Mozart Ozawa

Martha Argerich - Piano Concertos by Beethoven & Mozart (Ozawa/Jochum, 2009 release)

Martha Argerich - Piano Concertos by Beethoven & Mozart (Ozawa/Jochum, 2009 release)
Genre: Classical Piano Concerto | 1 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 308 MB
1983 & 1973 recordings, 2009 release | Publisher: BR-KLASSIK ARCHIVE 4035719007015
RapidShare
Trésors des Requiem (Mozart; Brahms; Schumann; Lotti; Cherubini; Berlioz; Bruneau; Verdi; Faure; Saint-Saens; Durufle) Re-Up

Tresors Des Requiem (Mozart; Brahms; Schumann; Lotti; Cherubini; Berlioz; Bruneau; Verdi; Faure; Saint-Saens; Durufle)
Classical | EAC | Flac, Img+Cue, Logs, Scans | 1.19 GB
4CD | 27 february 2001 | Gold Seal

Tout le monde devrait connaitre certaines oeuvres classiques. Les requiems de Mozart ou de de Saint Sens en font parti, à mes yeux.

Ozawa Best 101 (2010)  Music

Posted by Benzok at Oct. 6, 2010
Ozawa Best 101 (2010)

Ozawa Best 101 (2010)
EAC rip | FLAC, log, cue, no covers | RAR Rec. 3% | 2.20 GB | hotfile, filesonic, fileserve
Classical | 6 CD | Label: Universal Music (Japan)

Seiji Ozawa has been music director of the Vienna State Opera since the 2002-03 season and is an annual and favored guest of the Vienna Philharmonic Orchestra. Prior to his Vienna State Opera appointment he served as music director of the Boston Symphony Orchestra for twenty-nine seasons (1973-2002)—the longest-serving music director in the orchestra’s history…
Mstislav Rostropovich, Seiji Ozawa - Prokofiev: Symphony No. 2, Symphony-Concerto for Cello (2002)

Mstislav Rostropovich, Seiji Ozawa - Prokofiev: Symphony No. 2, Symphony-Concerto for Cello (2002)
EAC Rip | FLAC (image+.cue, log) ~ 322.51 Mb | 74:46 | Scans included
Symphony, Concerto | Label: Elatus

In the course of his illustrious career, the Soviet composer Sergei Prokofiev wrote seven symphonies. The first of these, the Classical Symphony, dates from 1917, and the last from 1951. As for the Second and the Third, they were written in 1924 and 1928 respectively. Both were composed in Paris, at the time ofcultural effervescence that was 'the roaring twenties'. The musician's intention at the time was to become a French citizen.
Seiji Ozawa & Chicago Symphony Orchestra & Orchestre de Paris - Stravinsky / Janacek / Bartok / Lutoslawski (1998)

Seiji Ozawa & Chicago Symphony Orchestra & Orchestre de Paris - Stravinsky: The Firebird / Janacek: Sinfonietta / Bartok: Concerto for Orchestra / Lutoslawski: Concerto for Orchestra (1998)
XLD Rip | FLAC (tracks+log+.cue) | 02:12:54 | 650 Mb
Contemporary Classical | Label: EMI Classics (Double Forte Series)

2CD anthology of two albums previously released by EMI, with Seiji Ozawa conducting the Orchestre de Paris and the Chicago Symphony Orchestra. A rare, hard to find recording of historical value.

Absolutely on Music: Conversations with Seiji Ozawa  eBooks & eLearning

Posted by First1 at Sept. 2, 2017
Absolutely on Music: Conversations with Seiji Ozawa

Absolutely on Music: Conversations with Seiji Ozawa by Haruki Murakami, Seiji Ozawa
English | April 18th, 2012 | ASIN: B007PTABZ8, ISBN: 0804173729, 0385354347 | 352 pages | AZW3 | 0.81 MB

A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and his close friend, the former conductor of the Boston Symphony Orchestra.
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa - Franz Liszt: Konzerte für Klavier und Orchester, Totentanz (1988)

Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa - Franz Liszt: Konzerte für Klavier und Orchester, Totentanz (1988)
EAC | FLAC (image+.cue, log) | Covers Included | 55:48 | 231 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 423 571-2

This well recorded disc from 1987 delivers truly exciting performances of all three works in typically crisp manner by Zimerman. Ozawa and the Boston orchestra give excellent support. The emphasis here is on excitement largely created by fast speeds delivered with clarity. The more gentler parts of all three works are played with due regard to sensitivity but there is no denying that in these recordings these works are seen as primarily as virtuoso display works and that is what we are given.
Itzhak Perlman, Seije Ozawa - Wieniawski: The Two Violin Concertos (1985)

Itzhak Perlman, Seije Ozawa - Wieniawski: The Two Violin Concertos (1985)
EAC | FLAC (image+.cue, log) | Covers Included | 50:09 | 243 MB
Genre: Classical | Label: EMI | Catalog: CDC 7 47107 2

Wieniawski's scintillating works are played with brilliance and great musical charm here by Perlman and Sanders (piano) for the duets, and Ozawa conducting the LPO for the concertos. It is somtimes said that Perlman's playing has often been recorded too "forward", so one can hear the "between the notes" bowing sounds when he plays.
Seiji Ozawa, Boston SO - Ottorino Respighi: Pini di Roma, Feste Romane, Fontane di Roma (1979/2012) PS3 ISO + Hi-Res FLAC

Seiji Ozawa, Boston Symphony Orchestra -
- Respighi: Pini di Roma, Feste Romane, Fontane di Roma (1979/2012)

PS3 SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 61:53 minutes | Artwork included (PDF) | 1,72 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Artwork (PDF) | 1,13 GB
Japanese Limited SHM-SACD '2012 | Deutsche Grammophon / Universal Japan # UCGG-9046
Poulenc - Gloria, Stabat Mater (Ozawa, Tanglewood Festival Chorus, Boston Symphony Orchestra; Battle) [1989]

Poulenc - Gloria, Stabat Mater (Ozawa, Tanglewood Festival Chorus, Boston Symphony Orchestra; Battle) [1989]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 224 MB
Classical | Label: DG | Catalog Number: 427 3042 7 | TT: 51’56

This is the simply a slpendid recording- well paced, energetic and in excellent sound. I have a suspicion that many people drawn to these works pay undo emphasis on the choir [or they are choir singers] and understandably get frustrating when the choir is not front and center in the musical proceedings. But what Poulenc wrote here does not emphasize the choir [he was a master instrumentalist after all!] so the orchestra should be more prominent at times. Ragardless, this is a great performance!