The Complete Motown Singles has been a dream project of Motown and soul fanatics for many years, ever since the first decade of Stax/Volt singles was compiled in an impressive nine-disc box set in 1991. The Complete Motown Singles might have seemed like a logical move to soul collectors and fanatics, but it remained in the realm of fantasy for many years because, as enticing as that set was, it was difficult to create.
"Meet the Supremes" is the debut studio album by The Supremes, released in late 1963 on Motown. The LP includes the group's earliest singles: "I Want a Guy", "Buttered Popcorn", "Your Heart Belongs to Me" and "Let Me Go the Right Way". The earliest recordings on this album, done between fall 1960 and fall 1961, feature the Supremes as a quartet composed of teenagers Diane Ross, Mary Wilson, Florence Ballard, and Barbara Martin.
2012 two CD collection devoted to the works of Motown session keyboardist (and Funk Brother extraordinaire) Earl Van Dyke. Originally, some of the Hitsville studio musicians would be ''allowed'' to cut soulful Blues and Jazz tracks for the company's Workshop Jazz label, as long as they handled the regular gig, cutting hits on the Hitsville U.S.A. assembly line. By 1964, however, Workshop Jazz was dead. Motown made good on their promise, somewhat, giving Earl Van Dyke a rare opportunity in the spotlight by issuing in his name a single and a subsequent LP, That Motown Sound. Earl's artistic disappointment belies the gems contained within those vocal-less Motown hits and the additional bonus tracks from Motown's vaults that comprise Disc One of this set. Additional previously unheard nuggets can be found amongst the bonus tracks on Disc Two.
"2009 steht ganz im Zeichen der vor 50 Jahren gegründeten Plattenfirma Motown. Das Set "Classic Motown Performances 1963-1987" birgt vier DVDs mit 250 Minuten an Live-Performances und Videoclips von vier der erfolgreichsten R&B- und Soul-Interpreten des Labels: The Tempations, Smokey Robinson & The Miracles, The Supremes und Marvin Gaye. Dazu gesellen sich als Bonus 34 Minuten an Interviews, zahlreiche A-Capella-Tracks und ein 47-minütiger Konzertmitschnitt von Marvin Gaye aus Belgien." ~audiovision
Within a refined setting of easy listening pop ballads and lightly funky up-tempo selections produced by Al McKay, Henderson proves himself an assured vocalist with mastery of clarity and phrasing. The problem here is the material isn't challenging enough – it's often formulaic and derivative of other early-'80s releases. Even a contribution from Stevie Wonder, "Crush on You," wanders into oblivion. But the singer's debonair tone and elegant, polished diction makes the weaker sound stronger. A perfect example is the mid-tempo "I'd Rather Be Gone," which suffers from a sleepy melody and clichéd rhythm arrangement.
This release presents one of John Lee Hooker's finest albums, The Big Soul of John Lee Hooker. It was recorded in 1962 and released by Vee-Jay Records. Here the bluesman explores the soul and R&B sounds of the early ‘60s, while maintaining the essence of his own boogieblues style. His gritty voice is as heavily emotive and unshakable as ever on these recordings. Hooker is backed by the seed of one of the most successful studio bands of all time, which would later be known as The Funk Brothers (the Motown studio band), as well as by a wonderful female backing vocal group. In addition to the original masterpiece, this remastered collector's edition also contains 10 bonus tracks from the same period, and constitutes one of the peaks of John Lee Hooker's incomparable musical legacy.