Mozart K 551

Classical Duets - W.A. Mozart, K.D. von Dittersdorf (1994)

Classical Duets - W.A. Mozart, K.D. von Dittersdorf (1994)
1994 | 1 CD | EAC Rip | FLAC (img + cue), LOG | MP3 256 kbps (VBR) | No Covers | 7 Tracks | TT 51:30 | RAR 217.85 MB + 82.96 MB | FSonic/FServe
Classical / Chamber

Mozart's Sinfonia Concertante for violin, viola, and orchestra is one of his greatest masterpieces. It was a joy and an honour to record Mozart's Sinfonia Concertante.
Dittersdorf Symphony Concertante in D major for viola and double bass written circa 1775. The viola and the double bass are certainly the two most unreasonably neglected soloists among the orchestral strings; to pair them in a sinfonia concertante may well in the first place have been a charitable idea on Dittersdorf's part.

Mozart - Symphonies Nos. 38 & 41 (René Jacobs)  

Posted by Ebisu at Dec. 7, 2013
Mozart - Symphonies Nos. 38 & 41 (René Jacobs)

Mozart - Symphonies Nos. 38 & 41 (Rene Jacobs) (2007)
Classical | Eac. Flac, Image+Cue, Log | Scans | 340.89 MB
Label: Harmonia Mundi | TT: 68:41

Renowned for his work in Baroque vocal music, René Jacobs is most frequently credited as a countertenor and as a choral director. He is somewhat less familiar as a conductor of Classical symphonic music, though he has increasingly delved into this repertoire in recordings with one of Europe's best early music groups, the Freiburger Barockorchester. This 2007 release from Harmonia Mundi features Jacobs and the orchestra in bright and finely detailed performances of two of Wolfgang Amadeus Mozart's late symphonies, the Symphony No. 38 in D major, K. 504, "Prague," and the Symphony No. 41 in C major, K. 551, "Jupiter."
W. A. Mozart: Late Symphonies – Wiener Philharmoniker; Leonard Bernstein

Wolfgang Amadeus Mozart: Symphonies No. 25 K. 183; No. 29 K. 201; No. 35 K. 385; No. 36 K. 425; No. 38 K. 504;
No. 39 K. 543; No. 40 K. 550; No. 41 K. 551 – Wiener Philharmoniker; Leonard Bernstein

Classical | 3 CDs | EAC Rip | 1,01 GB | FLAC+LOG+Cue | Full scans | RS links
Publisher: Deutsche Grammophon

W. A. Mozart: Late Symphonies – Wiener Philharmoniker; Leonard Bernstein

Leonard Bernstein's Late Mozart Symphony recordings come from the 1980s when the market was deluged with "authentic" and "period" style offerings from the likes of Trevor Pinnock and Christopher Hogwood. Bernstein, never a slave to fashion, conjured up some wonderfully "old fashioned" performances, full of rich orchestral sonorities, generous helpings of vibrato, and unabashedly romantic pacing, phrasing, and rubato… Even with the pile of Mozart symphony discs on the market, Bernstein's compelling renditions easily command your attention and warrant your purchase. - Victor Carr Jr, classicstoday.com

Mozart: Symphony No.40 & 41  

Posted by tonyangelo at April 3, 2009
Mozart: Symphony No.40 & 41

Mozart: Symphony No.41 in C, K.551 - "Jupiter", Symphony No.40 in G minor, K.550
EAC FLAC, CUE, LOG + Scans | 300 MB + 5 MB
1984 | Genre: Classical

Penguin Guide:
Mozart: Symphony No.40 & 41
Mozart: Symphony No.40 & 41
****
Fabrizio Meloni - Mozart: Clarinet Concerto - Adagio and Fugue - Clarinet (2016)

Fabrizio Meloni - Mozart: Clarinet Concerto - Adagio and Fugue - Clarinet (2016)
Classical | MP3 CBR 320 kbps | 01:08:25 | 157 MB
Label: Deutsche Grammophon (DG)

Fabrizio Meloni, since 1984, is the First Solo clarinet chair of the Orchestra and the Philharmonica of La Scala Theatre in Milan. He has finished his clarinet studies at Milan’s Conservarory “G. Veri” with summa cum laude and the special mention for his artistic achievement.

Florence K - Buena Vida En Concert (2016)  Music

Posted by mark70 at Dec. 2, 2016
Florence K - Buena Vida En Concert (2016)

Florence K - Buena Vida En Concert (2016)
MP3 320 kbps CBR | 66:47 min | 156 MB
Genre: Jazz-Pop | Label: Universal Music Canada

French jazz-pop chanteuse Florence K was born in Montreal in 1983 to guitarist/composer Hany Khoriaty and opera singer Natalie Choquette. After making her television debut at six, at 16 she toured behind her mother as a pianist, a year later playing her first solo gig. Florence K spent the next several years as the house pianist at Montreal's Stash Café, amassing an extensive repertoire of songs sung in French, English, Portuguese, and Spanish via infrequent leaves of absence to play limited residencies everywhere from Atlantic City to Casablanca to Hanoi. In 2005, Florence K issued her debut LP, Live au Lion d'Or, on her own Red Blues label. Bossa Blue followed in mid-2006. ~by Jason Ankeny

Plaza Kök & Bad - Nr.3 2016  Magazines

Posted by Torries at Nov. 28, 2016
Plaza Kök & Bad - Nr.3 2016

Plaza Kök & Bad - Nr.3 2016
Swedish | 132 pages | True PDF | 51 MB

Mitt Kök - Nr.12 2016  Magazines

Posted by Torries at Nov. 27, 2016
Mitt Kök - Nr.12 2016

Mitt Kök - Nr.12 2016
Swedish | 84 pages | True PDF | 21 MB

VA - Mozart 225: Mozart's Instruments (2016)  Music

Posted by tomashass at Nov. 26, 2016
VA - Mozart 225: Mozart's Instruments (2016)

VA - Mozart 225: Mozart's Instruments (2016)
MP3 320 kbps CBR | 05:00:29 | 695 MB
Genre: Classical | Label: Decca, Deutsche Grammophon

In celebration of Mozart’s 225th anniversary, presented by Decca Classics and Deutsche Grammophon in partnership with the Salzburg Mozarteum Foundation.

Stephanie K. - Subterranean Dream (2007)  Music

Posted by TmanHome at Nov. 25, 2016
Stephanie K. - Subterranean Dream (2007)

Stephanie K. - Subterranean Dream (2007)
Jazz, Vocal Jazz | MP3 320 kbps CBR | 67 min | 168 MB
Label: MUSICOM | Rel:2007

Stephanie K has emerged like the Venus of jazz“ with a fully-developed style that is more in keeping with that of a veteran artist. Her voice has a presence that immediately captures your attention, drawing you into her sphere of musical influence, emitting flashes of Aretha Franklin, Carol King, Diana Krall and Billie Holiday. But Stephanie K is no derivative jazz singer; she is a true original (understand that she had never even heard Anita O'Day as recently as a year ago). And she has at her command an impressive level of musicianship, with the phrasing, intonation and time sense of the seasoned jazz musician. That she came by all this as a mother of four living in Northern Germany for the past thirteen years is powerful testament to her natural abilities. Stephanie K's musical tastes run to rich, rarely-heard ballads that are brought to life by her torchy vocal style, fresh renderings of canonical popular tunes and vivid transformations of chestnuts from the American songbook.