The Café del Mar is perhaps most known around the world for its chill-out music compilations. The songs are described as balearic ambient, easy listening music. The collections of the music played at the café were first sold on cassette at the end of the 1980s. In 1994, the first official “Café del Mar” CD was released, which included works by world-renowned artists. Following the great success of the first release, a total of 18 volumes of the main compilation series have been published.
Café del Mar XIX features 26 new tracks of which 22 are exclusive for the compilation. Including some of the biggest names in electronic music, such as Moby & Mark Lanegan, Bonobo, The xx, Kate Bush… Great combination of cool lounge music guaranteed to put your mind to rest and chill your self to complete rest.
Collectables presents 24 more of the greatest holiday hits of all time. All songs are the original hits by the original artists that made them great. Elvis Presley, Andy Williams, Frank Sinatra, Bing Cosby, Brian Wilson, Perry Como, Johnny Mathis, Barry Manilow, Luther Vandross, Michael Bolton, Gloria Estefan, Johnny Cash, Willie Nelson, Kenny Loggins, Buster Poindexter, Englebert Humperdinck, Donny Osmond, John Denver, The Manhattan Transfer, Gladys Knight, Kenny Vance, Bobby Vinton and Aretha Franklin.
The Ultimate Christmas Album, Vol. 6: WCBS FM 101.1 is another eclectic collection of pop holiday tunes from the '50s, '60s, '70s, and '80s, including Wham!'s "Last Christmas," the Beach Boys' "Santa Claus Is Coming to Town," and Andy Williams' "Let It Snow! Let It Snow! Let It Snow!." Aretha Franklin's "Winter Wonderland," America's "Hark! The Herald Angels Sing," and Connie Francis' "White Christmas" are some of the other highlights from this scattered compilation, which somehow mixes different sounds and eras into a festive celebration.
This brilliant CD series entitled "Didn't It Blow Your Mind, Soul Hits Of The 70s" is a 20-volume anthology of excellent R&B music from the 1970s. Each CD features several artists of the R&B genre, performing songs that helped to shape their generation. This is like having your very own 70s Soul Music party. Great R&B classics don't get any better than this, and Rhino brings it to you in one amazing, top-knotch series.
The Ultimate Christmas Album, Vol. 5 collects more pop and rock holiday tunes, this time venturing further into the '70s and '80s with songs like Paul McCartney & Wings' "Wonderful Christmastime," Hall & Oates' "Jingle Bell Rock," and Barry Manilow's "It's Just Another New Year's Eve." The collection still features traditional pop chestnuts, including Dean Martin's "A Marshmallow World," Johnny Mathis' "The Christmas Song (Merry Christmas to You)," and Andy Williams' "Sleigh Ride," but this volume's overall feel is more contemporary than classic. Other highlights include Manhattan Transfer's "A Christmas Love Song," the Waitresses' "Christmas Wrapping," the Tokens' "Little Drummer Boy," and the Jackson 5's "I Saw Mommy Kissing Santa Claus." If The Ultimate Christmas Album, Vol. 5 isn't necessarily the most coherent volume in the series, it's certainly one of the most interesting.
The seemingly bottomless record collection of Nick Saloman from the Bevis Frond has spawned the third in an ongoing series of albums collecting obscure instrumental tracks from the '60s and '70s, and while many of these songs support the popular notion that the hipper and more interesting rock artists of the day were fond of vocal numbers, there are some fun and exciting tunes to be found on this set. Roaring Blue draws its title from the lead-off track, a swinging dance tune by the Sound of Jimmy Nicol, featuring the drummer who briefly replaced an ailing Ringo Starr during a tour in 1964 (this may explain why Nicol's drums are so far up in the mix), while members of the long-running U.K. pop band Blue Mink appear on the track "Beat Party" under the pseudonym the Underground, and John McLaughlin adds guitar licks to "Trans-Love Airways" by Big Jim Sullivan.
Nick Saloman of the Bevis Frond once again invites us to join him in the obscure pleasures of little-known pop, R&B, and jazz instrumental sides of the '60s and '70s with this collection. A number of the selections featured on Return of the Instro-Hipsters are so obscure that even Saloman isn't sure just who is responsible for them (though he offers some educated guesses on the artists behind such names as Sharks, Oliver Bone, and the Masked Phantom), but there are a good share of solid grooves and kicky melodies to be found here from a number of gifted little-knowns. If you went to the movies in the '70s, "Soul Thing" by Tony Newman will sound familiar, while flautist Harold McNair solos over a Dave Brubeck-influenced piano groove on "The Hipster," Jerry Allen demonstrates new uses for game calls on "Fuzzy Duck," Thunder Road's synthesized version of "Peter Gunn" beats Art of Noise's variation on the theme by more than 15 years, "The Brooke Bond Beat" by Cliff Adams may be the most swingin' tea commercial ever, and the Outer Limits serve up some tough, moody rock, appropriately titled "Black Boots".
The success of the Austin Powers movies rekindled an interest in everything groovy, swinging and mod. The Instro Hipsters a Go-Go responded in kind, serving up fun but mostly forgotten instrumentals from the '60s and early '70s that sound equally good in a bachelor pad or discotheque. Instro Hipsters a Go-Go, Vol. 3 is a Wall of Sound made up of twangy surf guitars, tumbling drums, flourishes of strings and brass, and funky organs, especially on classic instrumentals like "Cherokee" and "Raunchy," which have been given mod makeovers here by the Mitch Murray Clan and the Ray McVay Sound. Harry Stoneham's "Mogul/I Spy/The Avengers" nods to the spy movie and TV show fetish of the time, while Shocking Blue's "Ackla Ragh"'s trippy sitars allude to the '60s and '70s fascination with Indian music. Though it's more eclectic than some other volumes in this series, this collection makes for very entertaining mood music that still conjures up this swinging, stylish era.
Another installment in Collectables' The Ultimate Christmas Album series, volume four gathers a mix of well-known and offbeat holiday tunes, including Elvis Presley's "Blue Christmas," the Platters' "Winter Wonderland," and Perry Como's "It's Beginning to Look a Lot Like Christmas." Brook Benton's "You're All I Want for Christmas," Percy Faith's "Christmas Is," and Otis Redding's "Merry Christmas Baby" are some of the collection's soulful highlights, while Santo & Johnny's "Twistin' Bells" and Stan Freberg's "Christmas Dragnet" add some novelty to the festivities. Though it's a somewhat uneven collection, The Ultimate Christmas Album, Vol. 4: WCBS 101.1 has enough interesting and classic moments to make it worthwhile for anyone looking to go beyond the season's basic music.