This limited edition box set includes 35 sonic spectacular albums from the early golden age of digital when Decca’s engineers created a new DECCA SOUND. This set is a celebration of the nearly 25-year partnership between conductor Charles Dutoit and the Orchestre Symphonique de Montréal. Highlights include recordings of Ravel, Saint-Saëns, Berlioz, Bizet, Respighi, Stravinsky, Holst, Debussy and much more.
This is luxury casting for Pergolesi’s oft-recorded Stabat Mater, but with very mixed results. The text may speak of the grief of Jesus’ mother standing at the foot of the cross, but there is undeniably an element of comic opera in Pergolesi’s uninhibitedly tuneful setting.
Swan Lake (Russian: Лебединое Озеро, Lebedinoye Ozero) is a ballet, op. 20, by Pyotr Ilyich Tchaikovsky, composed 1875–1876. The scenario, initially in four acts, by Vladimir Begichev and Vasiliy Geltser was fashioned from Russian folk tales as well as an ancient German legend, which tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger. The ballet received its premiere on February 27, 1877, at the Bolshoi Theatre in Moscow as The Lake of the Swans. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on January 15, 1895, at the Mariinsky Theatre in St. Petersburg, Russia. For this revival, Tchaikovsky's score was revised by the St. Petersburg Imperial Theatre's chief conductor and composer Riccardo Drigo.
HI fellows. Dutoit's recording on Prokofiev's 5th is another gem that was not included in the box "The art of Charles Dutoit" and deserves more than one listening… Please Enjoy!
The defining characteristic of any given jazz musician is frequently his sound. The more control a player has over the nature of that sound, the more likely he is to project a distinctive musical personality.
Dianne Reeves has been one of the top singers in jazz ever since the late '80s. A logical successor to Dinah Washington and Carmen McRae (although even she can't reach the impossible heights of Ella and Sarah Vaughan), Reeves is a superior interpreter of lyrics and a skilled scat singer.