This 77-track, four-CD set remains one of the best boxes devoted to a single music act that one can buy, covering the output of Crosby, Stills, Nash & Young across 22 years, from 1968 until 1990. The first thing that becomes apparent, beyond the excellent sound (which was a revelation at the time, when only extant editions of the group's work were the early, substandard CD editions), is the sheer worth of the material. Crosby, Stills & Nash's reputation, based on their first four albums, can be taken as a given for anyone who would think of buying this set, and it does cover virtually every base that one could involving the trio, with an occasional Crosby, Stills, Nash & Young cut included for completeness' sake.
What’s so instantly striking about Crosby, Stills and Nash’s CSN, their second group album in eight years, is that it sounds so much like the debut LP even though its makers are so vastly changed. Since CS&N, and later Y, were always at the vanguard of the conspicuous counterculture (always ready to hoist their tie-dyed freak flag at a moment’s notice), their current reflection and hesitancy are especially interesting. And, because the music is so eerily familiar, the album communicates a kind of time warp (imagine if we knew in 1969 what we know now) that’s compelling and troubling.
Although Crosby, Stills & Nash had, in effect, been together for well over a decade when Daylight Again (1982) was issued, it was only their third studio long-player of concurrently new material.