Comprised of vocalist Petra Magoni and bassist Ferruccio Spinetti, Musica Nuda are an Italian vocal jazz-pop duo whose popularity carried over to neighboring countries, especially France, during the mid-2000s. Born in Pisa, Tuscany, on July 28, 1972, Magoni studied music at the Conservatory of Leghorn and at the Pontifical Institute of Sacred Music in Milan. A versatile singer, she performed opera at the Teatro Verdi in Pisa early in her career while at the same time fronting a local rock group, Senza Freni. Petra Magoni (1996) marked her full-length solo album debut and was followed by a second solo album, Mulini a Vento (1997). She subsequently adopted the moniker Sweet Anima and released an eponymous album of English-language songs written by Lucio Battisti in 2000. In addition, she collaborated with Giampaolo Antoni in the electro-pop duo Aromatic, which resulted in the album Still Alive (2004). Most successful among her recording ventures, however, was Musica Nuda, a vocal jazz-pop collaboration with Piccola Orchestra Avion Travel bassist Ferruccio Spinetti that made its critically acclaimed eponymous album debut in 2004.
The second album by Petra Magoni (vocal) and Ferruccio Spinetti (bass) is another piece of an original project, unique in many respects in Italian music. The voice sharp, ironic, bad, sweet Magoni moves back to the great songs of pop music: Come Together, Never Can Say Goodbye, but also original compositions like the beautiful Io Sono Metà or Le Due Corde Vocali in which joins, for the first time, the voice of Ferruccio Spinetti. Two voices to tell a story, a dialogue that sums up well what do you look for in Musica Nuda 2: the sharp reduction to the bare essentials across with ironic depth.
PETRA brings 33 years of music and ministry to a close with Farewell, the exclusive Nashville tour stop featuring over 65 minutes of live footage from this groundbreaking band. Fans from all over the world flocked to pay homage to the Christian rock pioneers and to take part in the once-in-a-lifetime reunion concert which drew the likes of Petra alumni Greg X. Volz and John Lawry to the stage. Recorded on October 4th, 2005, Farewell features Petra classics and behind the scenes footage from the concert. DVD bonus material includes a special fan appreciation segment with the "Petheads", an interview with Newsboys frontman Peter Furler, in attendance at the show, and up-close-and-personal goodbyes from the band members.
Never Say Dinosaur is a tribute album dedicated to Christian rock band Petra. The album includes 11 revisions and re-imaginings of classic Petra songs and one original composition by Kevin Smith of DC Talk. Dinosaur contained an eclectic lineup of artists which, at the time, highlighted "some of the best new bands in Christian music."
"The Power Of Praise", as the title indicates, is a collection of worship songs that Petra recorded previously, from their three praise and worship projects on the label: The Rock Cries Out, We Need Jesus and Revival, as well as “In The Likeness Of You” from 1991’s Unseen Power, and “Creed”, the version of which appeared on 1999’s Double Take. "The Power Of Praise" is a good collection for anyone who doesn’t already have all three Petra Praise albums, and are looking for some very passionate and well-crafted worship songs.
Revival is the nineteenth studio album of the Christian rock band Petra and their third praise album. It was released on November 20, 2001. Because of more band membership changes, InPop wisely decided to use the "core" of Petra–John Schlitt, Louie Weaver, and Bob Hartman–to make this album. The three were hooked up with producers Jason Halbert and Dwayne Larring, formerly of Sonicflood. The result is a praise album that pushes the Petra sound in creative new directions. The album sounds great!
Petra Praise 2: We Need Jesus is the sixteenth studio album of the Christian rock band Petra and their second praise album. It was released on February 18, 1997. The album was released amidst some major line-up changes in the band, and it features contributions of several musicians. It's the first album to feature Lonnie Chapin on bass, who would become the band's full-time bassist until 2001.