Pergolesi

Ensemble Turicum - Pergolesi: Messa a 5 voci; Leo: Sinfonia "Il Demetrio"; Gallassi: Te Deum; Perez: Trio (2004)

Ensemble Turicum - Pergolesi: Messa a 5 voci; Leo: Sinfonia "Il Demetrio"; Gallassi: Te Deum; Perez: Trio (2004)
EAC | FLAC | Image (Cue & Log) ~ 273 Mb | Total time: 57:44 | Scans included
Classical | Label: K617 | # K617159 | Recorded: 2003

The world has not yet fully discovered the riches of the impressive music libraries and archives of Portugal. They testify to the often complex trajectories followed all over Europe by a repertoire of splendid pieces, many of them showing the extent to which the Italian style had taken root in eighteenth-century Portugal. The superb mass by Pergolesi recorded here is a highly characteristic example. But the ensemble Turicum wanted to go even further in their exploration of this repertoire, accompanying the mass with performances of works by composers now totally (and unjustly) unknown, such as Antonio Gallassi and David Perez, not to mention Leonardo leo, acknowledged in his own time as a supreme master of sacred music.
La Nuova Musica; David Bates, Lucy Crowe, Tim Mead - Pergolesi: Stabat Mater; J.S. Bach: Cantatas BWV 54 & 170 (2017)

Giovanni Pergolesi: Stabat Mater; Johann Sebastian Bach: Cantatas BWV 54 & 170 (2017)
Lucy Crowe, soprano; Tim Mead, countertenor; La Nuova Musica; David Bates, conductor

EAC | FLAC | Image (Cue&Log) ~ 283 Mb | Mp3 (CBR320) ~ 147 Mb | Artwork included
Classical, Sacred, Vocal | Label: Harmonia Mundi | # HMM907589 | Time: 01:04:14

Two of Bach’s finest cantatas, both for solo alto, composed in Weimar (1714) and Leipzig (1726) respectively, are here coupled with the delicious agony of grief that is Pergolesi’s 'Stabat mater', an acknowledged masterpiece by one of the 18th century’s most influential composers. Bach so admired the composition of his Neapolitan colleague that he made his own ‘parody’ of it to a German text. On this recording, La Nuova Musica, in its 10th anniversary year, and its two eminent soloists display equal mastery of both idioms.
George Guest, St John's College Choir, Roger Norrington, Schutz Choir - Pergolesi, Scarlatti, Bononcini: Stabat Mater (1995)

George Guest, St John's College Choir, Roger Norrington, Schütz Choir - Pergolesi, Scarlatti, Bononcini: Stabat Mater (1995)
EAC | FLAC | Image (Cue & Log) ~ 645 Mb | Total time: 141:57 | Scans included
Classical | Label: DECCA | # 443 868-2 | Recorded: 1966, 74, 78, 80

This anthology of devotional music from 18th-century Venice and Naples offers an interesting and varied programme. Best known is Pergolesi’s Stabat mater, but the settings by Domenico Scarlatti and Bononcini stand well in comparison. The motets by Lotti, Caldara and Alessandro Scarlatti are real discoveries; Norrington’s performances of the latter are particularly fine. Guest’s Pergolesi suffers from a focus of sound which makes the interpretation seem somewhat generalised. However, all these performances give pleasure, while the music is melodically fresh and rhythmically vital.
-Terry Barfoot

Pergolesi - Lo frate’ nnamorato (Riccardo Muti)  Music

Posted by ArlegZ at May 23, 2010
Pergolesi - Lo frate’ nnamorato (Riccardo Muti)

Pergolesi - Lo frate’ nnamorato (Riccardo Muti)
DVD 9 | NTSC 4:3 (720x480) | MPEG-2 | Dolby AC3, 2 ch | Language: Italiano | Subtitles: English | 172 min | 6.96 GB
Orchestra and Chorus of Teatro alla Scala, Riccardo Muti
Recorded: Teatro alla Scala, 1989 | Released: 2004 | Label: Opus Arte
Choir of St John’s College, Cambridge & Capella Agostino Steffani - Allegri: Miserere, Pergolesi & Caldara: Stabat Mater (1998)

George Guest, The Choir of St John’s College, Lajos Rovatkay, Cambridge & Capella Agostino Steffani - Allegri: Miserere; Pergolesi & Caldara: Stabat Mater; Vivaldi - Sonata a quattro «Al santo sepolcro» (1998)
EAC | FLAC | Image (Cue & Log) ~ 272 Mb | Total time: 68:34 | Scans included
Classical | Label: EMI | # 5 73020 2 | Recorded: 1991, 1994

Allegri's early Baroque masterpiece Miserere from around 1630 movingly juxtaposes modal chant with tonality, and was so popular that the Vatican refused to allow it to be performed anywhere else - until the 14 year old Mozart broke the Vatican's monopoly by writing it down from memory after attending a performance. Pergolesi's late Baroque masterpiece Stabat Mater for soprano and alto dates from 1736, the year of his death at the age of 26. It was originally written for male voices but since it's hard to find a castrato these days, it's generally performed by two women or by a female soprano and counter-tenor. This performance uses a female alto but in other respects it's very much a period performance - the sound is intimate and the tempos are lively without any sacrifice of spiritual depth. The soloists, soprano Monika Frimmer and alto Gloria Banditelli, sing beautifully without overdoing the vibrato, and their voices are well matched. The disk also contains a brief "Sonata a quattro" by Vivaldi, and another setting of the Stabat Mater, by the late Baroque composer Antonio Caldara from around 1725.
(Kenneth Dorter)
Ettore Gracis, Charles Mackerras - Pergolesi: Stabat Mater; A. Scarlatti: Stabat Mater & 6 Concerti grossi (1999)

Ettore Gracis, Charles Mackerras - Pergolesi: Stabat Mater; A. Scarlatti: Stabat Mater & 6 Concerti grossi (1999)
EAC | FLAC | Image (Cue & Log) ~ 653 Mb | Total time: 71:00+68:09 | Scans included
Classical | Label: Archiv Produktion | # 459 454-2 | Recorded: 1967, 1972, 1975

The Stabat Mater is a 13th-century Catholic hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III. The title comes from its first line, Stabat Mater dolorosa, which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers.
Sonya Yoncheva, Karine Deshayes, Ensemble Amarillis - Pergolesi: Stabat Mater (2016) [Official Digital Download 24/96]

Sonya Yoncheva, Karine Deshayes, Ensemble Amarillis - Pergolesi: Stabat Mater (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 55:59 minutes | 1.05 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

A rapidly rising star on today’s opera scene, Sonya Yoncheva appears in this album alongside ‘Lyric Artist of the Year’ winner Karine Deshayes in a masterwork of the sacred music repertoire; Pergolesi’s Stabat Mater.
Lucy Crowe, Tim Mead, La Nuova Musica & David Bates - Pergolesi: Stabat Mater - Bach: Cantatas, BWV 54 & 170 (2017) [24/96]

Lucy Crowe, Tim Mead, La Nuova Musica & David Bates - Pergolesi: Stabat Mater - Bach: Cantatas, BWV 54 & 170 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 64:09 minutes | 1.09 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Handel wrote little for his native tongue, but what he did demonstrates a particular level of contemplative piety while still employing the familiar techniques of Italian opera. Praise for the beauty of nature and eternal life are the subjects of the sacred poems by his contemporary Barthold Heinrich Brockes which Handel set to music in his 'Nine German Arias'. Each aria celebrates an aspect of nature, from the beauty of a flaming rose to the sweetness of silence, with extraordinary tenderness and sincerity.
Anna Netrebko, Marianna Pizzolato - Stabat Mater: A Tribute to Pergolesi (2011)

Anna Netrebko, Marianna Pizzolato - Stabat Mater: A Tribute to Pergolesi (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 01:11:48 | 379 MB
Genre: Classical, Vocal | Label: Deutsche Grammophon | Catalog: 477 8857 GH2

Baroque music is not the usual province of soprano Anna Netrebko, or contralto Marianna Pizzolato, or conductor Antonio Pappano, or the Orchestra dell'Accademia Nazionale di Santa Cecilia, Roma, so the listener might approach this tribute to the 300th anniversary of Giovanni Battista Pergolesi with some skepticism, but the performers do a terrific job. The orchestra uses modern instruments, so this is never going to be mistaken for a recording by Baroque specialists, but everyone involved approaches the challenge with such sensitivity and such evident excitement that listeners who don't demand absolute adherence to cutting-edge developments in early music practice are likely to be swept up.
Jan Tomasz Adamus, Capella Cracoviensis, Romina Basso, Franco Fagioli, Yuriy Mynenko - Pergolesi: Adriano in Siria [2016]

Pergolesi - Adriano in Siria (Jan Tomasz Adamus, Romina Basso, Franco Fagioli, Yuriy Mynenko) [2016]
Classical | Decca 483 0004 | TT: 177.59 | EAC (flac, cue, log) | Covers | 861 Mb

New love, position, power, revenge, disguise, mistaken identity, complications and passionate devotion – the full spectrum of baroque opera seria is here in this new recording of Pergolesi’s ‘Adriano In Siria’. Franco Fagioli leads the cast, alongside Romina Basso, Yuriy Mynenko, Dilyara Idrisova, Juan Sancho and Cigdem Soyarslan, accompanied by the exuberant Polish orchestra Capella Cracoviensis under the baton of Jan Tomasz Adamus. Famed for his Stabat Mater, Pergolesi died aged just 26 but had already completed four opera seria; ‘Adriano in Siria’ is the third of these and has a libretto by Metastasio.