Taken from a Jazz at the Philharmonic tour, Ella Fitzgerald is backed by pianist Oscar Peterson, guitarist Herb Ellis, bassist Ray Brown, and drummer Jo Jones on two well-rounded sets. Actually, the two dates are quite similar, with eight of the nine songs being repeated (although the second "Stompin' at the Savoy" and "Oh, Lady Be Good" find her backed by a riffing eight-horn all-star group), so this album is mostly recommended to her greatest fans. However, the music is wonderful, there are variations between the different versions, and her voice was at its prime.
Decca, the opera company, presents a premium collection of the 100 most beautiful opera tracks on 6 CDs. Enjoy classic arias and overtures, performed by the greatest opera stars of all time. This is a fine compendium of opera's "greatest hits" by great singers including Pavarotti, Bartoli, Caballe, Horne and Sutherland from opera's latest "golden age" in the last decades of the 1900s. They're all there on six CDs, from Pavarotti's great "Nessun Dorma" to Sutherland's "Casta Diva."
Essential: a masterpiece of progressive rock music
Swimming in mellotron
“Waters of change” was Beggar’s opera’s best album in my opinion, full of strong melodies and well constructed songs. Having introduced themselves with the innovative, classically driven “Act one”, the band invested in a mellotron, which instantly became the dominant instrument in their sound. The band moved away from the intricate symphonic prog of their first album, towards the art rock of the Moody Blues and Barclay James Harvest.
Decca, the opera company, presents a premium collection of the 100 most beautiful Opera tracks on 6 CDs. Enjoy classic arias and overtures, performed by the greatest opera stars of all time. Artists include Pavarotti, Bartoli, Fischer-Dieskau, Tebaldi, Calleja, Sutherland, Bergonzi, Ghiaurov, Freni, Nilsson, del Monaco, Domingo, Horne, Te Kanawa, Solti, von Karajan, Terfel, Price, Caballe, Kaufmann, Gheorghiu and more.
The world premieres of Iolanta and The Nutcracker took place on 18 December 1892 at St. Petersburg’s Mariinsky Theatre. “The execution of both,” wrote the composer to his brother Anatoly the next day, “was magnificent, and that of the ballet perhaps too magnificent – its brilliance made one’s eyes tired.” Gustav Mahler conducted the first performance of the one-act opera outside Russia on 3 January 1893 in Hamburg and also directed the Viennese premiere of Iolanta on 22 March 1900.
The first performances of Les Femmes Vengées (The Avenged Women) in 1775 restored the fortunes of Francois-André Danican Philidor, which had been wavering since the great success of Tom Jones a decade earlier. His opéra-comique, which foreshadows the plot of Mozarts Così fan tutte (Mozart had been in Paris during the first performances of Philidors work), offers delicious opportunities for mock-indignation and repartee in its arias and ensembles. This recording presents the complete music. Opera Lafayette and Ryan Browns recording of Philidors Sancho Pança [8.660274] was hailed as a witty, authentic interpretation by the American Record Guide.