Mozart Ozawa

Martha Argerich - Piano Concertos by Beethoven & Mozart (Ozawa/Jochum, 2009 release)

Martha Argerich - Piano Concertos by Beethoven & Mozart (Ozawa/Jochum, 2009 release)
Genre: Classical Piano Concerto | 1 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 308 MB
1983 & 1973 recordings, 2009 release | Publisher: BR-KLASSIK ARCHIVE 4035719007015
RapidShare
Trésors des Requiem (Mozart; Brahms; Schumann; Lotti; Cherubini; Berlioz; Bruneau; Verdi; Faure; Saint-Saens; Durufle) Re-Up

Tresors Des Requiem (Mozart; Brahms; Schumann; Lotti; Cherubini; Berlioz; Bruneau; Verdi; Faure; Saint-Saens; Durufle)
Classical | EAC | Flac, Img+Cue, Logs, Scans | 1.19 GB
4CD | 27 february 2001 | Gold Seal

Tout le monde devrait connaitre certaines oeuvres classiques. Les requiems de Mozart ou de de Saint Sens en font parti, à mes yeux.
Daniel Barenboim, Andras Schiff, Sir Georg Solti, English CO - Mozart: Piano Concertos K 242, 365, 466 (1990) Reissue 2006

Wolfgang Amadeus Mozart: Concerto for Two Pianos in E-flat, K. 365;
Concerto for Three Pianos in F, K. 242; Piano Concerto No. 20 in D minor, K466
Sir Georg Solti, piano & conducted; English Chamber Orchestra
Daniel Barenboim, piano; András Schiff, piano

EAC | FLAC | Image (Cue&Log) ~ 300 Mb | Mp3 (CBR320) ~ 195 Mb | Scans included
Genre: Classical | Label: Decca/Universal | # 476 2451 | Time: 01:18:16

Involving, as it does, three master musicians and a fine chamber orchestra this was never likely to be be other than rewarding. It may not correspond with the ways of playing Mozart at the beginning of the twenty-first century which are fashionable at the beginning of the twenty-first century, but it has virtues – such as high intelligence, sympathy, certainty of purpose, grace, alertness of interplay – which transcend questions of performance practice. Looking at the names of the pianists above, we might be surprised by the presence of Sir Georg Solti, so used are we to thinking of him as a conductor. But the young Solti appeared in public as a pianist from the age of twelve and went on to study piano in Budapest, with Dohnányi and Bartok.

VA - Mozart 111 Masterworks (2012) (55 CDs Box Set)  Music

Posted by murena at Nov. 6, 2017
VA - Mozart 111 Masterworks (2012) (55 CDs Box Set)

VA - Mozart 111 Masterworks (2012) (55 CDs Box Set)
EAC Rip | FLAC (Tracks+.cue, log) | Covers included | 14,5 Gb
MP3 320 kbps | 55 CDs, 58:55:41 min | 7,9 Gb
Genre: Classical / Label: Deutsche Grammophon

MOZART 111 combines the best of the Austrian master's music with the best of Deutsche Grammophon's Mozart recordings, bringing together a total of 111 works, while retaining, as far as possible, the original album releases with their cover art. There's enough of everything here to stock a shop, as they say, in performances that have stood the test of time and performances that make you sit up and listen to Mozart afresh the perfect way to discover, rediscover and savor the incomparable genius of Wolfgang Amadeus Mozart.

Ozawa Best 101 (2010)  Music

Posted by Benzok at Oct. 6, 2010
Ozawa Best 101 (2010)

Ozawa Best 101 (2010)
EAC rip | FLAC, log, cue, no covers | RAR Rec. 3% | 2.20 GB | hotfile, filesonic, fileserve
Classical | 6 CD | Label: Universal Music (Japan)

Seiji Ozawa has been music director of the Vienna State Opera since the 2002-03 season and is an annual and favored guest of the Vienna Philharmonic Orchestra. Prior to his Vienna State Opera appointment he served as music director of the Boston Symphony Orchestra for twenty-nine seasons (1973-2002)—the longest-serving music director in the orchestra’s history…
La Petite Symphonie & Daniel Isoir - Mozart: Piano Quartets (2016) [Official Digital Download 24/96]

La Petite Symphonie & Daniel Isoir - Mozart: Piano Quartets (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 64:12 minutes | 1.12 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Mozart’s piano quartets, which are rarely performed or recorded - and still less frequently using period instruments -, are a satisfying fusion of the concerto and the quartet, a perfect balance between the fortepiano and the strings, which variously combine or alternate throughout the piece. The roundness of tone of Daniel Isoir’s fortepiano enriches this permanent dialogue, but the pleasure we derive from listening to the disc is also thanks to the extraordinary bond between the musicians of La Petite Symphonie.
Boris Abramov & Carmine Miranda - Mozart & Beethoven: Violin & Cello Duets (2017)

Boris Abramov & Carmine Miranda - Mozart & Beethoven: Violin & Cello Duets (2017)
Classical | MP3 CBR 320 kbps | 01:17:32 | 180 MB
Label: Navona

Award winning cellist Carmine Miranda and violinist Boris Abramov’s new Navona release Mozart / Beethoven: Violin and Cello Duets is an intimate gem of delightful chamber music from the Classical Period. Drawn from various duos by Beethoven and Mozart, this album is substantive, and showcases a wide stylistic breadth of late eighteenth century German instrumental music, from the sumptuous levity of the divertimento, to the full brilliance of sonata form. In this recording both performers balance concepts of classical performance, musical research and virtuosic dexterity combined with a high-definition audio engineering in order to create the most realistic sound and definitive version of these works. The pieces in this recording have never been paired together. Their unique styles, and carefully researched interpretations by Miranda and Abramov, create exceptional recordings with equal parts nuance and bravado.

Mozart, Un Cane Per Due / Who Gets the Dog? (2016)  Video

Posted by edi1967 at Nov. 13, 2017
Mozart, Un Cane Per Due / Who Gets the Dog? (2016)

Mozart, Un Cane Per Due / Who Gets the Dog? (2016)
A Film by Huck Botko
DVDRip | AVI | 720 x 304 | Xvid @ 1846 Kbps | 01:31:16 | 5% Recovery | 1.5 GB
Audio: Italian (dubbed) AC3 @ 448 Kbps CBR | Subtitles: None
Genre: Comedy

Quando una coppia decide di divorziare, i coniugi iniziano a litigare per tenere con sé l'amato cane, Wesley. Grazie a ogni genere di trucchi, i due fanno di tutto per ottenere la custodia del loro adorato animale, con delle conseguenze assurde ed esilaranti.
Jordi Savall & Le Concert Des Nations - Mozart - Serenate Notturne (2005) {Alia Vox AV9846}

Jordi Savall & Le Concert Des Nations - Mozart - Serenate Notturne (2005) {Alia Vox AV9846}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 355 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 300 dpi (jpg) -> 135 Mb | 5% repair rar
© 2005 Alia Vox | AVSA 9846
Classical / Viennese School / Orchestral

Loving performances caught in lovely sound, so what's not to love? Not, as it turns out, much, but not, regrettably, nothing at all. Jordi Savall, the gambist cum conductor who directs Le Concert Des Nations, is a genial, even affectionate leader who in these four light works of Mozart grants his players a considerable amount of interpretive freedom. Le Concert Des Nations, Savall's all-purpose classical and pre-classical chamber orchestra, responds with funny, even frothy, playing is as technically assured as it is brilliantly colorful. Alia Vox, Savall's label for everything he records from El Sabio to Monteverdi, catches the performances in a warm, natural, and deep acoustic of amazing vividness.

Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)  Music

Posted by tirexiss at Nov. 12, 2017
Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)

Hélène Grimaud - Mozart: Piano Concertos Nos. 19 & 23 (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 01:04:50 | 290 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 477 9849

Central to Hélène Grimaud's first live album for Deutsche Grammophon is the significance she finds in the slow movement of the Piano Concerto No. 23 in A major, K. 488, of Wolfgang Amadeus Mozart. This movement is a touchstone for her, insofar as she regards it as the most sublime music, "where you find the real Mozart." She has also stated, "Even if this movement were all we had, that would be enough." Because of the emphasis Grimaud places on this poignant Adagio in F sharp minor, listeners may be tempted to cut to the chase and skip the other tracks to hear her interpretation.