Mozart Sinfonia Concertante

NDR-Sinfonieorchester, Christoph Eschenbach, Midori, Nobuko Imai - Mozart: Sinfonia Concertante; Concerto K. Anh. 56 (2001)

Wolfgang Amadeus Mozart - Sinfonia Concertante; Concerto in D Major K. Anh. 56 (2001)
Midori, violin; Nobuko Imai, viola; NDR-Sinfonieorchester; Christoph Eschenbach, piano & conductor

EAC | FLAC | Tracks (Cue&Log) ~ 298 Mb (incl 5%) | Mp3 (CBR320) ~ 175 Mb (incl 5%) | Scans included
Genre: Classical | Label: Sony Classical | # SK 89488 | Time: 00:58:34

The 'Sinfonia Concertante in E-flat Major, K 364/320D' is one of those refined works that is so well written that it exudes genius. Composed for violin, viola, and orchestra the work is a conversation with the two instruments with a beautifully woven tapestry of comment for the orchestra. Violinist Midori and violist Nobuko Imai are not only well paired in technique and virtuosity, they find a compatibility of discourse that is refreshingly fine. Christoph Eschenbach conducts the Norddeutscher Rundfunk Sinfonieorchester with grace and sensitive collaboration. The work is a complete success. The Philip Wilby reconstruction of the accompanying concerto for violin and piano is a fine little piece, if not in the same realm as the Sinfonia Concertante. The performance of this uneven work makes up for the inconsistencies that arise when sonatas are adapted for orchestra. Midori again focuses on her pliant, clear technique and is matched by Christoph Eschenbach's piano role as well as his conducting. It is a minor work played in a major manner.
Rachel Podger - Mozart: Sinfonia Concertante; Haydn: Violin Concerti 1 & 4 (2009) [24bit/96kHz] RE-UP

Rachel Podger - Mozart: Sinfonia Concertante; Haydn: Violin Concerti 1 & 4 (2009)
FLAC (tracks) 24 bit/96 kHz | Time - 68:06 minutes | 1,47 GB
ChannelClassics' Studio Master, Digital Download | Digital booklet
Live in Ramallah: Beethoven- Symphony No. 5 / Mozart- Sinfonia Concertante, K297b (2005)

Live in Ramallah: Beethoven- Symphony No. 5 / Mozart- Sinfonia Concertante, K297b
West-Eastern Divan Orchestra & Daniel Barenboim
EAC+LOG+CUE | FLAC: 319 MB | Full Artwork: 121 MB | 5% Recovery Info
Label/Cat#: Warner Classics # 2564 62781-2 | Country/Year: Europe 2005
Genre: Classical | Style: Viennese School

…Another justification, of course, is the obvious enthusiasm of the young players as they make their way through a curtain-raising Mozart Sinfonia Concertante, with its collection of diverse but harmonious instrumental elements, and through Beethoven's Fifth Symphony, with its durable resonances of hope amid warfare. This concert was recorded live in Ramallah in August 2005, under heavy guard. The logistical preparations of the concert, Barenboim says, could fill a book. But maybe that's a book that should be written, for the bottom line is that the concert took place and ended with an explosion of applause…
W.A.Mozart: Sinfonia Concertante K.364, Duo in GK 423, (JVC xrcd24bit super analog)

W.A.Mozart: Sinfonia Concertante K.364, Duo in GK 423, (JVC xrcd24bit super analog)
Sinfonia Concertante for Violin, Viola and Orchestra K. 364
Duo for Violin and Viola in GK. 423

Classical | Recorded 1963 | 2005 | FLAC/CUE/LOG | Booklet + Cover | 262 MB | 1 XRCD

Wolfgang A. Mozart - Sinfonia Concertante in E flat  

Posted by diego cabral at Dec. 10, 2008
Wolfgang A. Mozart - Sinfonia Concertante in E flat

Sinfonia Concertante in E flat
Wolfgang Amadeus Mozart
ORPHEUS CHAMBER ORCHESTRA

Classical | Ape | 260 Mb | 1991
Mozart – Sinfonia Concertante etc – Fischer, Nikolić, Kreizberg

Mozart – Sinfonia Concertante etc – Fischer, Nikolić, Kreizberg
Classical | 2007 | 63'35 | FLAC+CUE | Front JPG | 303 MB
Mozart: Sinfonia conc.; Brahms: violin conc. / David & Igor Oistrakh

Mozart: Sinfonia Concertante in E flat; Brahms: Violin Concerto / David & Igor Oistrakh, Otto Klemperer
Classical | 1CD | EAC, ape, img+cue, log | covers | 294 MB
2006 Olympia | Recorded in 1960, 1972 | Stereo | ADD

Mozart - Sinfonie Concertante, Concertone  Music

Posted by alekhno at Oct. 24, 2009
Mozart - Sinfonie Concertante, Concertone

W.A.Mozart - Sinfonia Concertante in E flat Major; Concertone in C Major; Sinfonia Concertante in A Major
Classical | ECD-DA Extractor | FLAC, CUE, NO LOG | 1 CD | Covers | 326 Mb | rs.com | 1993
Amsterdam Mozart Players:Jurgen Kussmaul, Conductor & Viola; Vera Beths, Violin;
Rainer Kussmaul, Violin; Anner Bylsma, Cello

Sabine Meyer - Mozart: Clarinet Concerto, Sinfonia Concertante (1997)

Sabine Meyer - Mozart: Clarinet Concerto, Sinfonia Concertante (1997)
MP3 (CBR 320 kbps) | 56:15 | 135 MB
Genre: Classical | Label: EMI Classics

No timbral difference separates this midprice reissue of one of the best-loved concertos by Mozart from its previous, full-priced equivalent. There's a bit more ambience and warmth and less stridency on top. If you own the original CD, there's no need to replace it, but first-time buyers should snap up these sensitive, stylish performances in their Great Recordings of the Century guise. One of the main attractions is the extended compass and deliciously "woody" tone of Sabine Meyer's basset clarinet. The clarinetist's fleet, effortless dispatch of the Clarinet Concerto's outer movements is a delight to the ear, and her improvised (or so they seem!) flourishes fit into their environment as if Mozart had written them himself.
Richard Tognetti, Christopher Moore - Mozart: Violin Concertos Nos. 3 & 5, Sinfonia Concertante (2010)

Richard Tognetti, Christopher Moore - Mozart: Violin Concertos Nos. 3 & 5, Sinfonia Concertante (2010)
EAC | FLAC (image+.cue, log) - 396 MB | MP3 (CBR 320 kbps) - 193 MB | Covers + Digital Booklet | 79:52
Genre: Classical | Label: BIS | Catalog: 1754

The Australian Chamber Orchestra and its enterprising leader, violinist Richard Tognetti, wade with these popular Mozart works into a field with plenty of competition, and the results, as usual with this popular group, range from good to superb. The performances are generally oriented toward historical practice; the string players use gut strings, tuned slightly below modern concert pitch, and the oboes and horns are historically appropriate instruments. In general matters of attack and phrasing, the players do not diverge too far from modern practice, and Tognetti, in his own notes (in English, German, and French), points out that even if treatises of the period laid down certain procedures in regard to these matters, the notoriously capricious Mozart might well have done something completely different.