Mendelssohn Rias

RIAS Kammerchor, Akademie fur Alte Musik Berlin, Hans-Christoph Rademann - Mendelssohn: Elias (2016)

RIAS Kammerchor, Akademie fur Alte Musik Berlin, Hans-Christoph Rademann - Mendelssohn: Elias (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks, digital booklet - 554 MB | MP3 CBR 320 kbps - 294 MB | 02:06:02
Classical, Opera | Label: Accentus (Harmonia Mundi) | Release Year: 2016

Never was there a more complete triumph – never a more thorough and speedy recognition of a great work of art.” This was the response of the critic in the London Times to the wildly successful premiere of Felix Mendelssohn’s Elias in 1846. Hans-Christoph Rademann began his tenure as Principal Conductor of the RIAS Chamber Choir with this groundbreaking oratorio. After eight productive and successful years, his final concert in July 2015 also featured the work. It was a “Farewell Performance with Furor” (Der Tagesspiegel), not least because of the impressive performers involved: the RIAS Chamber Choir, the Akademie für Alte Musik Berlin, and the soloists Marlis Petersen, Lioba Braun, Maximilian Schmitt, and Thomas Oliemans.
Hans-Christoph Rademann, RIAS Kammerchor - Christmas! Noël! Weinachten! (2013) [Official Digital Download 24/48]

Hans-Christoph Rademann, RIAS Kammerchor - Christmas! Noël! Weinachten! (2013)
FLAC (tracks) 24-bit/48 kHz | Time - 70:00 minutes | 651 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

The great painters have always known how to combine the different perspectives of the Nativity into a single picture. Here the RIAS Kammerchor tells the Christmas Story in music: Mendelssohn frames the painting, to which the darkness and the promise of promise of heavenly light form the background. The Virgin Mary leads us to the heart of Christmas Night and to rejoicing at the Saviour s birth. We come full circle with the Four Motets of Poulenc, which sum up all the facets of Christmas and its emotions.
Mendelssohn - A Midsummer Night's Dream, Symphony No 1 (John Eliot Gardiner) (2017) [Blu-Ray]

Mendelssohn - A Midsummer Night's Dream, Symphony No 1 (John Eliot Gardiner) (2017) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 55+97 min | 32,4 Gb
Audio1: English / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD MA / 5.1 / 192 kHz / 10478 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 55+97 min | 6,4 Gb
Audio: English / DTS / 6ch / 48.0 KHz / 24 bits | PCM / 2ch / 48.0 KHz / 24 bits
Classical | LSO Live

Continuing his award-winning cycle of works by Felix Mendelssohn, Sir John Eliot Gardiner leads the LSO, his Monteverdi Choir and three talented young actors from the Guildhall in a landmark performance of 'A Midsummer Night’s Dream', which was performed as part of the 400th anniversary of Shakespeare’s death. To mark the celebrations, Gardiner produced a special version of the work featuring some cuts to the original movements that, in his words, "remove all of the music relating to the Mechanicals and thus focus on the world of the fairies and the human lovers". Mendelssohn, who adored Shakespeare’s writings, composed his concert overture based on 'A Midsummer Night’s Dream' in 1827 aged 17, after having read a German translation of the play. The overture was immediately acclaimed as a masterpiece and quickly became a popular favourite throughout Europe. Years later in 1843 he was asked by the King of Prussia to provide a score for an entire production: 14 short works based on themes and moods from the original overture, with a broadly romantic sound although classical in style and structure.
Mendelssohn-Bartholdy / Balanchine - A Midsummer Night’s Dream 2017 [HDTV 1080i]

Mendelssohn-Bartholdy / Balanchine - A Midsummer Night’s Dream 2017 [HDTV 1080i]
AVC, 1920x1080i (16:9), 19.2 mbps, 25 fps | AC3 384 kbps, 2 ch | 01:16:00 | 16.7 GB
Claisscal, Ballet | Opera De Paris | HDTV->MKV

A new bright production of A Midsummer Night’s Dream (Le Songe d'une nuit d'été).
Tigran Mansurian - Requiem (Petersen, Redmond, RIAS Kammerchor, Munchener Kammerorchester; Liebreich) - 2017

Tigran Mansurian - Requiem (Petersen, Redmond, RIAS Kammerchor, Munchener Kammerorchester; Liebreich) - 2017
TR24.SM.OF | FLAC (tracks) 24-bit/96 kHz | PDF | 811.34 MB
Classical | ECM New Series

Tigran Mansurians Requiem erinnert an die Opfer des Völkermordes, der von 1915 bis 1917 im damaligen Osmanischen Reich an den Armeniern verübt wurde. In zutiefst bewegender Weise führt Mansurian die musikalische Tradition seines Landes, ihre Klangfarben und Stimmungen, mit dem lateinischen Bibeltext zusammen und erfüllt seine Komposition mit dem »leuchtenden Glanz der armenischen modalen Musik«, wie Paul Griffiths es in seinem Essay formuliert. Für Mansurian, der als bedeutendster Komponist Armeniens gilt und in dessen Musik, so die Los Angeles Times, »ein tiefer kultureller Schmerz besänftigt wird durch wundersam stille, herzzerreißende Schönheit«, bedeutet das Requiem einen Meilenstein. Das Requiem entstand im Auftrag des Münchener Kammerorchesters und des RIAS Kammerchors und wurde im Januar 2016 in der Jesus-Christus-Kirche in Berlin-Dahlem mit Manfred Eicher als Produzent aufgenommen..
Cecilia String Quartet - Felix Mendelssohn: String Quartets, Op.44 Nos. 1, 2 (2015)

Cecilia String Quartet - Felix Mendelssohn: String Quartets, Op.44 Nos. 1, 2 (2015)
EAC | FLAC | Image (Cue&Log) ~ 260 Mb | Artwork included
Genre: Classical | Label: Analekta | # AN29844 | 00:45:05

GRAMOPHONE Magazine Editor's Choice - February 2016. The Cecilia String Quartet's performances have been hailed as “powerful” (Chicago Sun- Times) and their Analekta albums were acclaimed for their “deeply felt imperativeness” (The Strad), and applauded for “unleashing the music’s ecstasy and angst” (Gramophone Magazine). For this new recording, the CSQ chose to record two of the three quartets of Felix Mendelssohn's Op. 44, which are the centrepiece of his mature string quartets. He wrote them in the years 1837-38, starting composition at the age of 28, when his fame in the international musical community was rapidly growing. Elegant and irresistible!
LSO, John Eliot Gardiner - Felix Mendelssohn: Symphony No.5 'Reformation'; Overtures (2015)

Felix Mendelssohn - Symphony No.5 'Reformation'; Overtures (2015)
London Symphony Orchestra; Sir John Eliot Gardiner, conductor

EAC | FLAC | Image (Cue&Log) ~ 200 Mb | Mp3 (CBR320) ~ 112 Mb | Scans included
Genre: Classical | Label: LSO Live | # LSO0775 | Time: 00:47:09

Sir John Eliot Gardiner and the London Symphony Orchestra join forces once again in the latest instalment of their exploration of Mendelssohn’s symphonies. Mendelssohn’s Symphony No 5, commonly known as the ‘Reformation’ Symphony, was written in 1830 to commemorate the 300th anniversary of the Augsberg confession – a seminal event in the Protestant Reformation. Allusions to the symphony’s title and inspiration can be heard throughout the music itself; the Dresden Amen is cited by the strings in the first movement whilst the finale is based on Martin Luther’s well-known chorale Ein feste Burg ist unser Gott (‘A Mighty Fortress is Our God’). Coupled with this are two of Mendelssohn’s overtures, Calm Sea and Prosperous Voyage and Ruy Blas, both of which were inspired by literary works. Calm Sea and Prosperous Voyage, based on two short poems by Goethe, depicts the journey of sailors at sea with a still adagio opening ultimately giving way to a triumphant homecoming. Completing the album, the overture Ruy Blas was commissioned by the Leipzig Theatre as an overture to Victor Hugo’s tragic drama of the same name.
Ronald Brautigam - Mendelssohn: Lieder ohne Worte, Books 1-4 (2012) [TR24][OF]

Ronald Brautigam - Mendelssohn: Lieder ohne Worte, Books 1-4
Classical | FLAC (tracks) 24-bit/96 kHz | 69:06 min | 1.04 GB | Digital booklet
Label: BIS | Tracks: 29 | Rls.date: 2012

If claims could be made for a certain composer to have invented a genre single-handedly, Felix Mendelssohn would be a strong candidate with his ‘Songs without Words’. The term itself can be traced back to 1828, and a letter in which Fanny Mendelssohn mention having received a ‘song without words’ as a birthday present from her brother.
Mendelssohn-Bartholdy - Das Neue Orchester / Chorus Musicus Köln / Spering - Elias (2010, MDG "Live" # 602 1656-2) [RE-UP]

Felix Mendelssohn-Bartholdy - Elias: Oratorio on words of the Old Testament op. 70
Das Neue Orchester / Chorus Musicus Köln / Christoph Spering
2xCD | EAC+LOG+CUE | FLAC: 556 MB | Full Artwork: 203 MB | 5% Recovery Info
Label/Cat#: MDG "Live" # 602 1656-2 | Country/Year: Germany 2010
Genre: Classical | Style: Oratorio, Sacred, Romantic

…And, in fact, Elias has rarely been performed with greater respect for the original than it is here under the conductor Christoph Spering, who has recorded this “sacred opera” with his New Orchestra and the Chorus Musicus Köln in Essen’s Philharmonic Hall with the composer’s “dramatic ideal” fully in mind and heart. (…) The result was in fact an oratorio in opera form and a wealth of dramaturgical elements that absolutely enthralled the public. Fresh Interpretation Just as the composer would have wanted it, Christoph Spering has selected a full chorus and a magnificently dimensioned orchestra for this recording. The New Orchestra performs on historical instruments and in the two years since its founding has gained renown as an outstanding interpreter of the music of the romantic era. (…) Brisk tempos, sharp delineation, powerful expression, and interpretive freshness are the hallmarks of this new discovery for the MDG Live label.

Eroica Quartet - Mendelssohn: String Quartets, Vol. 3 (2005)  Music

Posted by tirexiss at Oct. 21, 2016
Eroica Quartet - Mendelssohn: String Quartets, Vol. 3 (2005)

Eroica Quartet - Mendelssohn: String Quartets, Vol. 3 (2005)
EAC | APE (image+.cue, log, scans) | Covers Included + pdf Booklet | 01:11:03 | 346 MB
Genre: Classical | Label: Harmonia Mundi | Catalog: HMU 907288

Finally, Mendelssohn's string quartets are hitting the big time. Over the past decade, there have been more and, for the most part, better recordings of his quartets that at any time in history. Think of the Alban Berg Quartet's brilliantly bracing recording or the Quatuor Mosaïques' fervently soulful recording. Of course, there have also been some fairly mediocre recordings – think of the Emerson's recklessly energetic recording – and merely passable recordings – think of the Henschel's hastily enthusiastic recording.