When it came time for Motown to package its Commodores catalog for the CD market, they paired up the albums into a series of two-fers, one of the more suitable pairings being Natural High/Midnight Magic. These back to back albums, from 1978 and 1979 respectively, flow together well. Neither is one of the group's best overall albums, but each has a good share of hits that add up to a satisfying albeit spotty sum, one that includes a pair of gigantic hits, "Three Times a Lady" and "Still." These two crossover hits are both quiet piano ballads sung by Lionel Richie, who had made such songs his stock-in-trade by this point, delivering one or two on every successive Commodores album, to generally greater and greater (and broader) success each go round.
A collection of traditional Egyptian belly dance music. This album is good for any beginner or advanced belly dancers. It is also suitable for parties, DJ's, and clubs. It was nominated for the best Belly Dancing Music in 2000 by The International Academy of the Middle East Dance. Music by Dr. Samy Farag
"Robbery" is the fifth album by Teena Marie, released in 1983. It is her first album for Epic Records, following her acrimonious departure from Motown the previous year. The album was written and produced by Marie herself and features contributions from Patrice Rushen, Paulinho da Costa, and Steve Ferrone among others. However, the album did not repeat the success of her last Motown release It Must Be Magic, stalling at #13 on the Black Albums chart and only reaching #119 on the Billboard Albums chart.
Rock & Roll Strategy is the eighth studio album by the southern rock band 38 Special, released in 1988. It was the first album to feature the new vocalist and keyboard player Max Carl. This album contained their last Top 10 hit, "Second Chance", which peaked at #6 on the Billboard Hot 100 singles chart.
This vocal quartet originally started life as an extension of jazz band the Hi-Lo’s. From that prominent '50s band came Don Shelton, who decided to form Singers Unlimited after the Hi-Lo’s broke up in 1964. After retreating to Chicago, Illinois, where he worked on a series of television commercials, he enlisted fellow Hi-Lo’s veteran Gene Puerling of Milwaukee, Wisconsin, to join him in the city in 1967. The group was formed along with Len Dresslar and Bonnie Herman, with the express intention of recording commercials in the doo wop/vocal group idiom. Shelton’s connections in the industry ensured the group was able to exploit the market successfully, and lucrative work rolled in. However, the 30-second snatches of songs hardly satisfied their artistic ambitions, and when they found themselves with studio time left over after one session, they recorded a take on the Beatles' "The Fool on the Hill." Through visiting jazz pianist Oscar Peterson, the demo of the a cappella recording was passed to MPS Records in Germany.
If Badfinger's debut album Magic Christian Music sounds patchy, there's a reason why: It was assembled from three different sources. Although the title suggests that the record is a soundtrack to The Magic Christian it isn't. It's a hodgepodge, containing the group's three contributions to the film, six highlights from the band's pre-Badfinger album Maybe Tomorrow (released when they were known as the Iveys), an alternate take from Maybe Tomorrow, and four new songs…