At the heart of Beethoven’s life’s statement as a composer lies the cycle of sixteen string quartets, which, to this day, has retained a special status and reverence. Since 2012, the Elias String Quartet has been immersed in its Beethoven Project, performing all Beethoven’s string quartets at venues throughout the UK. In this live recording, the ensemble captures both the intimacy and grandeur of the works. With an ever-expanding recording catalogue that has been met with widespread critical acclaim, the quartet is delighted to release this disc, the first volume of its complete Beethoven cycle to be recorded live at Wigmore Hall over the coming Seasons.
An all-too-rare new recording from Polyphony and Stephen Layton presents highlights from the choral repertoire by four twentieth-century American giants: Samuel Barber, Leonard Bernstein, Aaron Copland and Randall Thompson. Framed by Thompson’s understated favourites Alleluia and Fare Well, the programme includes Bernstein’s Missa brevis, Copland’s early set of four motets, and—of course—Barber’s inimitable Agnus Dei.
Following the successful publication on Cappriccio of all Shostakovich’s symphonies on CD, Dmitrij Kitajenko once again collaborates with the Gürzenich-Orchester Köln to perform the complete recording of all of Sergey Prokofiev’s seven symphonies. Together they embark on a very challenging project, both in terms of time and level of technical difficulty, a project that demanded huge efforts and potential from the orchestra conductor alike. Prokofiev’s symphonies could not be more varied. They were written at different times throughout the composer’s life and each one individually reflects the pressure of political dictatorship and forced submission to merciless censorship that was prevalent throughout the Soviet-era. On the other hand, the huge energy, the hopes and desires, emotional and social messages conveyed between the lines could not be vanquished even by dictators and censors.