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The quality of the recorded sound is so perfectly clear on this recording, like finely etched crystal, while at the same time it is so robust and resonant, that it is difficult to believe that the piano played on these two marvelous CDs is a replica of a 1785 Walter fortepiano, a smaller and much more fragile instrument than today's modern concert grand pianos.
The Mozart Requiem is one of the best-known sacred works in the classical repertoire. It was the composer's last work, and he left it unfinished at his death. British conductor Roger Norrington, a pioneer of authentic performing practice, and an outstanding group of singers present Duncan Druce's version of the Requiem, based on the latest Mozart research, together with other moving choral works.
The concerto grosso form was popularized by Corelli, and Locatelli’s Op 1 is a marvellous example of the genre: its solid craftsmanship, imaginative textures and exciting virtuosity bringing it into the top rank. These works are ravishingly performed here by The Raglan Baroque Players, Nicholas Kraemer and soloist Elizabeth Wallfisch.
Many of us remember a time when basketball shorts barely covered the gonads, computers were for the birds, and playing ukulele earned you a seat at the cafeteria's misfit table and a backstage pass at the Tiny Tim concert. Today those shorts would get you arrested, computer expertise earns the big bucks, and videos of solid uke playing generates millions of views and accolades on YouTube. Oh yeah, the times they are a-changin'!