Originally released by Philips Classics on VHS and Laserdisc in 1991, the 13-part Mozart on Tour series chronicles the journeys of the child, adolescent and adult Mozart across Europe, in what was ultimately to prove a futile pursuit of fame and fortune.
Originally released by Philips Classics on VHS and Laserdisc in 1991, the 13-part Mozart on Tour series chronicles the journeys of the child, adolescent and adult Mozart across Europe, in what was ultimately to prove a futile pursuit of fame and fortune. Each episode is centred on a different European city and combines travelogue-style narration with musical excerpts and period re-enactment.
The 'Sinfonia Concertante in E-flat Major, K 364/320D' is one of those refined works that is so well written that it exudes genius. Composed for violin, viola, and orchestra the work is a conversation with the two instruments with a beautifully woven tapestry of comment for the orchestra. Violinist Midori and violist Nobuko Imai are not only well paired in technique and virtuosity, they find a compatibility of discourse that is refreshingly fine. Christoph Eschenbach conducts the Norddeutscher Rundfunk Sinfonieorchester with grace and sensitive collaboration. The work is a complete success. The Philip Wilby reconstruction of the accompanying concerto for violin and piano is a fine little piece, if not in the same realm as the Sinfonia Concertante. The performance of this uneven work makes up for the inconsistencies that arise when sonatas are adapted for orchestra. Midori again focuses on her pliant, clear technique and is matched by Christoph Eschenbach's piano role as well as his conducting. It is a minor work played in a major manner.
In 2001, when Gunter Wand was an astonishing 89, he led this live concert from Hamburg with his home orchestra, the North German Radio. Wand was a benign (so far as I know) conservative like Josef Krips, happy if his wrld was circumscribed by Mozart, Beethoven, Schubert, and Bruckner, who remained the taples of his repertoire.
A lifelong devotion to Mozart shows through in this genial, quick-moving, sunny reading of the "posthorn" Serenade. The posthorn soloist is fine, the first oboe a bit less so, but everyone's in high spirits. There's not a hint of dullness anywhere, making Wand's one of the best versions outside the period-performance litany. Smiles all around.
Together with the Talich Quartet’s accounts on Calliope, these Mozart string quintets with Arthur Grumiaux and friends represent the best currently available choices. Since the Grumiaux version was released in 1973 it has remained a stalwart of the catalog, and was previously released as part of Philips’ grandiose Complete Mozart Edition in 1991 and later was included with other chamber works in a pair of Duos issued in 1997. The analog sound has held up well compared to current standards and is perfectly acceptable, placing the musicians in a natural, believable sound-stage.
Nina Simone recorded seven albums for the Philips label between 1964 and 1966. It was the period in her career in which her reputation was cemented as a world-class artist, and one in which she gained fame for her contributions to the civil rights movement as well. Despite the fact that she recorded great albums both before and after her years with Philips (most notably with RCA), her Philips period is easily her most enigmatic. Among her Philips recordings are her live label debut and six studio recordings featuring wildly varying instrumentation, arrangements, and contents. The box contains all seven LPs on four CDs, and includes one bonus track.
Set in classical antiquily, Mozart’s "Il re pastore" tells of the thwarted love of Aminta (the innocent ‘shepherd king’ of the title) for the well-born Elisa, and that of the nobleman Agenore for the deposed tyrant’s daughter Tamiri. No less a figure than Alexander the Great resolves these conflicts of private passion and public status. First performed in Salzburg in 1775, Sir Neville Marriner conducts a top international cast in this 1989 production of the opera from Salzburg’s Landestheater.
Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Lucy Worsley traces the forgotten and fascinating story of the young Mozart's adventures in Georgian London. Arriving in 1764 as an eight-year-old boy, London held the promise of unrivalled musical opportunity. But in telling the telling the tale of Mozart's strange and unexpected encounters, Lucy reveals how life wasn't easy for the little boy in a big bustling city.
Tom Service plunges into the life and times of Mozart to try and rediscover the greatness and humanity of the living man in his moment. Mozart's prodigious output and untimely death have helped place him on a pedestal that can often blind us to the unique brilliance of his work in the context of his life and times.