Miss cj Miles

Miles Davis - Filles de Kilimanjaro (1968) [MFSL Remastered 2015] Audio CD Layer

Miles Davis - Filles de Kilimanjaro (1968) [MFSL Remastered 2015]
EAC | FLAC | Tracks (Cue&Log) ~ 345 Mb | Mp3 (CBR320) ~ 138 Mb | Scans included | 00:56:36
Post-Bop, Fusion | Label: Mobile Fidelity Sound Lab/Columbia | # UDSACD 2148

Since it's billed as "Directions in Music by Miles Davis," it should come as little surprise that Filles de Kilimanjaro is the beginning of a new phase for Miles, the place that he begins to dive headfirst into jazz-rock fusion. It also happens to be the swan song for his second classic quintet, arguably the finest collective of musicians he ever worked with, and what makes this album so fascinating is that it's possible to hear the breaking point – though his quintet all followed him into fusion (three of his supporting players were on In a Silent Way), it's possible to hear them all break with the conventional notions of what constituted even adventurous jazz, turning into something new. According to Miles, the change in "direction" was as much inspired by a desire to return to something earthy and bluesy as it was to find new musical territory, and Filles de Kilimanjaro bears him out.

Miles Davis - On The Corner (1972) [MFSL Remastered 2016]  Music

Posted by Designol at July 21, 2017
Miles Davis - On The Corner (1972) [MFSL Remastered 2016]

Miles Davis - On The Corner (1972) [MFSL Remastered 2016]
EAC | FLAC | Tracks (Cue&Log) ~ 369 Mb | Mp3 (CBR320) ~ 138 Mb | Scans included | 00:54:55
Fusion, Jazz-Funk, Jazz-Rock | Label: Mobile Fidelity Sound Lab | # UDSACD 2171

On the Corner is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded in June and July 1972, and released later that year by Columbia Records. The album continued Davis' exploration of jazz fusion, bringing together funk rhythms with the influence of experimental composer Karlheinz Stockhausen and free jazz saxophonist Ornette Coleman. Recording sessions for the album featured a changing lineup of musicians including bassist Michael Henderson, guitarist John McLaughlin, and keyboardist Herbie Hancock, with Davis playing the electric organ more prominently than his trumpet.

Miles Davis - The Alternative Miles Davis (2001) [Promo]  Music

Posted by SuniR at July 19, 2017
Miles Davis - The Alternative Miles Davis (2001) [Promo]

Miles Davis - The Alternative Miles Davis (2001) [Promo]
EAC | FLAC (log,tracks+cue) -> 240 Mb (5% Rec.)
Mp3 CBR320 Kbps -> 98 Mb (5% Rec.) | Scans included
Jazz, Bop, Hard Bop | Label: Sony Music Entertainment, SAMPCM 10165 2 | 0:37:46

Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz, hard bop, modal jazz, and jazz fusion. Many well-known musicians rose to prominence as members of Davis' ensembles, including saxophonists Gerry Mulligan, John Coltrane, Cannonball Adderley, George Coleman, Wayne Shorter, Dave Liebman, Branford Marsalis and Kenny Garrett; trombonist J. J. Johnson; pianists Horace Silver, Red Garland, Wynton Kelly, Bill Evans, Herbie Hancock, Joe Zawinul, Chick Corea, Keith Jarrett and Kei Akagi; guitarists John McLaughlin, Pete Cosey, John Scofield and Mike Stern; bassists Paul Chambers, Ron Carter, Dave Holland, Marcus Miller and Darryl Jones; and drummers Elvin Jones, Philly Joe Jones, Jimmy Cobb, Tony Williams, Billy Cobham, Jack DeJohnette, and Al Foster.
Miles Davis - E.S.P. (1965) [MFSL Remastered 2015] Audio CD Layer

Miles Davis - E.S.P. (1965) [MFSL Remastered 2015]
EAC | FLAC | Tracks (Cue&Log) ~ 270 Mb | Mp3 (CBR320) ~ 123 Mb | Scans included
Hard Bop, Trumpet Jazz | Label: Mobile Fidelity Sound Lab | # UDSACD 2170 | 00:48:36

ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet – saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams – gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde. Outwardly, this music doesn't take as many risks as Coltrane or Ornette Coleman's recordings of the mid-'60s, but by borrowing some of the same theories – a de-emphasis of composition in favor of sheer improvisation, elastic definitions of tonality – they created a unique sound that came to define the very sound of modern jazz. Certainly, many musicians have returned to this group for inspiration, but their recordings remain fresh, because they exist at this fine dividing line between standard bop and avant.

Miss - Tome 3 - Blanc Comme Le Lys (Digital)  Comics

Posted by Mendose at July 18, 2017
Miss - Tome 3 - Blanc Comme Le Lys (Digital)

Miss - Tome 3 - Blanc Comme Le Lys (Digital)
French | CBR | 55 pages | 28 MB

Miss Peregrine's House of Peculiar Children (2016)  Video

Posted by king-ston at July 18, 2017
Miss Peregrine's House of Peculiar Children (2016)

Miss Peregrine's House of Peculiar Children (2016)
BDRip | MKV | HEVC (10bit), 33 Mbps | 3840x2160 | 23.976 fps | 34 GB | Runtime: 127 Min
Audio : English DTS 4528 Kbs, 1509 Kbs, 1509 Kbs | 8 channels , 7 channels, 6 channels | 48 KHz
Audio : French DTS 768 Kbs | 6 channels | 48 KHz
Subtitle : English, French
Genre : Adventure | Drama | Family | Fantasy

When Jacob discovers clues to a mystery that spans different worlds and times, he finds a magical place known as Miss Peregrine's Home for Peculiar Children. But the mystery and danger deepen as he gets to know the residents and learns about their special powers… and their powerful enemies. Ultimately, Jacob discovers that only his own special "peculiarity" can save his new friends.
Miles Davis - Sorcerer (1967) [MFSL Remastered 2015] Audio CD Layer

Miles Davis - Sorcerer (1967) [MFSL Remastered 2015]
EAC | FLAC | Tracks (Cue&Log) ~ 240 Mb | Mp3 (CBR320) ~ 101 Mb | Scans included | 00:40:24
Post-Bop, Modal Music, Trumpet Jazz | Label: Mobile Fidelity Sound Lab | # UDSACD 2145

Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings. Even when the tempo picks up, as it does on the title track, there's little of the dense, manic energy on Miles Smiles – this is about subtle shadings, even when the compositions are as memorable as Tony Williams' "Pee Wee" or Herbie Hancock's "Sorcerer." As such, it's a little elusive, since it represents the deepening of the band's music as they choose to explore different territory. The emphasis is as much on complex, interweaving chords and a coolly relaxed sound as it is on sheer improvisation, though each member tears off thoroughly compelling solos. Still, the individual flights aren't placed at the forefront the way they were on the two predecessors – it all merges together, pointing toward the dense soundscapes of Miles' later '60s work.
Miles Davis - My Funny Valentine (1965) [MFSL Remastered 2014] Audio CD Layer

Miles Davis - My Funny Valentine (1965) [MFSL Remastered 2014]
EAC | FLAC | Tracks (Cue&Log) ~ 366 Mb | Mp3 (CBR320) ~ 158 Mb | Scans included | 01:03:53
Hard Bop, Cool, Trumpet Jazz | Label: Mobile Fidelity Sound Lab | # UDSACD 2141

Miles Davis' concert of February 12, 1964, was divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (specifically, "All of You," "Stella by Starlight," "All Blues," "I Thought About You," and the title cut) put the emphasis on the lyricism of Davis, along with some strong statements from tenor saxophonist George Coleman and freer moments from the young rhythm section of pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams. This hour-long LP complements the up-tempo romps of Four & More.

Charlie Austin - Miss Holly collection  Girls

Posted by guasman at July 15, 2017
Charlie Austin - Miss Holly collection

Charlie Austin - Miss Holly collection
33 JPG | 900x1500 | 12,7 mb
Australian model
Miles Davis - Nefertiti (1967) [MFSL Remastered 2015] Audio CD Layer

Miles Davis - Nefertiti (1967) [MFSL Remastered 2015]
EAC | FLAC | Tracks (Cue&Log) ~ 239 Mb | Mp3 (CBR320) ~ 99 Mb | Scans included | 00:39:16
Hard Bop, Post-Bop, Modal Jazz | Label: Mobile Fidelity Sound Lab/Columbia | # UDSACD 2146

Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes – but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. This music anticipates the free-fall, impressionistic work of In a Silent Way, yet it remains rooted in hard bop, particularly when the tempo is a bit sprightly, as on "Hand Jive." Yet even when the instrumentalists and soloists are placed in the foreground – such as Miles' extended opening solo on "Madness" or Hancock's long solo toward the end of the piece – this never feels like showcases for virtuosity, the way some showboating hard bop can, though each player shines.