Phillip b Meggs

Meggs' History of Graphic Design (repost)  eBooks & eLearning

Posted by viserion at Nov. 21, 2015
Meggs' History of Graphic Design (repost)

Philip B. Meggs, Alston W. Purvis, "Meggs' History of Graphic Design, 5th Edition"
ISBN: 0470168730 | 2012 | EPUB | 624 pages | 171 MB

Meggs' History of Graphic Design  eBooks & eLearning

Posted by tarantoga at Sept. 14, 2013
Meggs' History of Graphic Design

Philip B. Meggs, Alston W. Purvis, "Meggs' History of Graphic Design, 5th Edition"
ISBN: 0470168730 | 2012 | EPUB | 624 pages | 171 MB

Meggs' History of Graphic Design, 5th Edition (repost)  eBooks & eLearning

Posted by arundhati at Aug. 18, 2015
Meggs' History of Graphic Design, 5th Edition (repost)

Philip B. Meggs, Alston W. Purvis, "Meggs' History of Graphic Design, 5th Edition"
2012 | ISBN-10: 0470168730 | 624 pages | PDF | 151 MB

Meggs' History of Graphic Design, 5 edition  eBooks & eLearning

Posted by bookwyrm at June 3, 2012
Meggs' History of Graphic Design, 5 edition

Meggs' History of Graphic Design, 5 edition By Philip B. Meggs, Alston W. Purvis
2012 | 624 Pages | ISBN: 0470168730 | PDF | 152 MB

Ginger Meggs (1982)  Video

Posted by MirrorsMaker at Oct. 7, 2014
Ginger Meggs (1982)

Ginger Meggs (1982)
DVDRip | MKV | 720 x 404 | x264 @ 1800 Kbps | English AAC 2.0 @ 128 Kbps | 97 min | 1,41 Gb
Genre: Comedy

The escapades of Ginger Meggs, local larrikin. He's trying to win the heart of Minnie Peters, but the pressures of school, his rival Eddie Coogan and bully Tiger Kelly make life tough for him. Besides, there's fishing to be done.
Lonnie Brooks, Long John Hunter, Phillip Walker - Lone Star Shootout (1999)

Lonnie Brooks, Long John Hunter, Phillip Walker - Lone Star Shootout (1999)
EAC | FLAC | Tracks (Cue&Log) ~ 412 Mb | Mp3 (CBR320) ~ 156 Mb | Scans included
Modern Electric Chicago Blues | Label: Alligator | # ALCD 4866 | 01:03:40

Louisiana-born and Texas-toughened, Brooks (66 at the time of this recording), Hunter (68), and Walker (62) show what blues peers can do in what seem to be peaking years. There are three numbers where all three go full-tilt; the rest of the material varies in personnel, group, and solo emphasis. The distinctive, gutsy voice of Brooks, Walker's loping guitar lines with his slightly rough, seasoned voice, and the riveting presence of Walker on all counts, musically and vocally, are showcased to consistently satisfying levels. Of the 15 cuts, there are a handful of rockers and boogies, a few pure soul tunes and ballads, a jump blues, a Cajun calypso, and some straight blues – something for everyone. The hard-swinging "Street Walking Woman" and the slower shuffle "Feel Good Doin' Bad" are great musically, if lacking in message. Walker gets a back-to-back showcase on "I Can't Stand It No More/I Met the Blues in Person," and he tears it up. Brooks pleads and shouts on "This Should Go on Forever," while Hunter's highlights are the cautious "Alligators Around My Door" and the B.B. King cop on "Quit My Baby." Score some plus points for Kaz Kazanoff's sax and harp playing, and the horn charts are mighty fine throughout.

Aeroecology  eBooks & eLearning

Posted by hill0 at April 25, 2018
Aeroecology

Aeroecology by Phillip B. Chilson
English | 29 Mar. 2018 | ISBN: 3319685740 | 516 Pages | PDF/EPUB | 22.46 MB
VA - Night Comes Down: 60 British Mod, R&B, Freakbeat & Swinging London Nuggets (2017)

VA - Night Comes Down: 60 British Mod, R&B, Freakbeat & Swinging London Nuggets (2017)
MP3 CBR 320 kbps | 3:56:12 | 572 Mb
Genre: RnB, Funk, Soul, 60s, Rock, Blues / Label: Cherry Red Record

NIGHT COMES DOWN continues RPM’s ongoing pedigree in creating bespoke Sixties compilations of rare British music aimed at discerning collectors. Many tracks make their official debut on CD, including rarities by The Gnomes Of Zurich, Kevin ‘King’ Lear, Dominic Grant, The Shadrocks, The Reaction, Al Saxon, The Hammers, etc. In addition, ‘Cypress’ by The Truth is a previously unissued variant of Donovan’s ‘Hey Gyp’. Familiar names The Spencer Davis Group, Laurel Aitken, The Moody Blues, Arthur Brown are joined by cult favourites John’s Children, Mickey Finn, The Bo Street Runners and relative unknowns Five’s Company, The Second Thoughts.
The Microscopic Septet - Manhattan Moonrise (2014) {Cuneiform RUNE 370} (Phillip Johnston)

The Microscopic Septet - Manhattan Moonrise (2014) {Cuneiform RUNE 370} (Phillip Johnston)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 379 Mb | MP3 @320 -> 144 Mb
Full Artwork @ 300 dpi (jpg) -> 22 Mb | 5% repair rar
© 2014 Cuneiform Records / Phillip Johnston | RUNE 370
Jazz / Progressive Jazz / Modern Creative / Post-Bop / Saxophone

In the 80s, the band engendered a cagey slant on mainstream swing and then morphed into the risk-taking New York downtown scene, eventually garnering widespread attention and sell-out crowds at the Knitting Factory and other hip venues. They regrouped in 2006, carrying the torch for what has become a singular sound, ingrained in classic jazz stylizations, bop, funk, and the free-jazz domain. Known for its quirky deviations, razor-sharp horns arrangements and melodic hooks, the septet's spunkiness and tightknit overtures align with the stars on Manhattan Moonrise.
The Microscopic Septet - Friday the 13th: The Micros Play Monk (2010) {Cuneiform RUNE 310} (Phillip Johnston)

The Microscopic Septet - Friday the 13th: The Micros Play Monk (2010) {Cuneiform RUNE 310} (Phillip Johnston)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 364 Mb | MP3 @320 -> 140 Mb
Full Artwork @ 300 dpi (jpg) -> 36 Mb | 5% repair rar
© 2010 Cuneiform Records / Phillip Johnston | RUNE 310
Jazz / Progressive Jazz / Modern Creative / Post-Bop / Saxophone

Very few jazz composers have experienced the extremes of acceptance and rejection that were Thelonious Monk's lot. Ignored and rejected early in his career – in part for the oblique weirdness of his piano style, in part for the difficulty and angularity of his compositions, and in part because he was quite clearly mentally ill – he did at least live to see his music given the appreciation it deserved, and his work has only grown in esteem since his death in 1982. Today, his pieces are among the most frequently performed and recorded of any jazz composer; as popularity among musicians goes, his music is on the same level as that of Duke Ellington and Miles Davis.