French saxophonist Sophie Alour's Opus 3 is not only her third album as a leader, it is also her first in a trio setting. The recipient of the French Django D'or award, Alour departs from the electric intensity of her previous release, Uncaged (Nocturne, 2007), to explore her voice as an instrumentalist. The 11 originals are tone poems bearing heavy western classical influences, with occasional peppering of other styles that showcase the leader on both tenor and soprano saxophones.
This album is all about the evolution of interplay - from the Trio and its playing, to the recording itself. The music is smooth, free flowing, jazz played to the highest standards… This is a very pleasant album that should appeal to all those who have heard and love the great jazz issued by the Mapleshade label.
Dutch-born composer Johannes Schenck is another in a long line of Baroque composers whose works are only now being discovered and given their first modern performances. Thanks to the intrepid investigative work of harpsichordist Pieter Dirksen – a member of the ensemble La Suave Melodia heard here – a set of 12 trio sonatas of Schenck's Opus 3 that were thought to be lost have been unearthed.