Veteran Italian rock band Pooh formed in Bologna in 1966. During the late '60s, the band featured Roby Facchinetti, Valerio Negrini, Dodi Battaglia, and Riccardo Fogli, but after Negrini left in 1971, the band recruited guitarist, bassist, and vocalist Red Canzian plus drummer and percussionist Stefano D'Orazio, and began a long run as one of the best and most popular Italian rockers of their times. The band recorded for many labels, including CBS, Vedette, CGD (Compagnia Generale del Disco), and Warner Music Italy, selling over 100 million records in the process. Pooh continued to tour and record continually up into the 2010s, but in late 2016 they decided to call it quits by the end of the year, in order to complete their 50-year anniversary as a band.
Parsifal represents the culmination of Wagner’s work as a revolutionary composer of opera. In it he created a powerful allegory on the conflict between Christianity and paganism, good and evil, light and dark, physical passion and spiritual abstinence. This dramatic production by the brilliant German stage director Harry Kupfer marked Daniel Barenboim’s appointment as the artistic director of the Berlin State Opera in 1992. The cast is made up of the finest Wagnerian singers of the period, all of whom enjoyed substantial international careers. Barenboim’s superb conducting reveals Wagner’s multi-layered score in all its glory.
Parsifal, Wagner’s last opera, was premièred in Bayreuth in 1882. In the fifty years of his artistic life Wagner did not only mature and outline more and more clearly the aesthetic ideals that formed the intellectual substratum of his composing activity but definitely upset the course of the history of music and of the music theatre. The wide range of his cultural interests, his operational daring, ability to blend elements of different origin, complete rejection of any form of operatic routine and grandiosity of conception make of each and every opera that he wrote a sort of artistic case in its own, where the experiences of previous works are salvaged or abandoned according to the expressive needs, which are never subordinate to contingent necessities. Performing this complex work is no simple task, but the cast on stage at Teatro La Fenice in Venice did so with flying colours.
Wolfgang Wagner’s arrestingly beautiful production, filmed live at Bayreuth in 1981 and directed by Brian Large, features a stellar cast led by Eva Randova, Bernd Weikl and Siegfried Jerusalem. “A production and performance that showed the festival at its finest… Wolfgang Wagner’s Bayreuth production of his grandfather’s “farewell to the world” has “an unusual beauty and logic of its own… There is an air of magic and mystery about the staging… The performance was excellent… Horst Stein [conducted] a beautifully proportioned Parsifal.” (The New York Times)
François Girard‘s stunning post-apocalyptic production of Parsifal at The Metropolitan Opera trail-blazed the way for Wagner’s centennial year celebrations last year. Wagner's last and most intriguing opera, Parsifal centers on a young hero’s search for compassion, redemption, and acceptance in a world dominated by rules and fanaticism.
Ever since the world premiere of Parsifal at Bayreuth on 26th July 1882, the meaning of Richard Wagner's last opera has been widely discussed. Nikolaus Lehnhoff's visionary staging of this emotionally charged opera reveals a masterpiece of existential drama about human existence. Christopher Ventris and Waltraud Meier lead an inspired cast in a high definition recording in true surround sound.
A timelessly classical Parsifal from the 1998 Bayreuth Festival in a mystically poetic staging that exerts an unbroken fascination not least as a result of its expressive lighting effects. Under the direction of the great Wagner conductor Giuseppe Sinopoli, the four main roles are taken by Poul Elming, Linda Watson, Falk Struckmann and Hans Sotin - one of the strongest line-ups in Bayreuth´s more recent history. "Giuseppe Sinopoli coaxed an outstanding performance from the Festival Orchestra and Chorus, throwing light on the elaborate score from an agreeable distance and investing the music with a meditatively flowing quality rather than the usual bombast" (Opernglas)