This is a wonderful collection of all the great composer's known works, and is a must buy for anyone who enjoy's Rachmaninoff. While most of the recordings are not perhaps the absolute best that are out there, they are all still, for the most part, quite good. The only real issues I can find with this set are two rather small ones. On the recording of the symphonic poem The Isle of the Dead, there is an odd static-like sound that starts at about 17 minutes into the piece, which then disappears briefly, before reappearing once more. It is rather irritating, especially considering that the rest of the recording is very nice.
Sergei Vasilievich Rachmaninoff (Russian: Сергей Васильевич Рахманинов, Sergej Vasil’evič Rakhmaninov, 1 April 1873 [O.S. 20 March] – 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
The piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody.
This first volume of John Cage’s complete works for flute spans a fifty year period, from the Three Pieces for Flute Duet of 1935—deft studies in chromatic writing—to the 1984 Ryoanji, which involves the use of pre-recorded flutes and percussion with resultant diverse and intricate textures. Two is the first of Cage’s important ‘number’ series and is edgily ruminative, while Music for Two, written for any combination of the 17 different instrumental ‘parts without scores’ provided by the composer, is heard in an arrangement described by Katrin Zenz as a ‘new piece for flute and piano’.
Classical pianist Jean-Yves Thibaudet has become a command performer much in demand on the world concert scene. He is known for his beautiful poetic musical interpretations, and his skill at evoking the atmospheric textures, colors, and moods of the music he plays…
Since his triumph as winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson, has established himself worldwide as a musician of magisterial interpretive and technical prowess. Ohlsson said of this set, “This monumental recording project first came about when the American record company Arabesque approached me with an irresistible offer to record the complete works of Chopin.
A majority of well-known composers have written at least a few chamber compositions in their entire lifetime. The most famous would have to be Mozart, Beethoven, Brahms, and probably Prokofiev. Some, including Respighi and Vaughan Williams, are overlooked or even rejected in today's society. Whether it's because of lack of originality or excessive complexities, these sorts of compositions are always left in the dark. Take Rachmaninov's Cello Sonata, for instance. This 35-minute work doesn't receive the complete recognition it deserves. It's overshadowed by the composer's piano concertos and symphonies, all of which are respectfully first-rate works in their own right.