Quincy Jones

Quincy Jones - The Lost Man (The Original Soundtrack Album) (1969) {Uni} **[RE-UP]**

Quincy Jones - The Lost Man (The Original Soundtrack Album) (1969) {Uni}
MP3 CBR 320kbps | RAR | 78 mb
Genre: soundtrack, soul, R&B, pop

The Lost Man is the 1969 original soundtrack album to the film, put together by Quincy Jones. Released by the Uni label, Jones is assisted on the album by Ernestine Anderson, Venetta Fields, Geraldine Jones, The Mirettes, and many more.
Quincy Jones - $ (Dollar$) (Music From The Motion Picture) (1972) {2001 Reprise/Warner Strategic Marketing France} **[RE-UP]**

Quincy Jones - $ (Dollar$) (SDTK) (1972) {2001 Reprise/Warner Strategic Marketing France}
MP3 CBR 320kbps | RAR | 83 mb
Genre: soundtrack, soul, pop, incidental

$ (also titled Dollar$) is the 1972 soundtrack album by Quincy Jones. Originally released on Reprise, it features vocal contributions from Little Richard and Roberta Flack in a few songs. A few of the songs featured have been sampled in hip-hop songs, well known and little known. This is taken from a French CD pressing released in 2001.

Quincy Jones - The Hot Rock (Soundtrack) (1972) **[RE-UP]**  Music

Posted by TestTickles at Feb. 14, 2018
Quincy Jones - The Hot Rock (Soundtrack) (1972) **[RE-UP]**

Quincy Jones - The Hot Rock (Soundtrack) (1972)
EAC Rip | FLAC with CUE and log | scans | 173 mb
MP3 CBR 320kbps | RAR | 81 mb
Genre: soundtrack, jazz, soul, R&B, incidental

The Hot Rock is the 1972 soundtrack album by Quincy Jones, released on Prophescy. Some of the musicians on the album include Grady Tate, Carol Kaye, Mike Melvoin, Clare Fischer, Gerry Mulligan, Clark Terry, and Victor Feldman among many. This is taken from an unofficial CD for the album ripped from vinyl, as it has not been digitally released.

The Quincy Jones Big Band - Q Live In Paris Circa 1960 (1996) {Qwest}  Music

Posted by TestTickles at Jan. 11, 2018
The Quincy Jones Big Band - Q Live In Paris Circa 1960 (1996) {Qwest}

The Quincy Jones Big Band - Q Live In Paris Circa 1960 (1996) {Qwest}
EAC Rip | FLAC with CUE and log | scans | 284 mb
MP3 CBR 320kbps | RAR | 155 mb
Genre: jazz, big band

Q Live In Paris Circa 1960 is a 1996 album by The Quincy Jones Big Band. This was recorded when Quincy Jones spent time in Paris. This is taken from a show recorded on 14 February, 1960 at the Alhambra. This was released through Q's Qwest label.
Quincy Jones - You've Got It Bad Girl (1973) [Reissue 2009] (Repost)

Quincy Jones - You've Got It Bad Girl (1973) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 258 MB | MP3 CBR 320 kbps (LAME 3.93) - 101 MB | Covers - 41 MB
Genre: Jazz-Funk | RAR 3% Rec. | Label: Verve Records (0602517910416)

Quincy Jones followed up Smackwater Jack and his supervision of Donny Hathaway's Come Back Charleston Blue soundtrack with this, a mixed bag that saw him inching a little closer toward the R&B-dominated approach that reached full stride on the following Body Heat and peaked commercially with The Dude. That said, the album's most notorious cut is "The Streetbeater" - better known as the Sanford & Son theme, a novelty for most but also one of the greasiest, grimiest instrumental fusions of jazz and funk ever laid down - while its second most noteworthy component is a drastic recasting of "Summer in the City," as heard in the Pharcyde's "Passin' Me By," where the frantic, bug-eyed energy of the Lovin' Spoonful original is turned into a magnetically lazy drift driven by Eddie Louis' organ, Dave Grusin's electric piano, and Valerie Simpson's voice…

Quincy Jones - Smackwater Jack (1971) [Reissue 2009]  Music

Posted by gribovar at Nov. 28, 2017
Quincy Jones - Smackwater Jack (1971) [Reissue 2009]

Quincy Jones - Smackwater Jack (1971) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 277 MB | MP3 CBR 320 kbps (LAME 3.93) - 99 MB | Covers - 43 MB
Genre: Jazz | RAR 3% Rec. | Label: Verve Records (0602527068909)

Quincy Jones had jazz fans wondering when he released his killer Gula Matari album in 1970. That set, with gorgeous reading of Paul Simon's "Bridge Over Troubled Water" with a lead vocal by none other than Valerie Simpson, pointed quite solidly into the direction Jones was traveling: unabashedly toward pop, but with his own trademark taste, and sophistication at the forefront of his journey. Its follow-up, Smackwater Jack, marked Jones, along with Phil Ramone and Ray Brown in the producer's chair, and knocked purist jazz fans on their heads with its killer meld of pop tunes, television and film themes, pop vocals, and big-band charts…
Quincy Jones - Explores the Music of Henry Mancini (1964) [Reissue 2009] (Repost)

Quincy Jones - Explores the Music of Henry Mancini (1964) [Reissue 2009]
EAC Rip | FLAC (tracks+.cue+log) - 236 MB | MP3 CBR 320 kbps (LAME 3.93) - 96 MB | Covers (5 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Verve Records (0602517995741)

As modern big-band leaders go, Quincy Jones in the '60s would be first choice for many composers who wrote for a television series or the cinema. Though not the original themes, Jones was quite able to produce a full album featuring Henry Mancini's famous songs from movies and the small screen. This collection of the familiar and obscure Mancini done in 1964, preceded famed epic scores written by Jones from films The Pawnbroker and The Deadly Affair. It comprises several well-known hit tunes and a smattering of cuts not easily identifiable as the hummable and memorable Mancini classics…
Quincy Jones - Complete Recordings 1960-1962 (2014) {4CD Set Enlightenment EN4CD9010}

Quincy Jones - Complete Recordings 1960-1962 (2014) {4CD Set Enlightenment EN4CD9010}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.72 Gb | MP3 @320 -> 668 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1960-62, 2014 Enlightenment | EN4CD9010
Jazz / Modern Big Band / Progressive Big Band

It was during the 1960s that Quincy Jones became a world renowned Jazz musician and composer of film soundtracks, but it was not until about the middle of the decade that success of this nature began to come his way, soon after he had composed the score for Oscar nominated The Pawnbroker. Indeed, during the first few years of the 1960s he lived as a working musician, bandleader and the musical director of Barclay Records - the French imprint of Mercury - but could barely earn enough to pay the bills. This however, did not prevent Quincy from continuing to perform and release music of a quite superlative nature.

Miles Davis & Quincy Jones - Live At Montreux (1993) {Warner Bros.}  Music

Posted by TestTickles at Sept. 30, 2017
Miles Davis & Quincy Jones - Live At Montreux (1993) {Warner Bros.}

Miles Davis & Quincy Jones - Live At Montreux (1993) {Warner Bros.}
EAC Rip | FLAC with CUE and log | scans | 356 mb
MP3 CBR 320kbps | RAR | 145 mb
Genre: jazz, big band

Live At Montreux is a 1993 live album by Miles Davis & Quincy Jones. This was recorded at the 25th anniversary of The Montreux Jazz Festival on 8 July, 1991, two months before Davis' passing. This was released in the U.S. by Warner Bros. Records.

VA - No Hater Soul: Quincy Jones Samples Preferred (2010) **[RE-UP]**  Music

Posted by TestTickles at Sept. 5, 2017
VA - No Hater Soul: Quincy Jones Samples Preferred (2010) **[RE-UP]**

VA - No Hater Soul: Quincy Jones Samples Preferred (2010)
MP3 CBR 320kbps | RAR | 171 mb
Genre: hip-hop, rap

This is a compilation made in response to legendary producer Quincy Jones complaining about the hatred from online fans towards his new album, Q: Soul Bossa Nostra, where he used the talents of various modern day rappers and singers to do songs using his older material. They were either direct cover versions or songs utilizing his samples. Here is the actual comment: "Today with Facebook and Twitter and everything, I have never seen so many haters in my life. But it’s people sitting in their basements with their pants on the ground, just being haters. I don’t get it, man. That means they don’t have a life.” Maybe it is Q: Soul Bossa Nostra which does not have life. No Hater Soul: Quincy Jones Samples Preferred features a selection of songs in hip-hop's musical history that either sampled some of Quincy Jones' classics, or used songs that were written or produced by Q. This is a more appropriate tribute to Q's talents than Q: Soul Bossa Nostra is. Without hate, this is No Hater Soul, definitely Preferred.