Songwriter Chris Isaak clearly loves the reverb-laden rockabilly and country of Sun Studios. In particular, he transfers the sweeping melancholy of Roy Orbison's classic Monument singles ("Crying," "Oh, Pretty Woman," "In Dreams") to the more stripped-down, rootsy sound of Sun, resulting in a stylized take on '50s and '60s rock & roll that made him into a star in the early '90s, propelled to a great degree by the hit single "Wicked Game." Isaak began performing after he graduated from college, forming the rockabilly band Silvertone. The group, which featured guitarist James Calvin Wilsey, bassist Rowland Salley, and drummer Kenney Dale Johnson, would become the singer/guitarist's permanent supporting band
Released in 1978, Don't Ask My Neighbors was the second and last album that George Duke produced for Raul De Souza. For the most part, Duke serves the Brazilian trombonist well.
Collection includes: Guitars And Castanets (2005); Firebird (2007); Worth It (2010); Rattle My Cage (2013).
Collection includes 16 albums by American instrumental rock band Los Straitjackets. Los Straitjackets is a Nashville based band known primarily for performing instrumental surf music.
Human is a studio album released by Rod Stewart on 12 March 2001 (see 2001 in music). It was Stewart's nineteenth studio album and first, and only release, on Atlantic Records (Atlantic 7567-83411-2), a sister label to his previous label Warner Bros. Records.It produced the singles "Run Back Into Your Arms", "I Can't Deny It", and "Don't Come Around Here". "I Can't Deny It" became a moderate hit and the album was certified gold by the British Phonographic Industry.
Carrie Rodriguez is a Texan singer-songwriter and violinist whose repertoire includes country, folk and rock, but is at her best when she explores her Mexican roots. Her great aunt Eva Garza, a Spanish-language singing star in the 1940s, inspired Rodriguez to “create my own blend of Tex-Mex music”. It’s a mix of classic Mexican songs, many slow and unashamedly emotional, and her own compositions, which are often in the ranchera tradition. The opener, Perfidia, shows how well Rodriguez has succeeded. She revives this tuneful, well-worn song of betrayal with pained, attacking vocals, helped by strong harmony work by Raul Malo and glorious twanging guitar by the great Bill Frisell. Elsewhere, there’s a powerful treatment of the 30s love song Noche de Ronda. Rodriguez’s compositions have a dash of country-blues and include a tribute to the ranchera star Lola Beltrán. This is a fresh, confident set.
Tout est dans le titre. Ce livre devrait être lu par tous les joueurs d'échecs. Indispensable, clair, profond, facile à lire.