Mozart 25 Concerto

Fabrizio Meloni - Mozart: Clarinet Concerto - Adagio and Fugue - Clarinet (2016)

Fabrizio Meloni - Mozart: Clarinet Concerto - Adagio and Fugue - Clarinet (2016)
Classical | MP3 CBR 320 kbps | 01:08:25 | 157 MB
Label: Deutsche Grammophon (DG)

Fabrizio Meloni, since 1984, is the First Solo clarinet chair of the Orchestra and the Philharmonica of La Scala Theatre in Milan. He has finished his clarinet studies at Milan’s Conservarory “G. Veri” with summa cum laude and the special mention for his artistic achievement.
Beethoven: The Five Piano Concertos; Mozart: Piano Concerto No. 25 - Leon Fleisher; The Cleveland Orchestra; George Szell

Beethoven: Piano Concertos (complete) & Mozart: Piano Concerto No. 25, K. 503 -
Leon Fleisher, piano; The Cleveland Orchestra; George Szell, conductor

Classical | 3 CDs | EAC Rip | 888 Mb | FLAC+LOG+M3U+MD5 No cue | Full scans | 10 RS links
Publisher: CBS Masterworks

The benchmark recording of Beethoven Piano concertos with incomparable Leon Fleisher and George Szell.
As one customer form amazon.com wrote: “This is an outstanding recording. Leon Fleischer and George Szell are a match made in heaven. The standouts in this collection are the Beethoven 4th and the Mozart 25th. George Szell was one of the absolute best conductors of concerti. The musicality and ensemble playing are flawless. The recording of the Mozart 25th is the best I've ever heard. Don't overlook one of Mozart's later masterpieces played so flawlessly. This particular work comes off best with a large modern orchestra,like the CSO, as opposed to a smaller ensemble. Great performances!”
Other reviews from Amazon.com
Sabine Meyer - Mozart: Clarinet Concerto, Sinfonia Concertante (1997)

Sabine Meyer - Mozart: Clarinet Concerto, Sinfonia Concertante (1997)
MP3 (CBR 320 kbps) | 56:15 | 135 MB
Genre: Classical | Label: EMI Classics

No timbral difference separates this midprice reissue of one of the best-loved concertos by Mozart from its previous, full-priced equivalent. There's a bit more ambience and warmth and less stridency on top. If you own the original CD, there's no need to replace it, but first-time buyers should snap up these sensitive, stylish performances in their Great Recordings of the Century guise. One of the main attractions is the extended compass and deliciously "woody" tone of Sabine Meyer's basset clarinet. The clarinetist's fleet, effortless dispatch of the Clarinet Concerto's outer movements is a delight to the ear, and her improvised (or so they seem!) flourishes fit into their environment as if Mozart had written them himself.
Mozart - Violin Concerto No.5, Dvorak - Symphony No.9 (Herbert von Karajan) (2010/1966) [Blu-Ray]

Mozart - Violin Concerto No.5, Dvořák - Symphony No.9 (Herbert von Karajan) (2010/1966) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 10169 kbps / 1080i / 29,970 fps | 107 min | 9,93 Gb
Audio: LPCM Audio / 2.0 / 24-bit / 2304 kbps
Classical | C MAJOR | Sub: English, German

Combining the forces of two of the 20th century´s greatest musicians – Yehudi Menuhin and Herbert von Karajan in their only recorded performance together – this magnificent programme marks a high point in filmed classical music. Both features, Mozart´s Violin Concerto No. 5 and Dvorák´s “New World” Symphony, were directed by master film-maker and long-time Karajan collaborator Henri-Georges Clouzot (The Wages of Fear). Bonus: Herbert von Karajan in conversation with Yehudi Menuhin (on Mozart) and Prof. Joachim Kaiser (on Dvorák). Special bonus feature: Previously unreleased rehearsal session prior to Violin Concerto No. 5!
Mozart - Double Concerto; Chick Corea & Friedrich Gulda - Compositions (1995)

Mozart - Double Concerto; Chick Corea & Friedrich Gulda - Compositions (1995)
Concertgebouw Orchestra, conducted by Nikolaus Harnoncourt; Chick Corea & Friedrich Gulda, piano

EAC | FLAC | Image (Cue&Log) ~ 195 Mb (incl 5%) | Mp3 (CBR320) ~ 144 Mb (incl 5%) | Scans included
Genre: Classical | Label: Teldec | # 2292-42988-2 | Time: 00:47:09

Believed to have been composed between August 1775 and January 1777, the Concerto In E Flat Major for two pianos technically counts as being the tenth of Mozart's twenty-seven concertos, that huge and prodigious body that would set the standards for all piano concertos from Mozart's time forward. Although it is not performed with the same frequency as his later works (especially the final eight concertos, 20-27), this "Double" piano concerto, believed to have been composed by Mozart for performance by him and his sister Maria Anna ("Nannerl"), is nevertheless a fascinating experiment of Mozart's, one that requires a pair of solid keyboard virtuosos to do (and for the composer's Seventh piano concerto, you needed three soloists). Fortunately on this 1984 Teldec recording, we have the required two keyboard virtuosos, both of whom come from very divergent musical backgrounds. Austrian-born pianist Friedrich Gulda came from a classical music background and began exploring jazz later on in his life; while Chick Corea is one of the best-known pianists in American jazz music, and, like fellow jazz musicians Wynton Marsalis and Herbie Hancock, developed a great feel for classical music.
Sudbin, Vanska - Beethoven: Piano Concerto No 3; Mozart: Piano Concerto No 24 (2014)

Sudbin, Vanska - Beethoven: Piano Concerto No 3; Mozart: Piano Concerto No 24 (2014)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 252 MB
Genre: Classical | Label: Bis | Catalog Number: 1978

In 2010 Yevgeny Sudbin released the first instalment in a cycle of Beethoven's piano concertos. Featuring the Fourth and the Fifth concerto the disc received top marks on web sites such as ClassicsToday.com and klassik-heute.de and was selected CD of the Week in Daily Telegraph and Editor's Choice in Gramophone, whose reviewer wrote 'The mother-of-pearl sheen of [Sudbin's] pianism is backed by a special underlying sensitivity…Delectably light-fingered brilliance and virtuosity shines a new light on some of the most familiar scores in the repertoire…'
Alexei Ogrintchouk - Mozart: Oboe Concerto, Quartet, Sonata (2013) [Official Digital Download - 24bit/96kHz]

Alexei Ogrintchouk - Mozart: Oboe Concerto, Quartet, Sonata (2013)
FLAC (tracks) 24 bit/96 kHz | Digital Booklet | 951 MB
Genre: Classical | Official Digital Download - Source: Qobuz

Alexei Ogrintchouk performs three pillars of the oboe repertoire with the support of the renowned Lithuanian Chamber Orchestra and the company of three highly respected young string players in the quartet.

Mozart: Piano Concerto Kv 175 - Schoonderwoerd (2014)  

Posted by peotuvave at June 13, 2014
Mozart: Piano Concerto Kv 175 - Schoonderwoerd (2014)

Mozart: Piano Concerto Kv 175 - Schoonderwoerd (2014)
EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 298 MB
Genre: Classical | Label: Accent | Catalog Number: 24289

With his recording of two different versions of the Piano Concerto, K175, Arthur Schooderwoerd, one of the most sought-after interpreters on the fortepiano, presents the third part of his complete recording of Mozart's Piano Concertos on ACCENT. The early version of 1773 is Mozart's first piano concerto. In 1782 he revised the concerto, adapting it to the changed prevailing taste by replacing the original final movement with a Viennese rondo (K382). Arthur Schoonderwoerd also takes into account the advance in instrument building with his juxtaposition of these two versions: he uses a harpsichord for the early Salzburg version but plays the later Vienna version on a fortepiano.
Mozart: Violin Concerto 5, Dvorak: Symphony 9 / Karajan - Clouzot

Mozart: Violin Concerto 5 / Dvorak: Symphony 9 / Karajan - Clouzot / DVD9
MPEG 7500Kbps | NTSC All Regions 4:3 (720x480) | PCM Stereo | 107 min | 7,03 GB
Classical | Label: ® UNITEL | Netload, FileSonic
Cho-Liang Lin /Leppard - Mozart: Violin Concerto No.1 & 4 (1988) 24-Bit/96-kHz Vinyl Rip

Cho-Liang Lin /Leppard - Mozart: Violin Concerto No.1 & 4
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | Full Scan Covers | MU, RS | 976 MB 3% recovery
1988 | Genre: Classical | Label: CBS Masterworks | 44503 | US pressing

The effervescence of Lin's playing goes well with the approach to these works which Leppard makes explicit in his sleeve-note. Balanced rather more naturally than either Perlman (DG) or Mutter (EMI) on their rival versions of K218 Lin's extra delicacy goes with an easier manner with more fun in it, bringing out the light and shade. As Leppard puts it, with rococo pomposity and coquettish charm contrasted, ''the listener is forced to become, like Cherubino later, a reluctant member of the 18th century militia at one moment and a lover well-versed in 18th century courtesies the next''. The slow movement is most tenderly done, with a magically hushed final phrase from the soloist, while the humour of the finale is delectably pointed by soloist and conductor alike.
(Edward Greenfield, Gramophone, 9/1988)