Neil Young has long been one of rock’s great romantics, mourning the utopian ideals of the “hippie” ‘60s and his vision of what America was…or at least should have been. In some ways, Greendale–which could be described as a “rock novel”–adds a mourning for humanity itself to the mix, as Young presents his vision of America 2003 via the story of a fictional family in a small California town. There’s drama galore–a cop is killed by a drug dealer; Grandpa has a fatal heart attack while pointing a gun at a TV reporter–but most of these songs also work individually as terrific rock tunes. It’s a more subdued Crazy Horse this time out, with only Neil on lead guitar and little of the distorted rage found on albums like Ragged Glory. But “Grandpa’s Interview” has a gorgeous riff that recalls Zuma’s “Don’t Cry No Tears”; “Be the Rain” is a genuine Neil Young anthem about love, peace, saving the planet, and doing the right thing. A few pieces sound a tad meandering at first, which could lead one to conclude that Greendale is only a good Neil Young album. Repeated listening, however, should confirm that Greendale is a great Neil Young album.Bill Holdship - Amazon.com
Neil Young has revealed the details of the original soundtrack for Netflix’s forthcoming film Paradox, both of which will be released on March 23.
THE COMPLETE BILL EVANS ON VERVE is an 18-disc, 269-track box set featuring every track that Bill Evans recorded for Verve between 1962 and 1969, including 98 previously-unreleased tracks. It includes a 160-page, full-color book. THE COMPLETE BILL EVANS ON VERVE was nominated for a 1998 Grammy Award for Best Recording Package - Boxed and for Best Historical Album. The 18 CDs in this exhaustive set provide a comprehensive picture of Bill Evans from 1962 to 1969, a period when the pianist was both consolidating his fame and sometimes taking his music into untested waters, from unaccompanied piano to symphony orchestra. His work with multitracked solo piano, originally released as Conversations with Myself and the later Further Conversations with Myself, was the most remarkable new format for his introspective music. It gave Evans a way to be all the pianists he could be at once–combining densely chordal, harmonically oblique parts with surprising, rhythmic punctuation and darting, exploratory runs.
After the Buffalo Springfield imploded, Neil Young recorded his first, eponymous solo album, an elaborately overdubbed affair that cast him in the role of brooding singer-songwriter. But soon after that record was released, in January 1969, Young began jamming in Los Angeles with a band called the Rockets, redubbed Crazy Horse, and started a relationship that would change guitar rock forever and form the foundation of his career. If Neil Young had an aura of careful subtlety bordering on tentativeness, Everybody Knows This Is Nowhere felt raw, rushed, energized. Indeed, Young dashed off the album’s three central songs — “Cinnamon Girl,” “Down by the River” and “Cowgirl in the Sand” — in a single fever-addled afternoon, and Young and the band play with an almost reckless disregard for prettiness, precision, clarity.
Les auteurs de La Bible dévoilée, best-seller mondial, s'appuient sur les dernières découvertes archéologiques pour révéler l'étonnante vérité des premiers rois de l'Occident.L'archéologie biblique est devenue un champ de mines en passe de faire exploser toutes nos représentations traditionnelles, et notre lecture de la Bible. Le grand archéologue Israël Finkelstein avait tenu, dans La Bible dévoilée, à décrypter pour nous les découvertes les plus récentes qui bouleversaient notre connaissance des origines de la Bible. …