Muti Stravinsky

Mussorgsky Pictures From An Exhibition · Stravinsky The Firebird (Suite, 1919) · Muti

Mussorgsky Pictures From An Exhibition · Stravinsky The Firebird (Suite, 1919)
Philadelphia Orchestra · Riccardo Muti

APE 3.99 Normal | CUE | Booklet | 227 MB
Westminster Cathedral Choir, London Sinfonia; James O'Donnell - Stravinsky: Symphony of Psalms; Mass; Canticum Sacrum (1991)

Igor Stravinsky: Symphony of Psalms; Mass; Canticum Sacrum (1991)
Westminster Cathedral Choir; City of London Sinfonia; James O'Donnell, conductor

EAC | FLAC | Image (Cue&Log) ~ 233 Mb | Mp3 (CBR320) ~ 158 Mb | Artwork included
Classical, Choral, Sacred | Label: Hyperion | # CDA66437 | Time: 01:07:58

Here's a Symphony of Psalms that successfully captures the spirit and letter of the work–reverence, jubilation, and celebration, as well as specifics of orchestral color and texture. Boys' voices–supposedly Stravinsky's original choice–contribute their share to the bright choral timbre, an effect that works very well. We also get first-rate performances of the Mass and the rarely recorded Canticum sacrum.
Chicago Symphony Orchestra, Riccardo Muti - Anton Bruckner: Symphony No. 9 (2017)

Anton Bruckner: Symphony No. 9 (2017)
Chicago Symphony Orchestra, conducted by Riccardo Muti

EAC | FLAC | Image (Cue&Log) ~ 313 Mb | Scans included
Classical | Label: CSO-Resound | # CSOR901 1701 | 01:02:20

For this 2017 CSO-Resound release, Riccardo Muti and the Chicago Symphony Orchestra present Anton Bruckner's unfinished Symphony No. 9 in D minor in a monumental performance that impresses with its marmoreal weight, poignant lyricism, and brutal volatility. Not widely known for his few Bruckner recordings, Muti nonetheless delivers this symphony with the passion and sensitivity of an experienced Brucknerian, and possibly because he hasn't recorded it before, this live rendition of the Ninth seems like an attempt to make up for lost time. Muti's intensity and the orchestra's ferocious power combine to make a memorable reading that may remind listeners of performances by such greats as Günter Wand, Eugen Jochum, and particularly Carlo Maria Giulini, whose recordings of the Ninth are recognized benchmarks. While Muti only performs the three completed movements, and eschews any attempted reconstructions of the surviving Finale sketches, the performance has a genuine feeling of wholeness, and the Adagio particularly has the grandeur and pathos that make it feel like a convincing ending, albeit one that the composer did not intend.
Chicago Symphony Orchestra & Riccardo Muti - Bruckner: Symphony No. 9, WAB 109 (Original 1894 Version) (2017) [24/96]

Chicago Symphony Orchestra & Riccardo Muti - Bruckner: Symphony No. 9, WAB 109 (Original 1894 Version) (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 62:19 minutes | 1.08 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The latest CSO Resound release features Riccardo Muti and the Chicago Symphony Orchestra in a compelling performance of Bruckner's formidable Ninth Symphony. Left unfinished at the time of the composer's death in 1896, the immense work unfolds with stirring climaxes, daring chromaticism and harmonic richness. It is perfectly executed by the CSO, long-admired for its Bruckner interpretations.
Riccardo Muti - Bruckner: Symphony No. 9, WAB 109 (Original 1894 Version) (2017)

Riccardo Muti - Bruckner: Symphony No. 9, WAB 109 (Original 1894 Version) (2017)
Classical | MP3 CBR 320 kbps | Digital Booklet | 01:02:20 | 171 MB
Label: CSO Resound

The latest release by CSO Resound features Riccardo Muti and the Chicago Symphony Orchestra in a compelling performance of Bruckner’s formidable Ninth Symphony. Left unfinished at the time of the composer’s death in 1896, it is an immense work that continuously unfolds with its stirring climaxes, daring chromaticism and harmonic richness. It is here perfectly executed by the CSO, long-since admired for its interpretations of Bruckner, and holding the distinction of having given the American premiere of the Ninth Symphony in 1904. Muti brings remarkable lyricism to this dramatic work in a performance embodying the exceptional synergy between the distinguished maestro and the CSO.
Ilya Gringolts & Peter Laul - Stravinsky: Music for Violin, Vol. 1 (2017)

Ilya Gringolts & Peter Laul - Stravinsky: Music for Violin, Vol. 1
Classical | WEB FLAC (tracks) & d. booklet | 60:38 min | 237 MB
Label: BIS | Tracks: 19 | Rls.date: 2017

In his autobiography, Igor Stravinsky wrote of his not having had any ‘great liking’ for the combination of strings and piano. That there nevertheless are a number of chamber works by him featuring the violin is to a large extent due to the violinist Samuel Dushkin. The two were introduced to each other by Stravinsky’s German music publisher who wanted to persuade him to compose a violin concerto. They obviously hit it off: their collaboration continued after the concerto had come into being in 1931, and they devised a recital programme to perform together on tours.
Grigory Sokolov plays Schubert, Schumann, Chopin, Scriabin, Prokofiev, Stravinsky (2015) 2CDs

Grigory Sokolov plays Schubert, Schumann, Chopin, Scriabin, Prokofiev, Stravinsky (2015)
EAC | FLAC | Image (Cue&Log) ~ 484 Mb | Mp3 (CBR320) ~ 314 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 02292 | Time: 02:14:24

The art of the 20th century legendary pianists lives on in this century in the creative work of Grigory Sokolov, “the greatest pianist of modern times,” “the world's pianist No. 1,” “a genius” as the contemporaries name him. Sokolov's name ranks with the names of the great musicians of the past – Vladimir Horowitz, Sviatoslav Richter and Glenn Gould. The pianist gives quite a number of concerts annually in different cities of Europe, including a traditional klavierabend in his native St. Petersburg. Grigory Sokolov finished the special music school of the Leningrad Conservatory under Liya Zelikhman, and in 1973 he graduated from the Leningrad Conservatory under Moisey Khalfin. Later on, Sokolov became a professor of the St. Petersburg Conservatory where he taught for a long time. As early as at the age of twelve, Sokolov gave his first solo concert, and at 16 he received the first prize of the 3rd International Tchaikovsky Competition in 1966. That victory signified the beginning of Sokolov's career.
Suisse Romande, Ernest Ansermet - Igor Stravinsky: Ballets, Stage Works, Orchestral Works (2001) 8CD Box Set

Igor Stravinsky: Ballets, Stage Works, Orchestral Works (2001) 8CD Box Set
L'Orchestre de la Suisse Romande; Ernest Ansermet, conductor

EAC | FLAC | Image (Cue&Log) ~ 2.25 Gb | Mp3 (CBR320) ~ 1.15 Gb | Scans included
Genre: Classical | Label: Decca | # 467 818-2 | Time: 08:27:52

All the Stravinsky recordings made by Ernest Ansermet and The Suisse Romande Orchestra, digitally remastered in an 8 CD box. The set includes all Stravinsky's major orchestral works at a bargain price in highly respected recordings dating from the late 50's and early 60's.
Riccardo Muti, Chicago Symphony Orchestra & Chorus - Verdi: Messa da Requiem (2011) [Official Digital Download 24/88]

Riccardo Muti, Chicago Symphony Orchestra & Chorus - Verdi: Messa da Requiem (2011)
FLAC (tracks) 24-bit/88.2 kHz | Time - 89:31 minutes | 1.56 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Chicago Symphony Orchestra inaugurates Riccardo Muti's tenure as music director with one of the most anticipated releases of the year Verdi's Requiem Mass, featuring the Chicago Symphony Chorus and four outstanding soloists. Recorded live from sold-out, electrifying concerts, this stunning performance brilliantly captures both the pathos and passion of Verdi's masterpiece.

After the Rite: Stravinsky's Path to Neoclassicism (Repost)  eBooks & eLearning

Posted by DZ123 at May 16, 2017
After the Rite: Stravinsky's Path to Neoclassicism (Repost)

Maureen A. Carr, "After the Rite: Stravinsky's Path to Neoclassicism"
English | 2014 | ISBN: 0199742936 | PDF | pages: 361 | 42.3 mb