One of the more melodic concerts in the series, opening with piano and guitar improvisations, then moving into tracks from Bestiary and other rhythmic pieces from the last decade.
A wide-ranging planetarium concert that opens with modular analog sequences and moves into pieces from Outpost, Bestiary and '90s Fathom-era material.
Le goût des Québécois pour la rigolade passe depuis longtemps pour un de leurs traits nationaux. Robert Aird fait ici l’histoire du rire au Québec sous l’angle politique, en dégageant ce que le comique révèle des rapports du peuple avec les pouvoirs de l’État, de l’Église ou des élites. Il illustre son propos par des exemples qui font encore rire aujourd’hui – du moins dans la plupart des cas. …
A new album of piano driven ambient music from British composer Robert Haigh. Following in the path of his albums for the Japanese Siren label, Creatures of the Deep is an underground vantage of a meeting between the musical worlds of Harold Budd and Erik Satie. With a storied musical career that has ranged widely in style - from his industrial-avant-garde works on Nurse With Wound’s United Diaries label as SEMA to his legendary ambient drum and bass records as Omni Trio on Moving Shadow - Robert Haigh's work occupies a space between music and mystery. With Creatures of the Deep, Haigh is at the peak of his powers. Among noir, minimal, neo-classical landscapes are robust scatterings of bright reflection and a musical expression that is subtle and elusive yet uniquely Haigh’s in its voice and masterful execution. The closer we examine, the more is revealed, and the less is defined.
A dynamic live concert from the era of Humidity, blending moments of pure sonic improvisation with melodic pieces from the Fathom-era catalog.