Riley Lee is the first non-Japanese dai shihan (grand master) of the shakuhachi and has garnered a large, international fanbase having performed and taught around the world. On Music For Zen Meditation, Lee expertly reveals the quiet dignity and simple elegance of this ancient instrument with starkly beautiful solos and duets. Practiced for centuries by Buddhist priests in Japan, playing the shakuhachi during meditation is called suizen, or blowing Zen. Its warm, comforting sounds relax the mind, spirit, and body. Music For Zen Meditation is ideal for those who practice yoga and meditation as well as for new listeners eager for contemplative music in the face of today's hectic and troubled world…devaworld.com
This CD of shakuhachi and koto duets by Riley Lee and Satsuki Odamura paints sound-pictures or introspective dreams in an intriguing and rather beautiful way. Sometimes the phrases are simple and slow then suddenly there are bursts of energy as the instruments dance in ecstasy and passion.
There are some similaries here with the music of German musician Stephan Micus, so if you are a fan of this artist you should not be disappointed with Picture Dreams. Riley Lee, a dai shihan (grand master) of the shakuhachi, brings out all the magic of this instrument to our ears. And perfectly complementing Lee's performance, Odamura portrays a phenomenal mastery with the koto.amazon.com
This collection of exquisite French, Japanese and Australian compositions played on shakuhachi and harp takes us into the realm of a mystical imagination. Works featured are by Faure, Satie, Ravel, Debussy, Tournier, Fukuda, Kozu and Australian composer Anny Boyd. This is a very special album ideal for relaxation, meditation or simply for pure enjoyment.amazon.com
The CD's liner notes define satori as "the indescribable experience of sudden, intuitive spiritual realization." That may be, yet unless you are a serious student of yoga or a fan of its ancient musical traditions, you may struggle to reach such a state while listening to these improvisations for shakuhachi flute (Riley Lee) and koto (Gabriel Lee, no relation). Satori, originally recorded in 1983, seems best suited to serious - minded yoga practitioners and those who prefer to adorn their meditative states with only the most minimal of audio embellishments. For such people, this disc could be the answer to prayers…amazon.com
Solo piano works, recorded live in Moscow Conservatory on April 18th, 2000. Russian-only release on the Long Arms label. Pieces include: 'Arica', 'Havana Man', 'Negro Hall', 'The Ecstasy', 'Missigono', 'Requiem For Wally'. "The following pieces appear without any editing of the performance. Large sections of these pieces are improvised and I have attempted to preserve the spontaneity of this special evening by presenting my first concert in Moscow exactly as it was played. I hope in some way my offering of this evenings music reflects the deep respect I hold for the great musical traditions of Russia and the Masters who have reached for the stars before me with their awesome genius."– Terry Riley.
"After the widely noticed performance at the „Acht Brücken Festival 2016” at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of „Grandbrothers“), Daniel Brandt, Paul Frick (both of "Brandt Brauer Frick") and John Kameel Farah will be releasing their interpretation of Steve Reich’s "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich’s composition but still far more than just that – it is a modern approach to his idea behind it. "Keyboard Study #1" by Terry Riley is a worthy b-side opposed to Reich’s composition. The piece is kind of a building set of ever lengthening, repetitive patterns played against each other with the right and left hand displaced. The composition proposes various possible combinations for the performer to choose from and repeat at will. And what the performers have chosen proves Gregor Schwellenbach’s assumption: "Especially Terry Riley’s and Steve Reich’s music are open doors for pianists socialized by pop music and their audience".