Sir Georg Solti, KBE (21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor. He holds the record for having received the most Grammy Awards, having personally won 31, including the Grammy Lifetime Achievement Award. He is widely regarded as one of the greatest conductors of the 20th century.
Involving, as it does, three master musicians and a fine chamber orchestra this was never likely to be be other than rewarding. It may not correspond with the ways of playing Mozart at the beginning of the twenty-first century which are fashionable at the beginning of the twenty-first century, but it has virtues – such as high intelligence, sympathy, certainty of purpose, grace, alertness of interplay – which transcend questions of performance practice. Looking at the names of the pianists above, we might be surprised by the presence of Sir Georg Solti, so used are we to thinking of him as a conductor. But the young Solti appeared in public as a pianist from the age of twelve and went on to study piano in Budapest, with Dohnányi and Bartok.
This double-CD budget set brings together two performances by Spanish pianist Alicia de Larrocha, collaborating both times with Georg Solti as conductor. Each disc includes a pair of Mozart piano concertos. The music on the first CD, recorded in 1985, has never been released, because, the booklet asserts, post-production work was needed to clean up the acoustics.
Tout le monde devrait connaitre certaines oeuvres classiques. Les requiems de Mozart ou de de Saint Sens en font parti, à mes yeux.
Wolfgang Amadeus Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, he showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position…
Ludwig van Beethoven was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis, and one opera, Fidelio…
It is more than twenty years since Solti last recorded Così for Decca, and if that earlier version was far from ideally cast, this new one more than makes amends. Above all, it has a commanding Fiordiligi in Renée Fleming, who conveys all the tragic vulnerability of this central character. Her performance of the great second-act rondo ‘Per pietà’ would be enough to melt the hardest of hearts. Anne Sofie von Otter and Olaf Bär are in fine form, too; and while Adelina Scarabelli is not exactly a mistress of disguises (she scarcely alters her voice at all for Despina’s part as the mesmeric doctor), her vitality is irresistible. More contentious is the Ferrando of Frank Lopardo. True, he can scale down his voice admirably, but all too often he lacks a genuine sense of line, and his intonation is unreliable.
This will be the Magic Flute chosen by most people who want to live with just one. It finds Georg Solti in a relatively relaxed state of mind, with an excellent if not particularly famous cast, and an orchestra and chorus that any conductor would give his left arm (not the one that welds the baton) to work with. The singers are not particularly well-known (London seems to have set up Solti as the star of this production) but a lack of celebrity attitudes and close attention to the conductor have paid substantial dividends in this production. Sumi Jo, in a spectacular and dramatic performance of the Queen of the Night's two arias, attracts special attention, as do Uwe Heilmann (Tamino) and Michael Kraus (Papageno). –Joe McLellan