When it came time for Motown to package its Commodores catalog for the CD market, they paired up the albums into a series of two-fers, one of the more suitable pairings being Natural High/Midnight Magic. These back to back albums, from 1978 and 1979 respectively, flow together well. Neither is one of the group's best overall albums, but each has a good share of hits that add up to a satisfying albeit spotty sum, one that includes a pair of gigantic hits, "Three Times a Lady" and "Still." These two crossover hits are both quiet piano ballads sung by Lionel Richie, who had made such songs his stock-in-trade by this point, delivering one or two on every successive Commodores album, to generally greater and greater (and broader) success each go round.
A collection of traditional Egyptian belly dance music. This album is good for any beginner or advanced belly dancers. It is also suitable for parties, DJ's, and clubs. It was nominated for the best Belly Dancing Music in 2000 by The International Academy of the Middle East Dance. Music by Dr. Samy Farag
Chicago blues drips from the raw and gritty music of Magic Slim. His vocals are delivered like a champion boxer punches. His sharp, fast lead guitar notes are drenched in sweat. His rife rhythms rock like a ship that’s tossed about by a hellacious storm. His potent backing band – comprised of Jon McDonald (guitar), Danny O’Connor (bass), and David Simms (drums) – is more than capable of supporting the master. Together with Slim, they are considered to be one of the last real Chicago blues bands. Magic Slim doesn’t need to rely on guest stars in order to make a great CD. Still, eight confidant colleagues, including Otis Clay and Elvin Bishop, appear throughout the 47-minute disc. This is practically a 100% pure Chicago blues record. It was recorded in Chicago, it was produced by a Chicago blues artist, the cover photo and CD design were created by a Chicago graphic artist, most of the songs were written by Chicago artists, and the guests are all associated with Chicago.