Under the direction of the principal conductor and artistic director of the Salzburg Mozart Week, Mark Minkowski, the Musiciens du Louvre perform on two of Mozart’s original instruments. Mozart’s Violin Concerto and his Piano Concerto in A major are played on instruments that were once in the composer’s possession. Thibault Noally plays the Violin Concerto on a violin from the workshop of Pietro Antonio Dalla Costa and “conjures up Romantic brilliance from the well maintained instrument”, then Francesco Corti brings Mozart’s fortepiano to life again, thereby spreading “collective Mozart happiness all round” (Salzburger Nachrichten).
LONDON, Dec. 18— The Soviet-born cellist Mstislav Rostropovich played in a benefit concert for Armenian earthquake victims Saturday night, after postponing a visit to India in order to participate in the event.
''It was very important for me to take part in this concert,'' the 61-year-old musician said before a last-minute rehearsal with the flutist James Galway, the conductor Andre Previn and other musicians who rearranged their schedules and donated time to perform….
Recorded in Cuba, acclaimed pianist Simone Dinnerstein s new album, Mozart in Havana, may be her most ambitious to date and is a testament to music s ability to cross all cultural and language barriers. For the new album, Dinnerstein collaborated with the virtuosic Havana Lyceum Orchestra to perform Mozart s Piano Concerto Nos. 21 and 23.
Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid.
Mozart 250th Anniversary Edition: Complete Sacred Music by Harnoncourt / Mozart / Vienna Concentus Musicus was released Sep 19, 2005 on the Warner Classics label. Mozart 250th Anniversary Edition: Complete Sacred Music is a 13-disc set.
Sir John Eliot Gardiner has revolutionized music making with his Monteverdi Choir and the English Baroque Soloists, and has created completely new sounds from many well-known works.