No.7 in G Minor

Royal Stockholm PO, Sakari Oramo - Carl Nielsen: Symphony No.1 in G minor; Symphony No.3 'Sinfonia espansiva' (2014)

Carl Nielsen - Symphony No.1 in G minor; Symphony No.3 'Sinfonia espansiva' (2014)
Royal Stockholm Philharmonic Orchestra; Sakari Oramo, conductor

EAC | FLAC | Image (Cue&Log) ~ 327 Mb (incl 5%) | Mp3 (CBR320) ~ 179 Mb (incl 5%) | Scans included
Genre: Classical | Label: BIS | # BIS-2048 SACD | Time: 01:12:28

The second installment in Sakari Oramo's superb hybrid SACD cycle of the symphonies of Carl Nielsen on BIS presents the Symphony No. 1 in G minor and the Symphony No. 3, "Sinfonia espansiva," two ruggedly independent works that reflect the composer's late Romantic style yet point to the modernism to come. While the Symphony No. 1 was influenced by Brahms and offers a rich harmonic language, propulsive rhythms, and a fairly homogenous orchestral palette, the Symphony No. 3 is striking for its reliance on unfolding counterpoint and long-breathed lines, and most notable for the use of wordless parts for soprano and baritone voices in the pastoral slow movement. These performances by Oramo and the Royal Stockholm Philharmonic Orchestra are exceptional for their stunning power and spacious feeling, though the crisp details and focused sound quality will be the biggest draw for audiophiles.
Bruckner: Symphony No. 7 in E minor - Deutsches Symphonie-Orchester Berlin; Ricardo Chailly

Anton Bruckner: Symphony No. 7 in E major – Deutsches Symphonie-Orchester Berlin; Ricardo Chailly, conductor
Classical | 1 CD | EAC Rip | 310 MB (3% recovery) | FLAC+LOG+Cue | Partial scans
Publisher: Decca | Recorded: 1985 | Published: 2008

Bruckner: Symphony No. 7 in E minor - Deutsches Symphonie-Orchester Berlin; Ricardo Chailly

This 1985 Seventh, the first release in Riccardo Chailly's 15 year-old Bruckner symphony cycle, is a wonderful performance, thankfully available again. Chailly takes a majestic view of the work… Decca's remastering for this release adds just a bit more clarity and presence to what was already a dynamic and full-sounding recording. A great Bruckner seventh. –Victor Carr; classicstoday.com
Dvorak: Symphony No. 7 in D minor, etc. The Cleveland Orchestra; George Szell

Antonin Dvořák: Symphony No. 7 in D minor, Op. 70; Bedrich Smetana: Vltava (The Moldau), symphonic poem;
The Bartered Bride: Overture and 3 Dances - The Cleveland Orchestra; George Szell, conductor

Classical | 1 CD | EAC Rip | 449 Mb | FLAC+LOG+M3U | No Cue | Full scans | 3 RS links
Publisher: Sony Classical

Dvorak: Symphony No. 7 in D minor, etc. The Cleveland Orchestra; George Szell

George Szell's Dvorák performances feature his customary blend of razor sharp orchestral discipline allied to a wholly idiomatic, singing line. Even more interesting, he takes numerous liberties with Dvorák's orchestration in the Seventh Symphony, reinforcing the violins and woodwinds with horns at several points in the outer movements.
–David Hurwitz
Vaughan Williams / Duruflé / Copland & Others - Mass in G Minor & Other A Capella Works (2006, Telarc # CD-80654) [RE-UP]

Vaughan Williams / Duruflé / Copland & Others - Mass in G Minor & Other A Capella Works
Atlanta Symphony Orchestra Chamber Chorus / NormanMacKenzie
EAC+LOG+CUE | FLAC: 194 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Telarc # CD-80654 | Country/Year: US 2006
Genre: Classical | Style: Vocal
Johann Sebastian Bach - Murray Perahia - Keyboard Concertos Nos. 3, 5-7 (2002) {Single Layer SACD // ISO & HiRes FLAC}

Johann Sebastian Bach - Keyboard Concertos Nos. 3, 5-7
Academy of St. Martin in the Fields / Murray Perahia
SACD ISO (Stereo): 2,16 GB | 24B/88,2kHz Stereo FLAC: 917 MB | Artwork
Label/Cat#: Sony Classical # SS 89690 | Country/Year: Europe 2002 | 5% Recovery Info
Genre: Classical | Style: Baroque

"Perahia doing Bach, as Perahia does Bach: very clean and very smooth. Very un-Gould. If Gould uses the piano to try and emulate the detached sound of a harpsichord (always sans pedal), Perahia is almost the opposite. Having said so, the sound Perahia achieves in the second movement (largo) of Concerto No. 5 (BWV 1056) is simply fabulous … one of my favourite piano sounds on SACD (after the Tchetuev Schnittke SACD on Caro Mitis). Beautifully recorded. Perahia's Goldberg variations on SACD is now almost impossible to find, and this SACD seems to be heading the same way, so grab it while you can. Highly recommended." ~sa-cd.net
Mitsuko Uchida - Schumann: G Minor Sonata, Waldszenen (2013) [Official Digital Download - 24bit/96kHz]

Mitsuko Uchida - Schumann: G Minor Sonata, Waldszenen (2013)
FLAC (tracks) 24 bit/96 kHz | Front Cover | 1.01 GB
Genre: Classical | Official Digital Download - Source: Qobuz

Dame Mitsuko Uchida, universally acknowledged as one of the world’s foremost Schumann interpreters, follows her last album of the composer’s music (Davidsbündlertänze and Fantasie in C) with another sublime Schumann programme. Uchida’s latest Decca recording brings together the romantic fire and intensity of the Piano Sonata No. 2 in G minor Op. 22 with two remarkable works from Schumann’s final years, Waldszenen and the Gesänge der Frühe.
Fasch - Ouvertures in G minor, D minor and G major (Il Fondamento) (2004)

Fasch - Ouvertures in G minor, D minor and G major (Il Fondamento) (2004)
Classical | Eac. Flac, Track+Cue, Log | Covers | 455 MB
Label: Fuga Libera | Catalog N.: FUG502 | TT: 71:06

The wonderful timbres of original Baroque instruments and the vigorous period interpretations by Paul Dombrecht and Il Fondamento go far to make this 2004 release a delightful listening experience, even if Johann Friedrich Fasch's music falls short of genius. Not that Fasch was considered a mediocrity in his time: despite his later reputation as a modest Prussian kapellmeister, he was widely traveled, well-educated, and popular in his youth; and he enjoyed the benefits brought by continued publication of his Ouvertures, even after settling down in Zerbst in 1722..
Mahler: Symphony No. 7 - Chicago Symphony Orchestra, Sir Georg Solti (repost)

Gustav Mahler: Symphony No. 7 – Chicago Symphony Orchestra, Sir Georg Solti, conductor
Classical | 1 CD | EAC Rip | 370 MB (3% recovery) | | FLAC+LOG+M3U+Cue | Full scans | FS & RS links
Publisher: Decca | Recorded: 1971 | Published: 1992

GRAMMY WINNER - Best Classical Performance – Orchestra; 1972 - 15th Annual GRAMMY Awards

Adam Fischer - Mahler: Symphony No. 7 (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Feb. 3, 2017
Adam Fischer - Mahler: Symphony No. 7 (2016) [TR24][OF]

Adam Fischer - Mahler: Symphony No. 7
Classical | FLAC (tracks) 24-bit/48 kHz | 76:44 min |755 MB | Digital booklet
Label: C-Avi | Tracks: 05 | Rls.date: 2016

For the first installment of the Mahler Edition on CAvi-music, Adam Fischer leads a live performance of the Symphony No. 7 in E minor, assembled from different concerts in late November 2015. Perhaps the oddest of Mahler's symphonies in its structure and quirky mix of vernacular styles, the piece has been unofficially nicknamed "The Song of the Night," due to its dark first movement, its two Nachtmusiken, and the shadowy Scherzo at its center; only the bright and bumptious Rondo-Finale alleviates the pervasive nocturnal feeling.
Trio Metamorfozi - Schumann: Piano Trio No. 3 & Phantasiestucke In A Minor (2016)

Trio Metamorfozi - Schumann: Piano Trio No. 3 & Phantasiestucke In A Minor (2016)
Classical | MP3 CBR 320 kbps | 01:02:19 | 145 MB
Label: Decca | Release Year: 2016

Schumann’s G minor Piano Trio belongs to a group of three chamber works composed in rapid succession in the autumn of 1851, at a time when the composer’s relations with the Düsseldorf municipal orchestra, of which he had been director since 1849, had begun to sour. The Trio followed hard on the heels of Schumann’s First Violin Sonata in A minor; and its opening movement, with its passionately intense main subject and its driving 6/8 rhythm, clearly looks forward to that of the Sonata’s D minor successor which he began barely more than a fortnight later. Clara Schumann was able to play both the Trio and the D minor Sonata during a chamber music evening at their house, on 15 November. The string players on that occasion were Schumann’s violinist friend Joseph von Wasielewski, and the principal cellist of the Düsseldorf orchestra, Christian Reimers.