Take equal measures of Gallagher and Kraftwerk, mix in a 15-year supply of blue body paint and shake with a double-shot of modern marketing savvy and you might have something akin to Blue Man Group. This ambitious second album by New York performance artists cum entrepreneurs Matt Goldman, Phil Stanton, and Chris Wink expands their central artistic contradiction–mainstreaming the alternative–with a propulsive cocktail of rhythm, irony, self-invented instrumentation, and bona fide song structures that feature turns from guest stars Dave Matthews (the music hall dirge "Sing Along") and Tracy Bonham ("Up to the Roof," and with Rob Swift, "Shadows Pt.2"). The conceit is vaguely reminiscent of the Tubes' tongue-in-cheek ode to '80s corporate rock, "The Completion Backwards Principle," right down to being so convincing the irony often melts away. Fans of their live performances will appreciate its wall-to-wall rhythmic thrust and quirky textures, while aficionados and newcomers alike should welcome its surprising, seductive melodies and mature songwriting.
The third (and final, according to the album's subtitle) chapter of New York DJ Funkmaster Flex's mix albums is the best of the bunch, a gritty combination of old- (A Tribe Called Quest, House of Pain, Naughty By Nature) and new-school rappers (Missy Elliott, Wu-Tang Clan, Busta Rhymes).
The Mix Tape, Vol. 2: 60 Minutes of Funk is every bit as engaging its predecessor, capturing Funkmaster Flex as he spins through a stack of modern and classic hip-hop and R&B, with various guest rappers freestyling while he does so. The energy is equal to Vol. 1, and while some listeners might find the relentless but seamless mixing to be a little amelodic and irritating, any true hip-hop fan will consider the album a treasure.
Funkmaster Flex's The Mix Tape, Vol. 1 recalls hip-hop's past while pointing toward its future. Featuring a wide array of hip-hop styles graced by amazing freestyle raps by some of the '90s top MCs, the album sounds like a mixtape compiled from the radio and 7" singles - there's simply nothing but first-rate music, with no filler whatsoever. Although there are elements of old-school rap as well as modern funk, the daring production and stunning rhymes make The Mix Tape a rarity of mid-'90s hip-hop - it's a record that sounds like none of its competition. It announces itself as an instant classic.
Man's importance in the history of Welsh rock music cannot be understated. Fusing the worlds of Psychedelia, Blues, Rock and Roll and West Coast inspired rock, they were simply one of Britain's most original groups of the 1970's. Along with label-mates Hawkwind, Man were true champions of the "underground" spirit.
Man - Revelation (1969). Digitally remastered and expanded edition of the Welsh rockers' 1969 debut album including four bonus tracks. A fabulous blend of Psychedelia and Acid Rock, the set is now regarded as an early classic by the band…
Guardians of the Galaxy: Awesome Mix Vol. 1 (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film of the same name. Featuring the songs present on Peter Quill's mixtape in the film, the album was released by Hollywood Records on July 29, 2014. A separate film score album, Guardians of the Galaxy (Original Score), composed by Tyler Bates, was also released by Hollywood Records on the same date, along with a deluxe version featuring both albums. The soundtrack album reached number one on the US Billboard 200 chart, becoming the first soundtrack album in history consisting entirely of previously released songs to top the chart. The album topped the Billboard Top Soundtracks for 11 consecutive weeks and 16 weeks in total. As of January 2015, it has sold 1,003,000 copies in the United States, and has been certified Platinum by the RIAA. The album was the US's second best-selling soundtrack album of 2014, behind only the soundtrack to Frozen.
No-Man is a British duo formed in 1987 by Tim Bowness and Steven Wilson (Porcupine Tree). The name No-Man was adopted in 1990 and first used on the self-released June 1990 single release, "Colours". Originally creating a sample-based proto-trip hop / ambient styled music, No-Man’s sound has become more organic, eclectic and band-oriented in subsequent years. Drawing from a diverse mix of Singer-songwriter, Post Rock, Minimalist, Progressive rock, Jazz, and Contemporary Ambient sources for inspiration, No-Man's sound is distinctive, yet difficult to categorise. On labels such as One Little Indian, Sony, Adasam and Kscope, the band has so far produced six studio albums and a number of singles / outtakes collections, most notably, 2006's career retrospective, "All The Blue Changes"…