Mozart Ozawa

Martha Argerich - Piano Concertos by Beethoven & Mozart (Ozawa/Jochum, 2009 release)

Martha Argerich - Piano Concertos by Beethoven & Mozart (Ozawa/Jochum, 2009 release)
Genre: Classical Piano Concerto | 1 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 308 MB
1983 & 1973 recordings, 2009 release | Publisher: BR-KLASSIK ARCHIVE 4035719007015
RapidShare
Trésors des Requiem (Mozart; Brahms; Schumann; Lotti; Cherubini; Berlioz; Bruneau; Verdi; Faure; Saint-Saens; Durufle) Re-Up

Tresors Des Requiem (Mozart; Brahms; Schumann; Lotti; Cherubini; Berlioz; Bruneau; Verdi; Faure; Saint-Saens; Durufle)
Classical | EAC | Flac, Img+Cue, Logs, Scans | 1.19 GB
4CD | 27 february 2001 | Gold Seal

Tout le monde devrait connaitre certaines oeuvres classiques. Les requiems de Mozart ou de de Saint Sens en font parti, à mes yeux.
Martha Argerich, Seiji Ozawa & Mito Chamber Orchestra - Beethoven: Symphony No. 1 & Piano Concerto No. 1 (Live) (2018)

Martha Argerich, Seiji Ozawa & Mito Chamber Orchestra - Beethoven: Symphony No. 1 & Piano Concerto No. 1 (Live) (2018)
Classical | WEB FLAC (tracks) & d. booklet | 268 MB
Label: Deutsche Grammophon | Tracks: 07 | Time: 60:37 min

Two Legends together on record for the first time; first new release from Seiji Ozawa since his Grammy win for Best Opera in 2016.
Martha Argerich, Seiji Ozawa & Mito Chamber Orchestra - Beethoven: Symphony No. 1 & Piano Concerto No. 1 (Live) (2018) [24/96]

Martha Argerich, Seiji Ozawa & Mito Chamber Orchestra - Beethoven: Symphony No. 1 & Piano Concerto No. 1 (Live) (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 60:37 minutes | 1.01 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Two Legends together on record for the first time; first new release from Seiji Ozawa since his Grammy win for Best Opera in 2016.
Poulenc - Gloria, Stabat Mater (Ozawa, Tanglewood Festival Chorus, Boston Symphony Orchestra; Battle) [1989]

Poulenc - Gloria, Stabat Mater (Ozawa, Tanglewood Festival Chorus, Boston Symphony Orchestra; Battle) [1989]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 224 MB
Classical | Label: DG | Catalog Number: 427 3042 7 | TT: 51’56

This is the simply a slpendid recording- well paced, energetic and in excellent sound. I have a suspicion that many people drawn to these works pay undo emphasis on the choir [or they are choir singers] and understandably get frustrating when the choir is not front and center in the musical proceedings. But what Poulenc wrote here does not emphasize the choir [he was a master instrumentalist after all!] so the orchestra should be more prominent at times. Ragardless, this is a great performance!

Ozawa Best 101 (2010)  Music

Posted by Benzok at Oct. 6, 2010
Ozawa Best 101 (2010)

Ozawa Best 101 (2010)
EAC rip | FLAC, log, cue, no covers | RAR Rec. 3% | 2.20 GB | hotfile, filesonic, fileserve
Classical | 6 CD | Label: Universal Music (Japan)

Seiji Ozawa has been music director of the Vienna State Opera since the 2002-03 season and is an annual and favored guest of the Vienna Philharmonic Orchestra. Prior to his Vienna State Opera appointment he served as music director of the Boston Symphony Orchestra for twenty-nine seasons (1973-2002)—the longest-serving music director in the orchestra’s history…
Martha Argerich - Argerich & Barenboim: Mozart / Schumann / Beethoven / Ravel (2015) [Official Digital Download 24/96]

Martha Argerich - Argerich & Barenboim: Mozart / Schumann / Beethoven / Ravel (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 102:09 minutes | 957 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

As the orchestra today inaugurates its summer performances, the digital record label Peral Music has released Live from Teatro Colón, an extraordinary new album that captures the reunion of legendary pianists Daniel Barenboim and Martha Argerich in their home city of Buenos Aires, in concert with the West-Eastern Divan Orchestra.
Karl Bohm, Orchester der Bayerischen Staatsoper - Mozart: Die Entfuhrung aus dem Serail (2005/1980)

Karl Böhm, Orchester der Bayerischen Staatsoper - Mozart: Die Entführung aus dem Serail (2005/1980)
NTSC 4:3 (720x480) VBR | Deutsch (LinearPCM, 2 ch) | (DTS, 6 ch) | 7.48 Gb (DVD9) | 146 min
Classical | Deutsche Grammophon | Sub: Deutsch, English, Francais, Espanol, Chinese

“One of Böhm's last operatic assignments, he accompanies his fine cast with huge wisdom. Gruberova and Talvela are outstanding. August Everding's production, adventurous for 1980, is now a delight to look at” (BBC Music Magazine). “the performance has a winning glow, with an excellent cast of soloists. Edita Gruberova as Konstanze is at her freshest…[Grist's Blonde] is a charming and characterful assumption, most of all when confronting the powerful Osmin of Martii Tavela” (Penguin Guide).
Friedrich Gulda - The Gulda Mozart Tapes: 10 Sonatas And A Fantasy (2006)

Friedrich Gulda - The Gulda Mozart Tapes: 10 Sonatas And A Fantasy (2006)
EAC | FLAC (image+.cue, log) | Digital Booklet | 03:32:51 | 1,05 Gb
Genre: Classical | Label: Deutsche Grammophon | Catalog: 00289 477 6130

Classical and jazz pianist and composer, Friedrich Gulda was one of Austria's premiere pianists. Born in Vienna in 1930, Gulda started piano lessons at the age of seven. When he was 12, he enrolled in the Vienna Music Academy, and four years later received first place in the Geneva International Music Festival. In 1949, Gulda toured Europe and South America, earning international acclaim for his treatments of Bach, Mozart, and Beethoven, and the following year he successfully debuted at Carnegie Hall.

Friedrich Gulda - Mozart & Gulda Piano Works (Live) (2017)  Music

Posted by SERTiL at Feb. 12, 2018
Friedrich Gulda - Mozart & Gulda Piano Works (Live) (2017)

Friedrich Gulda - Mozart & Gulda Piano Works (Live) (2017)
EAC Rip | FLAC (tracks)+cue, log, m3u, scans | 218 MB
Label: BR-Klassik – 900713 | Tracks: 09 | Time: 54:30 min
Classical, Piano

Mozart was certainly among the "domestic deities" of Viennese pianist Friedrich Gulda. He repeatedly played Mozart's piano music in his concerts and had it recorded. In so doing, this classically-trained musician, who had already played successfully in jazz bands at a young age, ignored the strict limits imposed by genres: he wanted to show audiences that there are no distinctions between musical styles whenever good music is played honestly and conscientiously.