1960s singer-songwriter Kevin Ayers sings ‘Funny how the situation changes’, at the start of The Unfairground, his first album for fifteen years. How true that appears to be, given the biographical facts surrounding this formerly psychedelic, and almost mythic, ex-Soft Machine operator. Running to seed, as the story goes, in the south of France, he gets re-discovered, hauled back to the UK and a batch of new songs – recorded on the hoof in a range of locations – is conjured around Ayers’ wry, addictive, but ever so slightly broken, vocals.
Cardboard sleeve reissue from Kevin Ayers features remastering in 2014 and the high-fidelity SHM-CD format (compatible with standard CD players). The cover faithfully replicates the original UK LP artwork. Includes an obi featuring design of original Japanese limited edition's LP. Comes with a description and lyrics. Part of eight-album Kevin Ayers cardboard sleeve reissue series features the albums, "Joy Of A Toy +5," "Shooting At The Moon +6," "Whatevershebrings Wesing +10," "Bananamour +7," "Odd Ditties +3," "Yes We Have No Mananas. So Get Your Mananas Today +9," "Rainbow Takeaway +7," and "That's What You Get Babe +4." Bonus tracks.
Hanoi Rocks was a Finnish rock band formed in 1979. They were the first Finnish band to chart in the UK and they were also popular in Japan. The band broke up in June 1985 after the drummer Nicholas "Razzle" Dingley had died in a car accident during their first US tour in December 1984. Original vocalist Michael Monroe and guitarist Andy McCoy reunited in 2001 with a new line-up of Hanoi Rocks until 2009. Although musically closer to traditional rock n' roll and punk, Hanoi Rocks have been cited as a major influence in the glam metal genre for bands such as Guns N' Roses, Skid Row and Poison…
A really cool bit of bossa jazz from reedman Buddy Collette – an artist who's not as well associated with the genre as Stan Getz or Paul Desmond – but who really cooks nicely here! The setting is relatively lean and groovy – with guitar from Howard Roberts, bass from Mel Pollan, and percussion from Leo Acosta and Darias – both of whom bring a nice sort of west coast vibe to the set, one that's different from some of the Verve bossa modes of the time. Jim Helms handled the arrangements, with a nice airy sort of mode – and Buddy plays both tenor and flute, on titles that include "Nao Pode Ser", "Porque De Moras", "A Pele Do Marfin", "A Meie Noite", "Samba Da Tartaruga", and "Amor Levado".
Features the high-fidelity SHM-CD format (compatible with standard CD player). Cover artwork faithfully replicates original one. Comes with lyrics and a description. Camel was still finding its signature sound on its eponymous debut album. At this point, Peter Bardens and his grand, sweeping organ dominate the group's sound and Andrew Latimer sounds tentative on occasion.