60 songs, 22 (!) previously unreleased-including duets with Dylan, the Dead, Kris Kristofferson, Donovan, Judy Collins and sister Mimi Farina, etc.-together with a 32-page full-color book packed with interviews and rare pix! From We Shall Overcome through The Night They Drove Old Dixie Down to Diamonds and Rust , her complete career. This is a big ol' box of Baez; certainly more than any casual fan would need. The hits are here ("Diamonds and Rust," "The Night They Drove Old Dixie Down"), along with a treasure trove of rare duets (with Kris Kristofferson, Bob Gibson, Donovan, and others) and previously unreleased tracks (including a giddy 1965 concert duet with Bob Dylan on his "Mama, You Been on My Mind"). The depth and breadth of Baez's work–from her early traditional bent ("Silver Dagger") to her fine choices from contemporary writers (Merle Haggard, John Prine)–is well-represented. The striking beauty of her voice is, too.
The titular "Mimi" of The Emancipation of Mimi is, by all accounts, an alter ego of Mariah, a persona that captures Carey's true feelings and emotions. In case you didn't know what "emancipation" means, Mariah helpfully provides a dictionary definition of the word in the opening pages of the liner notes for her eighth proper album: it means "to free from restraint, control, oppression, or the power of another" or "to free from any controlling influence" or "to free somebody from restrictions or conventions." So, on The Emancipation of Mimi, Mariah frees herself from the constraints of being herself, revealing herself to be – well, somebody that looks startlingly like Beyoncé, if the cover art is any indication…
Excellent addition to any prog rock music collection
A legendary Heavy-Prog album if there ever was one. And a trio at that. These guys look so cool in the liner notes. Man you get Crane and Cann together and look out it’s time to cook !
“Death Walks Behind You” opens with haunting piano lines before the guitar starts to make some noise. Full sound a minute in, vocals follow. A calm with piano after 3 1/2 minutes. It kicks back in. “Vug” opens with some very impressive organ by Crane as the guitar supports. Lots of organ 2 minutes in. The guitar is more prominant after 3 minutes. They’re cooking now ! “Tomorrow Night” is a somewhat catchy tune. Nice organ solo 2 minutes in.Tasteful guitar a minute later. It ends on an experimental note. “7 Streets” opens with organ. Crane used a device to make his Hammond organ sound like church organ on this one. The drumming is excellent on this track but then so is the whole song. This along with “Nobody Else” are my favourites. Some ripping organ and guitar after 3 minutes as they trade solos. I wish all the songs were this dynamic.