Mozart Requiem Lossless

Barockorchester and Kammerchor Stuttgart, Frieder Bernius - Wolfgang Amadeus Mozart: Requiem, KV 626 (2000)

Wolfgang Amadeus Mozart: Requiem, KV 626 (2000)
Vasiljka Jezovsek, Soprano; Claudia Schubert, Contralto
Marcus Ullmann, Tenor; Michael Voile, Bass
Barockorchester and Kammerchor Stuttgart, conducted by Frieder Bernius

EAC | WV | Image (Cue&Log) ~ 192 Mb | Mp3 (CBR320) ~ 106 Mb | Scans ~ 50 Mb
Classical, Choral | Label: Carus | # 83.207 | Time: 00:46:15

Frieder Bernius and his Stuttgart forces weigh in with one of the finer Mozart Requiems in a very crowded field–and to ensure this performance’s relative exclusivity, it’s one of only a handful of recordings that use the edition by Franz Beyer, an intelligent and persuasive 1971 effort to correct “obvious textural errors” and some decidedly un-Mozartian features in the orchestration attributable to Franz Süssmayr, Mozart’s pupil/assistant who completed the work after the master’s death. This live concert performance from 1999 offers well-set tempos (including a vigorous Kyrie fugue), infectious rhythmic energy from both chorus and orchestra, robust, precise, musically compelling choral singing, a first rate quartet of soloists–and, especially considering its concert-performance setting, impressively detailed and vibrant sonics. The CD also features informative notes by Beyer himself.
Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem (1975/2015) [Official Digital Download 24/96]

Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem (1975/2015)
FLAC (tracks) 24-bit/96 kHz | Time - 53:06 minutes | 954 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Herbert von Karajan’s 1975 Mozart Requiem is of the grand ceremonial type with large choral forces and full orchestra accompaniment–all of which sounds quite massive compared to more recent period-style performances.
René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem (2017)

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion) (2017)
EAC Rip | FLAC (tracks)+cue, log, m3u, d. booklet | 220 MB
Label: Harmonia Mundi – 902291 | Tracks: 15 | Time: 45:55 min
Classical, Choral, Vocal

1791: a busy year for Mozart who, when he received a commission for a Requiem, was already working on Die Zauberflöte and had a deadline to deliver La clemenza di Tito. Everyone knows what happened next: the commission postponed, exhaustion and death, a work left unfinished and which, after several composers were approached, was finally completed by Süssmayr. This version gradually became established as the closest to Mozart’s intentions, but is not free of faulty part-writing and orchestration. In 2016 a young French composer, Pierre-Henri Dutron, persuaded René Jacobs to perform his own revision of the Requiem completed by Süssmayr. This new version was created with great success in a series of five concerts around Europe in November 2016. We now present its first studio recording, released exclusively on harmonia mundi.
Royal Concertgebouw Orchestra & Mariss Jansons - Mozart: Requiem (Live) (2014) [Official Digital Download 24/88]

Royal Concertgebouw Orchestra & Mariss Jansons - Mozart: Requiem (Live) (2014)
FLAC (tracks) 24-bit/88 kHz | Time - 47:29 minutes | 556 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

During his last years in Vienna Wolfgang Amadeus Mozart composed only three liturgical works: the short 'Ave Verum Corpus' and two unfinished masterworks: the 'Mass in C minor' and the 'Requiem' in D minor. Most of his sacred oeuvre was written at an early age in the conservative city of Salzburg. The 'Requiem' from 1791 is stylistically far removed from that early church music and suits the concert hall better than the church.
René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem (2017)

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion)
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 45:55 min | 225 MB
Label: harmonia mundi | Tracks: 15 | Rls.date: 2017

1791: a busy year for Mozart who, when he received a commission for a Requiem, was already working on Die Zauberflöte and had a deadline to deliver La clemenza di Tito. Everyone knows what happened next: the commission postponed, exhaustion and death, a work left unfinished and which, after several composers were approached, was finally completed by Süssmayr. This version gradually became established as the closest to Mozart’s intentions, but is not free of faulty part-writing and orchestration.
René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem (2017) [Official Digital Download 24/96]

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion) (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 45:55 minutes | 806 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

1791: a busy year for Mozart who, when he received a commission for a Requiem, was already working on Die Zauberflöte and had a deadline to deliver La clemenza di Tito. Everyone knows what happened next: the commission postponed, exhaustion and death, a work left unfinished and which, after several composers were approached, was finally completed by Süssmayr. This version gradually became established as the closest to Mozart’s intentions, but is not free of faulty part-writing and orchestration.
Mozart - Requiem in D minor, K. 626 (Daniel Barenboim, Orchestre et Choeurs de l'Opera de Paris) [1985]

Mozart - Requiem in D minor, K. 626 (Daniel Barenboim, Orchestre et Choeurs de l'Opera de Paris;
Kathleen Battle, Ann Murray, David Rendall, Matti Salminen) [1985]

EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 238 MB
Classical | Label: EMI Classics | Catalog Number: CDC 7 47342 2 | TT: 55:39

Thank you Kathleen Battle for making another masterful recording.Mozart's requiem is an excellent work,and this particular version is well recorded too.I just wish mozart wrote more music for the soprano to sing in his requiem.I must say that Verdi's requiem is the greatest ever composed,but thus far of all the requiems i've listened to,mozart's requiem must come in second.Mozart,you go boy!!Kathleen,you go girl!!!! Ps,requiems should be listened to especially on rainy evenings & nights with some introspective thoughts.Perhaps,mozart is now composing an anti-requiem for the afterlife..
Georg Solti, Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor - Mozart: Requiem (2004/1991)

Georg Solti, Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor - Mozart: Requiem (2004/1991)
NTSC 4:3 (720x480) VBR | Latin (LinearPCM, 2 ch) | (DTS, 6 ch) | 6.40 Gb (DVD9) | 100 min
Classical | DECCA

This unique performance of Mozart's great Requiem took place on 5 December 1991, to commemorate the 200th anniversary of the composer's death. Conducted by maestro Sir Georg Solti. Mozart's music was performed as an integral part of the liturgy for which it was originally intended, rhe special taking place in the magnificent setting of St Stephen's Cathedral, Vienna, where Mozart's funeral rites were said on 6 December 1791.
Helmut Rilling, Pinchas Zukerman, Bach-Collegium Stuttgart - Mozart: Requiem; Exsultate, jubilate [2009]

Helmut Rilling, Pinchas Zukerman, Bach-Collegium Stuttgart - Mozart: Requiem; Exsultate, jubilate [2009]
Classical | Sony 88697529902 | TT: 68.55 | EAC (FLAC, cue, log) | Covers | 304 Mb

Blegen’s technically flawless and musically peerless rendition is a pure celebration of beautiful singing and of the wonder of Mozart’s dazzling masterpiece. The sound is as clear and immediate as if it had been recorded yesterday, and Pinchas Zukerman’s direction is exemplary. … Although Helmut Rilling’s tempos are sometimes too plodding (the opening Introitus, for example), he makes up for it elsewhere–in an emphatic Recordare and smoothly flowing Benedictus. And while the chorus has a somewhat saturated, conglomerate sound, its impact is nevertheless substantial, not only in the fullest, loudest sections, but also in the quieter passages, which come off as more evenly balanced. Soloists, on the other hand, are absolutely clear if perhaps just a bit too up-front, and the orchestra, which fares well overall, gets swallowed in the mix when the entire chorus is singing. Rilling requires keen articulation from his players and singers, which although normally a good thing sometimes (as in the opening of the Confutatis) seems overly deliberate and stifles the music’s natural momentum. However, if you’re looking for a good, basic reading of the traditional edition of the Requiem–and an unrivalled performance of the Exsultate, jubilate –you won’t go wrong with this decently remastered release. (David Vernier)
Philippe Herreweghe, Orchestre des Champs-Elysees - Mozart: Requiem K.626, Kyrie K.341 (1997)

Philippe Herreweghe, Orchestre des Champs-Élysées - Mozart: Requiem K.626, Kyrie K.341 (1997)
EAC | FLAC | Image (Cue & Log) ~ 334 Mb | Total time: 53:57 | Scans included
Classical | Label: Harmonia Mundi | # HMC 901620 | Recorded: 1996

December 1791, the final Requiem. Tired by his many voyages around Europe ever since he had been rejected in Vienna, Mozart could not find the strength to honour his promise to compose a Requiem in record time for the person who had commissioned it… He was in fact to be struck down by illness during its composition and it was his pupil Süssmayr who finished the work according to his instructions. This version remains the most convincing, for the presence and grandeur of Mozart are present everywhere - in the baroque imagination and the classical style, in the universal unrest and the sheer terror of a man alone in the face of Death.