Nicole Schumann

Nicole Schumann - German Playmate of the Month for April 2015 Video

Nicole Schumann - German Playmate of the Month for April 2015 Video
MP4 | 1920*1080 | AVC@5622 kbps | AAC@172 Kbps | 2mn 31s | 105 Mb

Nicole Schumann - Playmate des Jahres 2015 Video  Girls

Posted by nrg at Dec. 10, 2015
Nicole Schumann - Playmate des Jahres 2015 Video

Nicole Schumann - Playmate des Jahres 2015 Video (Love Boat)
MP4 | 1920*1080 | AVC@15 Mbps | AAC@157 Kbps | 1mn 23s | 151 Mb
Language: German | Genre: Playboy | Subtitles: None
Nicole Schumann - German Playmate of the Month for April 2015 (part 4)

Nicole Schumann - German Playmate April 2015 (part 4)
13 jpg | 1922*2500 | 12.2 Mb
Nicole Schumann - German Playmate of the Month for April 2015 (part 3)

Nicole Schumann - German Playmate April 2015 (part 3)
16 jpg | 1922*2500 | 15.28 Mb
Nicole Schumann - German Playmate of the Month for April 2015 (part 2)

Nicole Schumann - German Playmate April 2015 (part 2)
12 jpg | 1922*2500 | 13.09 Mb
Nicole Schumann - German Playmate of the Month for April 2015 (part 1)

Nicole Schumann - German Playmate April 2015
32 jpg | 1667*2500 | 27.52 Mb

Chiara Bianchino - German Playmate December 2017 (part 3)  Girls

Posted by nrg at Nov. 15, 2017
Chiara Bianchino - German Playmate December 2017 (part 3)

Chiara Bianchino - German Playmate Dec. 2017 (part 3)
16 jpg | 1668*2500 | 12.62 MB
Italian model
Nicole Willis & The Soul Investigators - Keep Reachin’ Up (2007)

Nicole Willis & The Soul Investigators - Keep Reachin’ Up (2007)
XLD | FLAC (log,tracks+cue) -> 271 Mb (5% Rec.)
Mp3 CBR320 Kbps -> 107 Mb (5% Rec.) | Scans included
Soul, R&B, Funk | Label: Timmion / Light In The Attic Records, LITA 028 | 0:39:43

After a pair of essentially modern-styled R&B outings, the Brooklyn-born, Europe-based vocalist Nicole Willis struck out in a new direction on her third full-length, teaming up with Finnish funk combo the Soul Investigators in 2005 for a hearty take on '60s and '70s stylings which, by accident or design, fit right in with the vintage soul resurgence that was then getting underway. Relative to other diva-led throwback acts such as Sharon Jones and Amy Winehouse, Willis and her cohorts come off as especially convincing revivalists (or especially deceptive simulators), despite seeming comparably laid-back about taking an authentically "retro" approach, or at least about sticking to one particular type of soul.
San Francisco Symphony & Michael Tilson Thomas - Schumann: Symphonies Nos. 1-4 (2017)

San Francisco Symphony & Michael Tilson Thomas - Schumann: Symphonies Nos. 1-4
Classical | WEB FLAC (tracks) & d. booklet | 142:41 min | 663 MB
Label: San Francisco Symphony | Tracks: 17 | Rls.date: 2017

The Grammy Award-winning team of Michael Tilson Thomas and the San Francisco Symphony releases a premium edition two-disc recording of the complete symphonies of Robert Schumann, one of the most evocative composers of the Romantic era. Michael Tilson Thomas' nuanced approach accentuates the tender, simple, and vulnerable side of Schumann's symphonies, which MTT calls a "preserve for endangered emotions." Recorded live, these performances of Schumann's symphonies are hailed as "nothing short of magnificent" by the San Francisco Chronicle. Produced by the Symphony's in-house record label SFS Media in the highest quality audio.
Imogen Cooper - Robert Schumann: "Abegg" Variations; Davidsbundlertanze; Novelettes Op. 21 Nos 2 & 8; Geisternahe (2015)

Imogen Cooper - Robert Schumann:
"Abegg" Variations; Davidsbündlertänze; Novelettes Op. 21 Nos 2 & 8; Geisternähe (2015)

EAC | FLAC | Image (Cue&Log) ~ 200 Mb | Mp3 (CBR320) ~ 178 Mb | Artwork included
Genre: Classical | Label: Chandos | # CHAN 10874 | Time: 01:15:52

This third recording by Imogen Cooper on Chandos features some of Robert Schumann’s most characteristic and complex works for solo piano. Cooper is one of those artists who are reaching a glorious maturity in middle age; she seems to follow in the steps of her teacher Alfred Brendel, her prodigious virtuosity coexisting with lyrical and emotional wisdom. This album includes the Davidsbündlertänze which she describes as a ‘work of stirring beauty and humour that make it one of the great romantic masterpieces for the piano’. It also illustrates the journey between two sets of variations: Schumann’s first published and last composed piano pieces. While the ‘Abegg’ is ‘virtuosic, extroverted, challenging to play, and charming’, the Geistervariationen are ‘introverted and sparse, with a deep but elusive emotion’. Finally, in the two Novelletten Imogen Cooper reveals what she calls the ‘hidden narrative filaments to be discovered’ in Schumann’s music; this requires ‘a skill which is very necessary in the interpretation of scores that frequently appear disjointed and illogical’.