More than 50 years after Miles Davis and John Coltrane embarked on one last tour of Europe together, fans can finally own this crucial piece of history on The Final Tour: The Bootleg Series, Vol. 6, available everywhere today. This 4CD set features, for the first time in an authorized release, five breathtaking performances recorded in Paris, Stockholm and Copenhagen on the Jazz At The Philharmonic European Tour of spring 1960.
A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
The explosive transformation of Miles Davis’ “second great Quintet” with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on this release. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material. This is a 3-CD + DVD package, with an 8-panel digipak with 28-page booklet.
Until now, the official recordings of Miles Davis' performances at the Fillmore East between June 17 and 20, 1970 have been limited to the double album Miles at the Fillmore. That set's producer Teo Macero, edited the recordings to create medleys of each night's music to four roughly 20-minute selections. This four-disc set contains all four concerts. There are 100 minutes of previously unreleased music from Wednesday through Saturday; an additional 35 minutes of unreleased music comes from a previous gig at the Fillmore West.
Miles Davis’ 20-year association as an artist at impresario George Wein’s renowned Newport Jazz Festival is a thriving tradition celebrated with the release of MILES DAVIS AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL. 4, released 60 years to the date since Davis’ breakthrough performance at Newport in 1955. The four-CD box set is comprised of live performances by Miles’ stellar band lineups in 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975, in Newport, Rhode Island, New York City, Berlin, and Switzerland. (All tracks previously unreleased, except where otherwise indicated).
The first volume Legacy’s Miles Davis bootleg series offered audio and video evidence of his second great quintet playing the Newport Jazz Festival in Europe in 1967. Acclaim from critics and fans was universal. This second entry, Live in Europe 1969: Bootleg Series, Vol. 2, showcases almost an entirely different band – only saxophonist Wayne Shorter remains. Bassist Dave Holland, drummer Jack DeJohnette, and pianist Chick Corea made up Davis' road band, and other individuals participated in sessions for Filles de Kilimanjaro and In a Silent Way. These fire-breathing performances offer a band at fever pitch hearing and playing what they knew even then was a new chapter in jazz history.