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The Plastic People Of The Universe - Egon Bondy (1978) [Reissue 2010] PS3 ISO + Hi-Res FLAC

The Plastic People Of The Universe - Egon Bondy's Happy Hearts Club Banned (1978) [Reissue 2010]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 52:26 minutes | Scans included | 1,62 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,07 GB

Egon Bondy's Happy Hearts Club Banned is an album by Czech underground band The Plastic People of the Universe. It was recorded in 1974/75, mainly at Houska Castle, enabled by the castle's then warden Svatopluk Karásek, with some songs being recorded in Prague. The album could not be officially released and distributed under the former Communist regime in Czechoslovakia; instead fans duplicated tapes with one another, often resulting in poor technical quality. It was released in 1978 in France by SCOPA Invisible Production. In the Czech Republic a remastered version was published on CD in 2001 by Globus Music. The album title is a parody of The Beatles' album Sgt. Pepper's Lonely Hearts Club Band. Most of the songs on the record are settings of poems by Egon Bondy.
The Lonnie Plaxico Group - Live at Jazz Standard (2004) [Stereo & MCH] PS3 ISO + Hi-Res FLAC

The Lonnie Plaxico Group - Live at Jazz Standard (2004)
PS3 Rip | SACD ISO | DSD64 2.0 & DST64 5.0 > 1-bit/2.8224 MHz | 55:16 minutess | Scans NOT included | 3,62 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 1,12 GB

Bassist Lonnie Plaxico is perhaps best known for his associations with Greg Osby & M-Base, & for being the long-time bassist for Cassandra Wilson. He was the leader of several recordings made for the now static Muse label in the '80s & '90s. On January 29, 2003, Plaxico was leading an energetically funky sextet at New York City's Jazz Standard.
Celine Dion - Falling Into You (1996) [Reissue 2015] PS3 ISO + Hi-Res FLAC

Celine Dion - Falling Into You (1996) [Reissue 2015]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 76:00 minutes | Scans NOT included | 2,29 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 1,51 GB
Numbered, Limited Edition Hybrid SACD | 39th Grammy Awards winner for Album of the Year and Best Pop Album
Cat Stevens – Mona Bone Jakon (1970) A&M Records/SP4260 – US Sterling Pressing - LP/FLAC In 24bit/96kHz

Cat Stevens – Mona Bone Jakon
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered at Sterling Sound
Label: A&M Records/SP4260 | Release: 1970 | This Issue: 197? | Genre: Folk-Rock

Cat Stevens virtually disappeared from the British pop scene in 1968, at the age of 20, after a meteoric start to his career. He had contracted tuberculosis and spent a year recovering, from both his illness and the strain of being a teenage pop star, before returning to action in the spring of 1970 — as a very different 22-year-old — with Mona Bone Jakon.
Cowboy Junkies – The Trinity Session (1988/2016) [Analogue Productions SACD ISO+HiRes FLAC]

Cowboy Junkies – The Trinity Session (1988/2016)
PS3 Rip | SACD ISO | DST64 2.0 >1-bit/2.8224 MHz | Full Scans 300dpi | 2.14GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Full Scans 300dpi | 980MB + 5% Recovery

Who says you can’t make a great record in one day — or night, as the case may be? The Trinity Session was recorded in one night using one microphone, a DAT recorder, and the wonderful acoustics of the Holy Trinity in Toronto. Interestingly, it’s the album that broke the Cowboy Junkies in the United States for their version of “Sweet Jane,” which included the lost verse. It’s far from the best cut here, though. There are other covers, such as Margo Timmins’ a cappella read of the traditional “Mining for Gold,” a heroin-slow version of Hank Williams’ classic “I’m So Lonesome I Could Cry,” “Dreaming My Dreams With You” (canonized by Waylon Jennings), and a radical take of the Patsy Cline classic “Walkin’ After Midnight” that closes the disc.
Ella Fitzgerald - Like Someone In Love (1957/2011) [DSD64 + Hi-Res FLAC]

Ella Fitzgerald - Like Someone In Love (1957/2011)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 53:56 minutes | 1,55 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 53:56 minutes | 1 GB
Studio Master, Official Digital Download | Artwork: Front cover

Recorded around the same time as her groundbreaking work with Louis Armstrong, this album is representative of Fitzgerald's best vocal work. Recorded over a two-day period in October, 1957, Fitzgerald sings familiar ballads on this release accompanied by lush orchestral arrangements courtesy of Frank DeVol, with tenor sax legend Stan Getz contributing to four songs.
M.A.S.S. - Mysteria: An Electronic Journey Into Sound (2006) [2.0 & 5.1] PS3 ISO + Hi-Res FLAC

M.A.S.S. - Mysteria: An Electronic Journey Into Sound (2006)
PS3 Rip | 3x SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 160:10 minutess | Scans included | 10,2 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 3,22 GB

"Mysteria" is a magnificent triple cd by M.A.S.S., the artistic name of Stephan Kaske, a founding member of the mythical band Mythos, created in 1969.
This album joins Space Music with Synth-Pop in a very imaginative manner, which proves why the artist succeeded in becoming a musical visionary at a time when shaping risky concepts of sound was by no means as technologically easy as it is now. Kaske, who since then has been developing an intense musical career in various recording projects as well as being the author of soundtracks and music for television advertisements, displays an excellent combination of artistic creativity and mastery in his skills with the electronic medium, which means in fact that this work is a true jewel for the lovers of innovative electronic music, with a remarkable beauty, while at the same time avoiding arid experimentation or commercial formulae which are repeated ad nauseam.

Beat Kaestli - Invitation (2010) [2.0 & 5.1] PS3 ISO + Hi-Res FLAC  Vinyl & HR

Posted by HDAtall at Feb. 23, 2017
Beat Kaestli - Invitation (2010) [2.0 & 5.1] PS3 ISO + Hi-Res FLAC

Beat Kaestli - Invitation (2010)
PS3 Rip | SACD ISO | DSD64 2.0 & DST64 5.1 > 1-bit/2.8224 MHz | 46:26 minutess | Scans included | 2,84 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 876 MB
Features Stereo & Multichannel Surround Sound | Chesky Records # SACD 348

Beat Kaestli turns his attention to the Great American Songbook on Invitation, his auspicious debut for Chesky Records. Recorded at St. Peter's Church in Chelsea, this stirring collection of jazz standards is the perfect showcase for Kaestli's hauntingly beautiful voice, which falls somewhere in the Chet Baker-Kenny Rankin range. His voice is imbued with clarion articulation, naturally relaxed phrasing and uncanny feeling.
Horslips – The Book Of Invasions (1976) DJM Records/DJLPA-10 – 1st US Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Horslips ‎– The Book Of Invasions ‘A Celtic Symphony’
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: DJM Records/DJLPA-10 | Released: 1976 | Genre: Progressive-Folk

Essential: a masterpiece of progressive rock music
After the lacklustre Unfortunate Cup of Tea, the next album was going to be a watershed for Horslips. In the end, they returned broadly to the formula that had brought them so much acclaim for The Tain and produced a concept album based on Irish mythology and full of great songs based on Irish traditional tunes. And it works just as well as The Tain, having brought them enormous critical acclaim. If anything, they show their amazing musicianship off even more, with Charles O’Connor’s fiddle and mandolin swopping riffs with Johnny Fean’s scything lead guitar and Jim Lockhart’s flute,whistle, pipes and keyboards.
Otis Redding – Otis Blue (1965/2016) [Analogue Productions SACD ISO+HiRes FLAC]

Otis Redding – Otis Blue (1965/2016) {Analogue Productions}
PS3 Rip | SACD ISO | DST64 2.0 >1-bit/2.8224 MHz | Full Scans 300dpi | 1.35GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Full Scans 300dpi | 631MB + 5% Recovery

Otis Redding’s third album, and his first fully realized album, presents his talent unfettered, his direction clear, and his confidence emboldened, with fully half the songs representing a reach that extended his musical grasp. More than a quarter of this album is given over to Redding’s versions of songs by Sam Cooke, his idol, who had died the previous December, and all three are worth owning and hearing. Two of them, “A Change Is Gonna Come” and “Shake,” are every bit as essential as any soul recordings ever made, and while they (and much of this album) have reappeared on several anthologies, it’s useful to hear the songs from those sessions juxtaposed with each other, and with “Wonderful World,” which is seldom compiled elsewhere.