In the 90's, In Rio de Janeiro, the middle-class João Guilherme Estrella is introduced to the world of drugs consuming maconha and cocaine first and later becoming a drug-dealer with many connections inclusive in Europe. However, he spends all the money he makes in his addiction, parties with clients and friends and travels, never structuring or organizing a network or saving money. When he is arrested, he is sent to the prison first and later to the judicial asylum for treatment, reintegrating to the society.
Power pop will never die. At least, it won't as long as whippersnappers like Jonny Polonsky are around to infuse it with the youth and exuberance he displays on his debut album, Hi My Name Is Jonny. Just 22 years old, Polonsky inundated his idol, Frank Black, with tapes of his music. Black was impressed enough to not only get Polonsky a record deal, but to produce his debut. The Black touch is apparent throughout the album, especially on tracks like "In My Mind" and "I Don't Know What to Dream at Night," both of which boast loud guitars, sharp pop hooks, and cute lyrics. Occasionally, Polonsky overdoes the quirkiness that makes his songs unique – "Evil Scurvy Love" and "It's Good to Sleep" are a bit too silly for their own good. However, Polonsky's pop smarts create some terrific, catchy love songs like "Gone Away" and "Half Mind," which sound excited to exist. "Love Lovely Love" is instant gratification at its best, and "Truly Ugly and Dead Too" is as fun a put-down song as you're likely to hear. Too short at ten songs, Hi My Name Is Jonny makes Polonsky a name to remember.
On March 16th, Rivers Of Nihil release their third full-length, Where Owls Know My Name, via Metal Blade Records. Whereas The Conscious Seed Of Light (2013) and Monarchy (2015) were thematically centered around spring and summer, respectively, Where Owls Know My Name represents the fall. And although that season is usually associated with death, for Rivers Of Nihil, the autumn serves as a rebirth.