Paul Rhys

Rhys Pickering and Juliana Schurig by Nathaniel Goldberg for WSJ Magazine May 2015

Juliana Schurig - Nathaniel Goldberg Photoshoot
5 jpg | up to 1036*1200 | 3.75 Mb
American model

Kajsa Arnold - Rhys By Night 04 - 2 Farben Azur  eBooks & eLearning

Posted by naag at March 5, 2015
Kajsa Arnold - Rhys By Night 04 - 2 Farben Azur

Kajsa Arnold - Rhys By Night 04 - 2 Farben Azur
Oldigor Verlag | 2014 | German | ISBN-10: 3945016509 | 220 Pages | EPUB | 0.1 MB

Kajsa Arnold - Rhys By Night 02 - 4 Farben Platin (repost)  eBooks & eLearning

Posted by naag at Feb. 27, 2015
Kajsa Arnold - Rhys By Night 02 - 4 Farben Platin (repost)

Kajsa Arnold - Rhys By Night 02 - 4 Farben Platin
Oldigor Verlag; Auflage: 1.| 2014 | German | ISBN-10: 3943697819 | 240 Pages | EPUB | 0.1 MB

The Cambridge Introduction to Jean Rhys (repost)  eBooks & eLearning

Posted by Veslefrikk at Oct. 31, 2014
The Cambridge Introduction to Jean Rhys (repost)

The Cambridge Introduction to Jean Rhys By Elaine Savory
Publisher: Cambridge University Press 2009 | 162 Pages | ISBN: 0521873665 , 0521695430 | PDF | 1 MB

Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma (repost)  eBooks & eLearning

Posted by Veslefrikk at July 16, 2014
Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma (repost)

Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma
Palgrave Macmillan | 2007 | ISBN: 1403974829 | Pages: 228 | PDF | 1.09 MB

Arnold, Kajsa - Rhys By Night 02 - 4 Farben platin  eBooks & eLearning

Posted by Underaglassmoon at Feb. 28, 2014
Arnold, Kajsa - Rhys By Night 02 - 4 Farben platin

Arnold, Kajsa - Rhys By Night 02 - 4 Farben platin
Deutsch | Liebesromane | Februar 2014 | ISBN: 9783943697810 | 240 Seiten | epub, mobi | 3.31 Mb

Dies ist der 2. Teil der Rhys by night Serie!
Der 1. Teil ist unter dem Titel 5 Farben Blau erschienen und ebenfalls als E-Book erhältlich!
Dieses Buch enthält erotische Szenen und ist daher erst ab 18 Jahre geeignet!!!

Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma [Repost]  eBooks & eLearning

Posted by ChrisRedfield at April 29, 2013
Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma [Repost]

Patricia Moran - Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma
Published: 2007-01-09 | ISBN: 1403974829 | PDF | 228 pages | 3 MB

When Love Speaks  eBooks & eLearning

Posted by robin-bobin at April 24, 2011
When Love Speaks

When Love Speaks: Shakespeare's Love Sonnets - Read and Sung by Various Artists
Audio CD (April 23, 2002) | ASIN: B00006357N | Language English | Audio CD in MP3/128Kbps | 74 MB

When Love Speaks is a collection of Shakespearean love sonnets as read by famous actors, and songs inspired by Shakespeare’s love sonnets…

The Cambridge Introduction to Jean Rhys  eBooks & eLearning

Posted by lout at June 12, 2010
The Cambridge Introduction to Jean Rhys

The Cambridge Introduction to Jean Rhys By Elaine Savory
Publisher: Cambridge University Press 2009 | 162 Pages | ISBN: 0521873665 , 0521695430 | PDF | 1 MB
University of Kansas Wind Ensemble; Paul W. Popiel - Philip Glass: Concerto Fantasy; Mohammed Fairouz: Symphony No.4 (2013)

Philip Glass - Concerto Fantasy for 2 Timpanists and Orchestra
Mohammed Fairouz - Symphony No.4 'In the Shadow of No Towers'
Ji Hye Jung & Gwendolyn Burgett (timpani), Jānis Porietis (trumpet)
University of Kansas Wind Ensemble; Paul W. Popiel, conductor

EAC | FLAC | Image (Cue&Log) ~ 314 Mb (incl 5%) | Mp3 (CBR320) ~ 159 Mb (incl 5%) | Scans included
Genre: Classical, Contemporary | Label: Naxos | # 8.573205 | Time: 00:57:45

Philip Glass’ Concerto Fantasy for Two Timpanists and Orchestra, composed in 2000 and transcribed for wind ensemble by Mark Lortz in 2004, is a significant addition to the repertoire of large-scale works for timpani. The work is rhythmically galvanizing, sonically alluring, and features virtuoso cadenzas for both soloists. Symphony No 4 ‘In the Shadow of No Towers’ is Mohammed Fairouz’s first major work for wind ensemble, and its inspiration is the provocative comic book by Art Spiegelman, written shortly after the terrorist attacks on September 11, 2001. Spiegelman himself has commented: “I’m moved by [this] scary, somber, and seriously silly symphony…I’m honored that the composer found an echo in my work that allowed him to strike a responsive chord and express his own complex responses to post 9/11 America. He emerges from the rubble with a very tony piece of high-brow cartoon music.”