"…All three works are superbly played here by the brilliantly nimble Stefan Schilli, and Mariss Jansons and the Bavarian orchestra give him vivid support. I cannot think of a more enticing triptych of modern oboe concertos from any other source." ~Grammophone
The 6th Symphony of Anton Bruckner was recorded live for SACD in December 2013 at two concerts in the Hamburg Laeiszhalle. Here, too, critics were unanimous in their enthusiasm, as could be read in the Hamburger Abendblatt of 16 December 2013.
Although known almost exclusively for his instrumental concertos and the spurious Adagio attributed to him, Tomaso Albinoni was mainly a man of the theater; he composed 81 operas and, late in life, made his living as a singing coach. However, the best efforts of posterity to catch up with Albinoni's operatic creations are significantly stymied by the fact that only three of his stage works are fully extant, the rest preserved only in occasional and fugitive fragments in the form of single arias and other bits and pieces. "Il Nascimento dell'Aurora" is a serenata – or more specifically, a "festa pastorale" – a kind of courtly entertainment not really meant to be specifically dramatic or compelling and, in this case, dealing with the birth of Roman goddess of the dawn, Aurora ….
…In sum, this is simply a wonderful performance, excellently played, recorded, and sung, and it’s different enough from all of the competition to justify purchase even if you already think you own enough versions of this symphony.
Mahler’s Resurrection has been much recorded in recent years, so much so that new versions prompt one to groan inwardly and mutter: ‘Not another one’. Such ubiquity has its price, for any newcomer has to be something out of the ordinary if it’s to have any impact. Of recent releases David Zinman (Sony-BMG), Jonathan Nott (Tudor) and James Levine (Orfeo) definitely belong in this category; Vladimir Jurowski (LPO) and Markus Stenz (Oehms) manifestly don’t. And now Oehms are taking another bite out of the cherry, with the Hamburg orchestra led by their chief conductor Simone Young. Curiously, this was recorded at around the same time as the Stenz Mahler 2, which seems extravagant in this already overstocked field.
Stanisaw Skrowaczewski will celebrate his 90th birthday on October 3, 2013. To mark this occasion, OehmsClassics brought together all the CDs he's recorded for the label into a Deluxe Edition. Lovingly edited, with a high-quality booklet and many pictures, some of which are previously unknown, this collection is intended as homage to a conductor who, far removed from any star hype, can look back modestly at 90 years of a more than fulfilled musician's life.
Domenico Cimarosa, one of the most prominent composers of opera seria and opera buffa in the generation before Rossini, wrote almost 50 operas, but today his comedy Il matrimonio segreto is the only one to remain even on the fringes of the standard repertoire. Gli Orazi e i Curiazi, which Cimarosa set to an odd and inert libretto, tells a kind of Romeo and Juliet story in which two pairs of lovers are threatened because their countries are at war. When the victor returns from the conflict, having killed his sister's beloved, she accuses him of murder, so he stabs her to death and the crowds acclaim him as a hero.
…It's intriguing to imagine how a very slow performance would come off, but Schleiermacher's is a fully persuasive version of a piece that could have a number of very different but valid interpretations. MGD's natural, unprocessed sound is, as is typical for the label, immaculate and vivid.