In 1985, Miles Davis shocked the music world by moving from Columbia to Warner Bros.. He immediately started working on an album called Perfect Way after a tune by Scritti Politti, later renamed Tutu by producer Tommy LiPuma. When Tutu (a tribute to Desmond Tutu) was released in 1986, it re-ignited Miles Davis’ career, crossing over into the rock and pop markets and winning him two Grammy Awards. A definitive collection of the later part of Miles Davis’ work, lavishly packaged and remastered, from the Warner Bros studio albums Tutu, Amandla and Doo-Bop, the Dingo and Siesta soundtracks, live recordings with Quincy Jones, and the likes of Kenny Garrett, Foley and Adam Holzman.
Miles Away, a compilation of songs by Miles Davis. Released in 2008 on Not Now Music. On top of that, the sound is alright, the packaging is elegant (a fold-out digipak, with cool b&w photos of Miles beneath each disc), and we even get brief, informative liner notes. Not Now Music are getting dangerously good at this budget comp thing.
Many musicians lived and were musically active during multiple jazz periods, and some of them actually made significant contributions during all of the periods during which they recorded. But few can claim, as Miles Davis could, to have actually helped design the architecture in every case. Bebop, cool, and fusion all have Davis' handprints deep in the cement of their foundations, and this disc documents some of his best work during the second of those periods. In the mid-'50s he started what would be a tumultuous musical relationship with John Coltrane, and what would eventually become one of the greatest combos in jazz history began to coalesce: alto saxophonist Cannonball Adderley, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones in addition to Davis and Coltrane.