Perlman Violin Concerto

Peter I. Tchaikovsky - Itzhak Perlman - Violin Concerto [Chesky Records CD-12] {US 1988}

Tchaikovsky - Concerto in D for Violin and Orchestra, Op. 35 / Marche Slav / Andante Cantabile / Capriccio Italien
London Symphony Orchestra / Alfred Wallenstein / Itzhak Perlman, Violin
EAC+LOG+CUE | FLAC: 313 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Chesky Records # CD-12 | Country/Year: US 1988
Genre: Classical | Style: Romantic
Itzhak Perlman & André Previn - Sibelius: Violin Concerto; Sinding: Suite (2015) [TR24][OF]

Itzhak Perlman & André Previn - Sibelius: Violin Concerto; Sinding: Suite
Classical | FLAC (tracks) 24-bit/96 kHz | 45:03 min | 830 MB | Digital booklet
Label: Parlophone, Warner Classics | Tracks: 06 | Rls.date: 2015

Perlman and Pinchas Zukerman present a fascinating collection of works for two violins: Moritz Moszkowski’s charming and touching Suite precedes three gravely humorous miniatures by Shostakovich, Prokofiev’s haunting sonata and Bartók’s 44 Duos, infused with the folk music of Eastern Europe.
Itzhak Perlman - Goldmark: Violin Concerto; Sarasate: Zigeunerweisen (2015) [TR24][OF]

Itzhak Perlman - Goldmark: Violin Concerto; Sarasate: Zigeunerweisen
Classical | FLAC (tracks) 24-bit/96 kHz | 43:08 min | 795 MB | Digital booklet
Label: Warner Classics | Tracks: 04 | Rls.date: 2015

Happy Birthday, Mr. Perlman! Warner Classics is proud to celebrate Itzhak Perlman’s 70th birthday with several releases. Itzhak is adored by audiences around the world and is a musician whose powerful but sympathetic artistic personality provides a model for the players who have followed him. The center piece is the 77 cd box set Itzhak Perlman: The Complete Warner Recordings.
Hilary Hahn, London SO, Sir Colin Davis - Edward Elgar: Violin Concerto; Ralph Vaughan Williams: The Lark Ascending (2004)

Edward Elgar: Violin Concerto; Ralph Vaughan Williams: The Lark Ascending (2004)
Hilary Hahn, violin; London Symphony Orchestra; Sir Colin Davis, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 306 Mb (incl 5%) | Mp3 (CBR320) ~ 159 Mb (incl 5%) | Scans ~ 70 Mb
Genre: Classical | Label: Deutsche Grammophon | # 00289 474 5042 | Time: 01:06:04

Elgar’s Violin Concerto has a certain mystique about it independent of the knee-jerk obeisance it has received in the British press. It probably is the longest and most difficult of all Romantic violin concertos, requiring not just great technical facility but great concentration from the soloist and a real partnership of equals with the orchestra. And like all of Elgar’s large orchestral works, it is extremely episodic in construction and liable to fall apart if not handled with a compelling sense of the long line. In reviewing the score while listening to this excellent performance, I was struck by just how fussy Elgar’s indications often are: the constant accelerandos and ritards, and the minute (and impractical) dynamic indications that ask more questions than they sometimes answer. No version, least of all the composer’s own, even attempts to realize them all: it would be impossible without italicizing and sectionalizing the work to death.
Itzhak Perlman, LPO, Daniel Barenboim - Dvorak: Violin Concerto; Romance (2015) [TR24][OF]

Itzhak Perlman, LPO, Daniel Barenboim - Dvorak: Violin Concerto; Romance
Classical | FLAC (tracks) 24-bit/96 kHz | 45:10 min | 844 MB | Digital booklet
Label: Warner Classics | Tracks: 04 | Rls.date: 2016

Antonín Dvorák had about as much luck with the dedicatee of his violin concerto, the great Joseph Joachim, as Tchaikovsky had with his, the no less illustrious Leopold Auer. Although Joachim agreed to do a critical analysis of the first draft — resulting in a radical reworking of the piece – he did not give the premiere of the finished article, that privilege instead falling to the young Czech violinist František Ondrícek (1857–1922), in Prague on 14 October 1883.
Shlomo Mintz, Giuseppe Sinopoli - Beethoven: Violin Concerto, Romances (1988)

Shlomo Mintz, Giuseppe Sinopoli - Beethoven: Violin Concerto, Romances (1988)
EAC | FLAC (tracks+.cue, log) - 294 MB | MP3 (CBR 320 kbps) - 164 MB | Covers Included | 01:05:22
Genre: Classical | Label: Deutsche Grammophon | Catalog: 4230642

Judging simply by timings, Mintz and Sinopoli seem to have decided on a middle path in their approach to the first movement of this concerto: they take nearly a minute less over it than Mutter and Karajan (also on DG), about a minute and a half more than Perlman and Giulini on EMI. Using ears rather than a stopwatch, however, they seem to be giving by far the slowest performance of the movement that I have heard in years. It is a reading from which anything which might savour of soloistic display has been expunged, in which no note, even one of a flourish of semiquavers, is allowed to be 'merely' decorative. Mutter is fond of polishing every note like a jewel, too, but the very opening of the concerto in hers and Karajan's reading sounds positively sprightly set beside the newcomer. The moment Mutter enters the speed slackens markedly, but Karajan watchfully assures that the pulse returns with each tutti, and a sense of momentum is present throughout, even during the soloist's most wayward rhapsodizings.
Maxim Vengerov, Daniel Barenboim, Chicago SO - Johannes Brahms: Violin Concerto, Violin Sonata No.3 (1999)

Johannes Brahms - Violin Concerto, Violin Sonata No.3 (1999)
Maxim Vengerov, violin; Chicago Symphony Orchestra; Daniel Barenboim, conductor & piano

EAC | FLAC | Image (Cue&Log) ~ 336 Mb (incl 5%) | Mp3 (CBR320) ~ 191 Mb (incl 5%) | Scans included
Genre: Classical | Label: Teldec | # 0630-17144-2 | Time: 01:01:52

Maxim Vengerov now confronts - and conquers - one of the supreme challenges all great violinists must face: The Brahms violin concerto. This beautiful, virtuosic work has defined careers from Heifetz to Perlman. Vengerov's turn has come, and his rich, burnished tone and impassioned phrasing make this one of the standout concerto CDs of the year. The soulful partnership of Vengerov and Barenboim (one of his most important mentors) is also a strong selling point.
Liza Ferschtman - Mendelssohn; Violin Concerto in E minor, Op. 64 / String Octet, Op. 20 (2017)

Liza Ferschtman - Mendelssohn; Violin Concerto in E minor, Op. 64 / String Octet, Op. 20
Classical | MP3 CBR 320 kbps | 58:14 min | 134 MB
Label: Sony Classical | Tracks: 07 | Rls.date: 2017

Liza Ferschtman:….slowly, as my musical path kept unfolding, I got to the point where more and more I was able to let go of my preconceived notions about the Violin Concerto and more clearly start to see and hear my own voice in it. Over the years I got to know so much more music by Mendelssohn, from the inside out, and I felt the language become more fully my own.

Jan Mracek - Dvorak: Violin Concerto (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 10, 2017
Jan Mracek - Dvorak: Violin Concerto (2016) [TR24][OF]

Jan Mracek - Dvorak: Violin Concerto
Classical | FLAC (tracks) 24-bit/96 kHz | 67:27 min | 1.18 GB | Digital booklet
Label: Onyx | Tracks: 09 | Rls.date: 2016

"Jan is a worthy winner. He has fascinated us from the first round. Not only with his technical skills, but also with his charisma on stage" the chairman of the jury of the 2014 Fritz Kreisler Competition announced after Mrácek’s performance with the Vienna Philharmonic Orchestra was met with thunderous applause. Prior to this Mrácek has studied with the great Czech master Václav Hudecek, as well as with Levon Chilingirian, Gavriel Lipkind and Ida Haendel.

Anne-Sophie Mutter - Beethoven: Violin Concerto, Romances (2003) [SACD-R][OF]  Vinyl & HR

Posted by Discograf_man at Jan. 8, 2017
Anne-Sophie Mutter - Beethoven: Violin Concerto, Romances (2003) [SACD-R][OF]

Anne-Sophie Mutter - Beethoven: Violin Concerto, Romances (2003) [SACD-R][OF]
Classical | SACD ISO: DST 2.0, 5.0 > 1-bit/2.8224 MHz | Artwork | 4.19 GB + 5% Recovery
Label: Deutsche Grammophon | Release Year: 2003

Mutter's Beethoven Concerto was recorded live at the final subscription concerts of Karl Masur's long tenure as the New York Philharmonic's music director, and the beautifully played orchestral part is a tribute to his leadership. Mutter plays with a silken tone and astonishing technical command of her instrument–absolute ease in the stratospheric tessitura of the solo part, and an amazing array of microdynamic adjustments that display the infinite variety of pianissimos at her command.