An important figure in the history of Romantic guitar music, Giulio Regondi was widely admired during his lifetime but unfairly neglected and forgotten for decades after his death. Most of the poetic, captivating works recorded here were rediscovered in the late 20th century and edited by eminent guitar scholar Simon Wynberg (who is also the author of the booklet notes for this disc).
Previously only available on compact disc in Japan, the 1967 recording of Bellini's Norma featuring 24-year old soprano Elena Souliotis now gets an international release thanks to the Eloquence label. Sporting the original cover photo shot by Francesco Scavullo, this recording can be counted among the most worthy of owning .
Where Netrebko shines is in the sheer beauty of her voice, her physical loveliness, her innate sense of where a phrase should go, absolute comfort on stage, and ability to express pathos . . . Her shading of the opening phrases is masterly, with portamento used expertly; later her mood swings seem spontaneous. Throughout the opera she has an inner glow and sweetness that helps to define this frequently confused character, and it is nowhere clearer than it is in this long scene…
Pavaroti is in great voice, Caballe is brilliant, Sutherland is OK,It doesn't have the excitement of other "Norma's", but is a good addition to a "Norma" collection.
-By Thomas E. Lawson-
A unique collector's edition is a "climbing on the history of music" for 20 centuries from ancient times (Greece) to the present day. "History of Music", the 20-disc collection. Starting with the ancient music, music of the Middle Ages continued, Renaissance and Baroque music and ending the era of romanticism and modernity.
The fourth Queen album released in the late 1975 has long been regarded as a classic. The brilliant mix of hard rock, pop, opera, music hall camp and traditional folk, utilising multi layered guitars, crunching riffs, vocal harmonies, piano flourishes, a harp, a ukulele and 'no synthesisers' all combine to make it one of the great albums of the last three decades. Their faultless musicianship, with the 'Sonic Volcano' rhythm section of Roger Taylor and John Deacon, Brian May's guitar virtuosity and the spectacular Freddie Mercury up front, led to Queen being crowned as one of the greatest rock acts of all time.
Vincenzo Bellini (1801-1835) wanted to move the audience of his operas to tears. And this is exactly what Beatrice di Tenda manages to do: it has great music and the story really touches the heart. In this production by Daniel Schmid, one can experience the stunning singers Edita Gruberova and Michael Volle in the main roles – with Marcello Viotti conducting the Orchestra of the Zurich Opera House. In Beatrice di Tenda, Bellini departs from the belcanto style, which he used in Norma, and explores a new way of musical expression, which brought to the fore a new warmth and different characteristics. The story is based on true events from the 15th century. It focuses on the impressive Beatrice di Tenda, who is wrongly accused by her husband to be unfaithful and is ultimately beheaded. The premiere of the opera was given at the Teatro la Fenice in Venice on 16 March 1873. Although Beatrice di Tenda is not Bellini’s most successful opera, the title role is a popular showpiece among sopranos. In this production, Beatrice is brilliantly interpreted by the “Queen of Belcanto”, Edita Gruberova.
Here's the complete concert that brought together four of the world's most exciting singers, performing beloved arias, duets, and quartets. Anna Netrebko and Ellna Garanca appear together for the first time on stage in this dazzling gala for a quartet of "superstars" (Badische Zeitung). "Bel canto at its most beautiful and most ravishing" (Badische Neueste Nachrichten).