The benchmark recording of Beethoven Piano concertos with incomparable Leon Fleisher and George Szell.
As one customer form amazon.com wrote: “This is an outstanding recording. Leon Fleischer and George Szell are a match made in heaven. The standouts in this collection are the Beethoven 4th and the Mozart 25th. George Szell was one of the absolute best conductors of concerti. The musicality and ensemble playing are flawless. The recording of the Mozart 25th is the best I've ever heard. Don't overlook one of Mozart's later masterpieces played so flawlessly. This particular work comes off best with a large modern orchestra,like the CSO, as opposed to a smaller ensemble. Great performances!”
Other reviews from Amazon.com
In 2010 Yevgeny Sudbin released the first instalment in a cycle of Beethoven's piano concertos. Featuring the Fourth and the Fifth concerto the disc received top marks on web sites such as ClassicsToday.com and klassik-heute.de and was selected CD of the Week in Daily Telegraph and Editor's Choice in Gramophone, whose reviewer wrote 'The mother-of-pearl sheen of [Sudbin's] pianism is backed by a special underlying sensitivity…Delectably light-fingered brilliance and virtuosity shines a new light on some of the most familiar scores in the repertoire…'
With his recording of two different versions of the Piano Concerto, K175, Arthur Schooderwoerd, one of the most sought-after interpreters on the fortepiano, presents the third part of his complete recording of Mozart's Piano Concertos on ACCENT. The early version of 1773 is Mozart's first piano concerto. In 1782 he revised the concerto, adapting it to the changed prevailing taste by replacing the original final movement with a Viennese rondo (K382). Arthur Schoonderwoerd also takes into account the advance in instrument building with his juxtaposition of these two versions: he uses a harpsichord for the early Salzburg version but plays the later Vienna version on a fortepiano.
This might just be one of the most intriguing of all of the Mozart multi-pianos concertos on record. Here we have a rare collaboration not found on any other recording between George Solti and Daniel Barenboim, where the two conductors face each other playing the concerto for two pianos K.365; the conducting of the English Camber Orchestra from the piano on this Decca recording is at the hands of George Solti.