Mozart Ozawa

Martha Argerich - Piano Concertos by Beethoven & Mozart (Ozawa/Jochum, 2009 release)

Martha Argerich - Piano Concertos by Beethoven & Mozart (Ozawa/Jochum, 2009 release)
Genre: Classical Piano Concerto | 1 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 308 MB
1983 & 1973 recordings, 2009 release | Publisher: BR-KLASSIK ARCHIVE 4035719007015
RapidShare
Trésors des Requiem (Mozart; Brahms; Schumann; Lotti; Cherubini; Berlioz; Bruneau; Verdi; Faure; Saint-Saens; Durufle) Re-Up

Tresors Des Requiem (Mozart; Brahms; Schumann; Lotti; Cherubini; Berlioz; Bruneau; Verdi; Faure; Saint-Saens; Durufle)
Classical | EAC | Flac, Img+Cue, Logs, Scans | 1.19 GB
4CD | 27 february 2001 | Gold Seal

Tout le monde devrait connaitre certaines oeuvres classiques. Les requiems de Mozart ou de de Saint Sens en font parti, à mes yeux.
Seiji Ozawa, Boston Symphony Orchestra - Ravel: Orchestral Works (1974) [Reissue 2004] MCH PS3 ISO + Hi-Res FLAC

Boston Symphony Orchestra, Seiji Ozawa - Maurice Ravel: Orchestral Works (1974) [Reissue 2004]
PS3 Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 76:20 minutes | Scans included | 3,2 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,29 GB
Features Stereo and Multichannel surround sound | Label: Chesky Records # PentaTone PTC 5186204

Every orchestra has a characteristic sound & personality that identifies them through the ages, & in the case of the Boston Symphony Orchestra it is their contoured string & wind elegance, panache & suavity that marks them out as the premier Francophone American orchestra. With Seiji Ozawa at the helm, a conductor much identified with French repertoire, these Quad recordings of Maurice Ravel, accomplished during his long tenure as music director, are afforded the sonic treatment they deserve & are now able to receive given the latest SACD technology employed by Pentatone enabling the release of the full spectrum of sound captured by a previous eras sound engineers.
Nobuko Imai, Roger Woodward, Saito Kinen Orchestra & Seiji Ozawa - Toru Takemitsu: November Steps (2015)

Nobuko Imai, Roger Woodward, Saito Kinen Orchestra & Seiji Ozawa - Toru Takemitsu: November Steps (2015)
Classical | WEB FLAC (tracks) & front cover | 232 MB
Label: Decca | Tracks: 04 | Time: 68:57 min

. . . innovative and exceptionally crafted works, neatly and thinly packaged for your convenience. In "November Steps", the biwa (a short-necked lute) and shakuhachi (an end-blown bamboo flute) take center stage. Ozawa and his excellent orchestra have little to do except provide a sparse backdrop, but they are unchallenged in this music all the same.

Absolutely on Music: Conversations with Seiji Ozawa (UK Edition)  eBooks & eLearning

Posted by IrGens at March 4, 2018
Absolutely on Music: Conversations with Seiji Ozawa (UK Edition)

Absolutely on Music: Conversations with Seiji Ozawa (UK Edition) by Haruki Murakami, Seiji Ozawa, translated by Jay Rubin
English | 15 Nov. 2016 | ISBN: 1846559189, 1784700142 | EPUB | 352 pages | 1.2 MB
Martha Argerich, Seiji Ozawa & Mito Chamber Orchestra - Beethoven: Symphony No. 1 & Piano Concerto No. 1 (Live) (2018)

Martha Argerich, Seiji Ozawa & Mito Chamber Orchestra - Beethoven: Symphony No. 1 & Piano Concerto No. 1 (Live) (2018)
Classical | WEB FLAC (tracks) & d. booklet | 268 MB
Label: Deutsche Grammophon | Tracks: 07 | Time: 60:37 min

Two Legends together on record for the first time; first new release from Seiji Ozawa since his Grammy win for Best Opera in 2016.
Martha Argerich, Seiji Ozawa & Mito Chamber Orchestra - Beethoven: Symphony No. 1 & Piano Concerto No. 1 (Live) (2018) [24/96]

Martha Argerich, Seiji Ozawa & Mito Chamber Orchestra - Beethoven: Symphony No. 1 & Piano Concerto No. 1 (Live) (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 60:37 minutes | 1.01 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Two Legends together on record for the first time; first new release from Seiji Ozawa since his Grammy win for Best Opera in 2016.

VA - Mozart 111 Masterworks (2012) (55 CDs Box Set)  Music

Posted by murena at Nov. 6, 2017
VA - Mozart 111 Masterworks (2012) (55 CDs Box Set)

VA - Mozart 111 Masterworks (2012) (55 CDs Box Set)
EAC Rip | FLAC (Tracks+.cue, log) | Covers included | 14,5 Gb
MP3 320 kbps | 55 CDs, 58:55:41 min | 7,9 Gb
Genre: Classical / Label: Deutsche Grammophon

MOZART 111 combines the best of the Austrian master's music with the best of Deutsche Grammophon's Mozart recordings, bringing together a total of 111 works, while retaining, as far as possible, the original album releases with their cover art. There's enough of everything here to stock a shop, as they say, in performances that have stood the test of time and performances that make you sit up and listen to Mozart afresh the perfect way to discover, rediscover and savor the incomparable genius of Wolfgang Amadeus Mozart.
Poulenc - Gloria, Stabat Mater (Ozawa, Tanglewood Festival Chorus, Boston Symphony Orchestra; Battle) [1989]

Poulenc - Gloria, Stabat Mater (Ozawa, Tanglewood Festival Chorus, Boston Symphony Orchestra; Battle) [1989]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 224 MB
Classical | Label: DG | Catalog Number: 427 3042 7 | TT: 51’56

This is the simply a slpendid recording- well paced, energetic and in excellent sound. I have a suspicion that many people drawn to these works pay undo emphasis on the choir [or they are choir singers] and understandably get frustrating when the choir is not front and center in the musical proceedings. But what Poulenc wrote here does not emphasize the choir [he was a master instrumentalist after all!] so the orchestra should be more prominent at times. Ragardless, this is a great performance!
John Eliot Gardiner, The English Baroque Soloists - Mozart: Cosi fan tutte (2002/1992)

John Eliot Gardiner, The English Baroque Soloists - Mozart: Così fan tutte (2002/1992)
NTSC 16:9 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (DTS, 5 ch) | (Dolby AC3, 6 ch) | 7.06 Gb+7.77 Gb (2xDVD9) | 193 min
Classical | Deutsche Grammophon | Sub: Italiano, English, Deutsch, Francais, Espanol, Chinese

When this staging was presented in 1992, in various theatres, Gardiner decided to be his own director because he didn't trust any available alternative to be faithful to Da Ponte's and Mozart's original. In the circumstances his was a sensible decision because his deeply discerning stage interpretation perfectly seconds his own musically perceptive reading. His keen understanding of what this endlessly fascinating work is about is made plain in his absorbing essay in the booklet.