Three of the works on this valuable Musgrave release were previously available on Collins Classics although the disc has been generously topped up with Memento Vitae, Concerto in Homage to Beethoven, recorded within weeks of the other works but not previously released. The admirable playing time of 79:34 is all the more pleasing given that all of the Ancora discs will be available at mid-price. All four of the works on the disc demonstrate two significant traits in Musgrave’s fertile output over the years, namely an inherent sense of drama that can ………..Christopher Thomas @ musicweb-international.com
Like the first volume of this series, this gathers rare recordings from throughout the bulk of Greg Lake's career, spanning the late '60s to the mid-'90s. Lake might be one of the most famous musicians associated with progressive rock, but you'd have a hard time taking that impression away from this CD if it was the first or only sampling of his music you heard. Rarities collections can't serve as a fair career retrospective, of course…
Neil Young has revealed the details of the original soundtrack for Netflix’s forthcoming film Paradox, both of which will be released on March 23.
According to Christopher Hogwood, in his marvelous biography of Handel, "In the winter of that year , Handel received what was for him an unusual commission. Although closely associated with the London theatre, he wrote very little incidental music for plays. A request from John Rich to provide airs and dances for Smollett's 'Alceste' was undertaken, according to Hawkins, in repayment of a debt to Rich."
Bear Family, the venerable German label that does reissue boxes of U.S. artists better than any American label – with the possible exception of Mosaic – has taken the cream of Kitty Wells' career and issued one of the most historically important collections in the history of country music. The Queen of Country Music is a four-CD box, with exhaustive biographical and session notes by Charles Wolfe that document, in their entirety, nine years of Ms. Wells career, from its inception through to its turning point and superstardom, the years 1949 to 1958; there are 114 tracks in all. Along with every major hit and B-side from the eras, the set includes classic original versions of "It Wasn't God Who Made Honky Tonk Angels," "Hey Joe!," "I Hear the Jukebox Playing," "Lonely Side of Town," "Making Believe," "Dust on the Bible," "The Place That Kills," "Right or Wrong," "Just When I Needed You," "The Great Speckled Bird," "Jealousy," and many others.
Although she had earned worldwide fame in 1978 with "It's a Heartache," Bonnie Tyler had trouble building on that success looked as if she were doomed to one-hit wonder status by the early 1980s. However, she returned to prominence in 1983 with Faster Than Speed of the Night, a bombastic opus that took her gift for heartbroken balladry to epic heights. The key to the this album's success is the production and writing chops of Jim Steinman. He applies the same gothic operatic touch that made his work with Meat Loaf so captivating (and successful), wrapping the songs in atmospheric, all-stops-out arrangements that blend drama and power chords in equal measure. The combination of Steinman's cinematic production style with Tyler's smoky vocals made Faster Than the Speed of Night her most successful album. It also spawned a huge hit single in "Total Eclipse of the Heart," an epic ballad about longing for a lost love that starts as a quiet piano-led piece and builds into a gargantuan production built on an equal balance of power chords and thick choral vocals.