P. I. Tchaikovsky is considered to be Russia’s great symphonic composer. In his music he achieved a synthesis of the national musical language of Russia and the compositional forms of the western European Romantics. His most famous ballets enjoy a position of honor in the Classical Ballet repertoire on account of their melodic intensity and instrumental brilliance. In the fairy tale “The Nutcracker and the King of the Mice” written by the German Romantic E. T. A. Hoffmann and published in 1814, on which Tchaikovsky’s ballet is based, Christmas provides the realistic setting for a fantastic plot. Fiction and reality are woven together by means of strange and wondrous occurrences to produce a fascinating and unfathomable labyrinth. Both Hoffmann and Tchaikovsky, who began to compose the ballet in his fiftieth year, could identify with the literary figure of the watchmaker Drosselmeier, who gives order to his life through his work. In 1999, exactly 107 years – to the day – after the first performance in St. Petersburg, Patrice Bart’s choreography of Tchaikovsky’s worldwide success The Nutcracker was premiered at the Staatsoper Unter den Linden in Berlin. Bart placed a prologue before the ballet in which Marie is abducted as a child and in which everything is placed in a modern context.
Essential: a masterpiece of progressive-rock music.
As Nice As Mother Makes It
After two very robust but patchy albums the Nice adopted a slightly different approach to their third by exploiting a half live/half studio hybrid. They felt that this (on the advice of their new manager Tony Stratton-Smith) would showcase the 'best of both worlds' as the studio precedents were not felt to do justice to their live performances.
Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Excellent addition to any prog-rock music collection.
It is not possible to overestimate the Nice's importance to Progressive Rock. In their moment, they were prog and if the eye-opening debut Thoughts of Emerlist Davjack didn't show that, this dazzling follow-up did. Sure they're so old and dated you'd never put them on unless alone in the house.
Another fundamental brick in the prog-rock music wall.
This band started its career by doing artistic cover versions from tunes composed by other people, and this third album presents their own matured composing skills. Earlier "The Beat Goes On" was more like an abstract artsy tryout when compared to this masterpiece in my opinion. The most dominant elements are still the strong organ chord layers, powerful vocal harmonies and very strong emotional load, resembling a state of religious pathos.