This 77-track, four-CD set remains one of the best boxes devoted to a single music act that one can buy, covering the output of Crosby, Stills, Nash & Young across 22 years, from 1968 until 1990. The first thing that becomes apparent, beyond the excellent sound (which was a revelation at the time, when only extant editions of the group's work were the early, substandard CD editions), is the sheer worth of the material. Crosby, Stills & Nash's reputation, based on their first four albums, can be taken as a given for anyone who would think of buying this set, and it does cover virtually every base that one could involving the trio, with an occasional Crosby, Stills, Nash & Young cut included for completeness' sake.
This is one of the Decca stereo recordings of the Gilbert and Sullivan operettas that does not include dialog. Thanks to the popularity of the work, it is familiar enough that missing the few plot points that occur in dialog doesn't hurt it. However, this is a somewhat disappointing performance and recording by the D'Oyly Carte Opera Company compared to the others in this series of reissues. Longtime principal comedian John Reed is Ko-Ko.
One of the most enduring musical partnerships of our time, Rock and Roll Hall of Famers Crosby, Stills & Nash are revered for their peerless vocal harmonies, inspired songwriting and musical virtuosity. When the trio first sang together at a friend's Laurel Canyon house in 1968, their uncanny harmonic convergence was immediately apparent, and CSN took shape. Each member came to the new venture from other high-profile bands-Crosby from the Byrds, Stills from Buffalo Springfield, and Nash from the Hollies-and together, they formed that rarest of musical entities, a "supergroup" that lived up to its billing. CSN's 1969 self-titled debut album is one of the true masterpieces of the rock 'n' roll canon, and 1982's Daylight Again is a brilliant portrait of their musical evolution. Still touring and recording together, CSN is an American treasure.
Essential: a masterpiece of rock music.
This self-titled release is one of – if not arguably the – most impressive side project to arise from CSN. Taken beyond face value, Graham Nash/David Crosby is a direct reflection, if not an extension, of the musical and personal relationship between its co-creators. Likewise, the results remain true, enhancing rather than detracting from the very individualistic styles of Crosby and Nash.
He's been part of two huge-selling international superstar rock groups, and recorded some very popular albums on his own and with David Crosby. Yet Graham Nash has never been thought of as a talent in his own right the way that, to varying degrees, either of his three bandmates in Crosby, Stills, Nash & Young have. This three-CD, 64-track box set can be seen as both a way of focusing the spotlight on Nash's work both within and outside of his famous bands, and also as a career retrospective of sorts, spanning as it does about 40 years of recordings. Like almost all such box sets, however, it won't be as balanced as everyone would like between his various career phases and contexts, or contain as much in the way of revelatory rarities as some would hope.