Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like “War Pigs” and “Iron Man” (which sports one of the most immediately identifiable riffs in metal history).
From the title it's fairly obvious that Stanko is dedicating this work to his former boss and compatriot, the late Kryzsztof Komeda, who had passed a few years before. But it's difficult to believe that this was recorded in 1970. Stanko's quintet was so fully versed in the free jazz aesthetic and pursued to fuse it to the European classicism and avant-gardism of his native Poland. There are five tracks here, all part of a larger suite that is opened and closed by a theme. Stanko's writing is for a large harmonic palette realizable by two saxophones and his own trumpet with a rhythm section.
A stowaway on a cruise ship is mistaken for an entertainment director.
Bolek and Lolek are two Polish cartoon characters from the TV animated series by the same title (Bolek i Lolek in Polish). They are based on Władysław Nehrebecki's sons, named Jan and Roman, and were partially created by German-born Alfred Ledwig before being developed by Władysław Nehrebecki and Leszek Lorek. The series is about two young brothers and their fun and sometimes silly adventures which often involve spending a lot of time outdoors. They first appeared in an animated film in 1964.