SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. Sublime guitar work from the great Johnny Smith – a musician who was years ahead of his time, and influenced a generation with his clean, clear tone on the instrument! Smith's in a perfect setting here – a Roost label quartet date that includes Bob Pancost on piano, George Roumanis on bass, and Mousie Alexander on drums – a very understated group that really lets Johnny's wonderful tones and colors stand strongly out front! Titles include "0500 Blues", "Old Girl", "Tired Blood", "Un Poco Loco", and "More Bass". Great CD version – one of the few proper issues of this material!
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
Selection of recordings by the distinguished Modern Jazz Quartet. Included are three recordings: San Francisco, May 1962; Monterey, September 1975; and Berlin October 1965.
Pianist John Lewis, vibraphonist Milt Jackson, bassist Ray Brown and drummer Kenny Clarke first came together as the rhythm section of the 1946 Dizzy Gillespie & His Orchestra and they had occasional features that gave the overworked brass players a well-deserved rest.
After issuing 10" EPs for several years, Concorde (1955) marked two significant touchstones in the five-plus-decade career of the Modern Jazz Quartet (MJQ). One of those was the replacement of co-founder Kenny Clarke (drums) with former Lester Young quintet member Connie Kay (drums), who joined in time for the other hallmark – this, the MJQ's very first full-length long-player. Kay remained with the combo for the better part of four decades, until his passing in 1994. The transition between percussionists is both smooth as well as sensible. Kay's understated rhythms and solid timekeeping are perfectly suited to the clever arrangements and sophisticated sound of Milt Jackson (vibraphone), John Lewis (piano) and Percy Heath (bass).
In the summer of 1955, Chet Baker decided to go on a concert tour of Europe for a few weeks. He ended up staying there for more than six months, and his work and experiences during that time, which was mostly spent in Paris, should be crucial for his career and his life.