (Incl. Recovery)
Genre ~ Post-Bop, Third Stream | Label ~ Milestone Records

Ron Carter Quarter - Brasil L.I.K.E. (2016)  Music

Posted by mark70 at Sept. 4, 2016
Ron Carter Quarter - Brasil L.I.K.E. (2016)

Ron Carter Quarter - Brasil L.I.K.E. (2016)
MP3 320 kbps CBR | 40:11 min | 101 MB
Genre: Vocal Jazz, Bossa Nova | Label: Summit Records

The idea behind this masterpiece was recording American and Brazilian standards in Bossa with excerpts of Jazz in each song…so, to CAP IT - Legendary, Grammy Award winner, Ron Carter and his Quartet bring their brand of legendary jazz back to Brasil…with incredible orchestration from Grammy winning producer, Ruria Duprat and his orchestra, and the non-threatening, soft, heartwarming, spine-tingling voice of Vitoria Meldonado…throw in some Brasilian special guests and a cameo by Randy Brecker on Night and Day and you have a SPECIAL BRASIL LIKE Recording!!!…Gorgeous.

Hank Jones & Ron Carter – Great Jazz in Kobe ’96 (1997)  Music

Posted by robi62 at Aug. 29, 2013
Hank Jones & Ron Carter – Great Jazz in Kobe ’96 (1997)

Hank Jones & Ron Carter – Great Jazz in Kobe ’96 (1997)
Video: NTSC, MPEG-2, 720 x 480 (1.778) at 29.970 fps | Audio: PCM 2 channels at 1 536 Kbps, 48.0 KHz
Genre: Jazz | Label: Panasonic | Copy: Untouched | Release Date: 21 April 1997 | Runtime: 107 min. | 6,88 GB (DVD9)

In the opening of this 107-minute long DVD, Hank Jones says he visited Kobe for the first time "ten years ago" (ie, 1986), and Ron Carter refers to the city as "the birthplace of jazz in Japan." The concert, filmed on December 4, 1996, starts with Jones-Carter duo performances of "'Round Midnight" and "Polka Dots and Moonbeams," followed by trio renditions (with Lewis Nash added on drums) of "Blue Monk" and "A Night in Tunisia." Hank Jones' part of the concert, leading Santi DeBriano (bass) and Jimmie Smith (drums), begins with an up-tempo version of "Speak Low," and continues with "On Green Dolphin Street," "Body and Soul," and "What's New?"

Bill Frisell - Quartet (1996) [Repost]  Music

Posted by tiburon at Oct. 22, 2012
Bill Frisell - Quartet (1996) [Repost]

Bill Frisell - Quartet (1996)
X Lossless Decoder | FLAC tracks | Cue+Log+M3U | Full Scans 300dpi | 285MB + 5% Recovery
Genre: Jazz

With his indelible, elastic tone, restless curiosity, and open-eared approach to music beyond the traditional corridors of jazz, guitarist Bill Frisell is among the most prolific and continually surprising improvisers alive. Quartet is built around a typically inventive, typically off-centered Frisell lineup including Ron Miles (trumpet, piccolo trumpet), Eyvind Kang (violin, tuba), and Curtis Fowlkes (trombone) who draw from a sonorous palette. By avoiding a conventional rhythm section and piano, Frisell and his confederates create a group sound with the intimacy of small jazz group while tapping the timbres of chamber music.

Bill Frisell - Quartet (1996)  Music

Posted by bakuman at July 29, 2010
Bill Frisell - Quartet (1996)

Bill Frisell - Quartet (1996)
1 CD | X Lossless Decoder | FLAC(tracks) + CUE + LOG | Full Scans | RAR FILES (3% recovery) | 285 MB
Genre: Jazz | Label: Nonesuch | SM + HF + FS

With his indelible, elastic tone, restless curiosity, and open-eared approach to music beyond the traditional corridors of jazz, guitarist Bill Frisell is among the most prolific and continually surprising improvisers alive. Quartet is built around a typically inventive, typically off-centered Frisell lineup including Ron Miles (trumpet, piccolo trumpet), Eyvind Kang (violin, tuba), and Curtis Fowlkes (trombone) who draw from a sonorous palette. By avoiding a conventional rhythm section and piano, Frisell and his confederates create a group sound with the intimacy of small jazz group while tapping the timbres of chamber music; the material (which includes pieces composed for a TV special built around friend Gary Larson's "Far Side" cartoons) is equally beyond category