Rickie Lee Jones "unplugged" – in fact, solo with an acoustic guitar or piano on all but a couple of tunes – Naked Songs is otherwise a retrospective concert album on which Jones cherry-picks songs from her five studio albums, including the hits "Chuck E.'s in Love" and "Young Blood," and others from her breakthrough debut record. The studio album arrangements always tried to support and augment Jones' idiosyncratic writing and playing style, which sounds less unusual when she is simply accompanying herself, and in many ways more effective. "Altar Boy," a previously unreleased song, strays into Leonard Cohen territory, mixing religion with eroticism.
A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
You don’t just see an Ailey performance, you feel it. Experience this electrifying modern dance program that includes four audience favourites: Wayne McGregor’s sumptuous Chroma with a score by Jack White and Joby Talbot; Ronald K. Brown’s powerful Grace, with music by Duke Ellington, Roy Davis Jr., and Fela Kuti; Robert Battle’s humorous, high-flying Takademe; and Alvin Ailey’s beloved Revelations: “one of the great works of the human spirit” (New York Times) – that will rock your soul.
On July 25th. 1998 25.000 people flooded into London's Hide Park to watch the spectacular open air dance extravaganza, "Feet of Flames". With his feet moving too fast to catch fire, Michael Flatley and his too strong cast took dance into hitherto undreamt of dimensions. Feet of Flames was a one-off special, the culmination of everything Michael Flatley has learnt in a remarkable career. He created Lord of the Dance, phenomenon of the decade, which has captivated audiences all around the world and has spawned video and CD sales in their millions. There are now three Lord of the Dance troupes, each 40 strong, performing around the world. One is touring Europe, one is touring across America and the third is third is permanenly resident in Las Vegas. A fourth troupe will shorly by launched in Disney land Florida. On Feet of Flames, Michael shows he is not just the master of the stage but the fastest dancer in the world capable of 35 separate taps in a second. He is also a visionary choreographer and an accomplished musician. On this album, which captures the unique atmosphere of the performance in Hyde Park, Michael demonstrates his command of the flute on three new songs, the band number "Celic Fire", and haunting solos on "Whispering Wind" and "Dance Of Love". Michael Flatley has proved dance can flourish as a multi media spectacle. Feet of Flames will stand as a permanent legasy of his vision as he preperes to develop new challeges, which will continue to astound and delight his millions of fans.